Begegnungen der Seele 2

Brad and Barbara Washburn were filmed by National Geographic and RKO Pictures on their ascent of Mount McKinley in Alaska. The film is a pictorial record of the first scientific conquest of Mount McKinley, filmed with the cooperation of the Boston Museum of Science. The short is part of the RKO's 'This is America' documentary series.

This rare documentary was filmed with the participation and personal camera of Wolfgang Gorther, a German military cinematographer of the 1st mining division, who participated in the legendary ascent of Elbrus on the night of August 21, 1942. From the beginning of the Second World War and the last international winter sports week in Garmisch-Partenkirchen follows the invasion of the German troops into the Soviet Union: Dnieper, Zaporozhy, Kharkov, Rostov-on-Don, Nogaean Steppe, Caucasus – fighting at 50 degrees below zero, military expedition into the world of ice and snow; – ascent of mountain arrows and subsequent hoisting of flags on the Elbrus at an altitude of 5,633 meters.

1920 travelogue.

We look first at Westminster Abbey and the Towers of Parliament. And the sight-seeing only starts there as it continues to all the famous buildings of London.

Escalada à Torre dos Clérigos

A film on mountain-climbing in Grand Teton National Park, Wyo. Glenn Exum, Virginia Garner, and Paul Petzoldt demonstrate mountaineering techniques and equipment. They reach the peak, shake hands, and rappel and glissade to base of mountain.

A travelogue set in the jungles of Borneo.

1906, produced by Charles Urban, cinematography by Frank Ormiston-Smith.

Making of the cinematographic shooting of "Premier de cordée" directed by Louis Daquin in the Mont-Blanc massif. In 1943. Alain Pol films the risky adventure of filming in the high mountains with a team of seventy people. The images of the making-of reveal the technical constraints encountered by the actors and technicians: falling rocks, crossing glaciers and long approach walks at altitude to the filming locations. Six actors and technicians will also be injured and the main role - that of Pierre - will be reassigned to André Le Gall following a bad fall by Roger Pigaut.

Account of the first French expedition to the Himalayas, which attempted to climb the hidden peak (Gasherbrum I) in 1936, from the preparations for the trip to the end of the ascent. After a long approach walk through quasi-desert regions, then on a huge glacier, the caravan of 700 porters arrives at the foot of Hidden Peak. The expedition was led by Henry de Ségogne, with Jean Charignon, Pierre Allain, Raymond Leininger, Jean Carle, Jean Deudon, Louis Neltner, Jacques Azémar, doctor Jeand Arlaud and director Marcel Ichac. Weather conditions, logistical problems and a strike among Sherpas forced the team to retire at 6900m on the south face. The film received the Silver Lion at the Venice Film Festival in 1938.

Documentary on one of the first editions of the Trofeo Mezzalama, the highest ski mountaineering race in Europe, at more than 4,200 meters above sea level, which takes place on the glaciers of Monte Rosa, from Breuil to Gressoney-La-Trinité, crossing the summits of Castor (4,199 meters) and Nez du Liskamm (4,100 meters). The film recounts the last hours of feverish preparation before the start, the teams preparing for the race linked in ropes, then follows the stages of the competition by following the groups of skiers from a plane. Created in 1933, the Trofeo Mezzalama was contested until 1938, before falling into oblivion during the war. A second version was organized from 1970 to 1973. A third biannual version has been organized since 1997.

Wiedergeburt - Deine Seele ist unsterblich!

On September 28th, 1903, the Urban Mountaineering Expedition, headed by Frank Ormiston-Smith, left Zermatt to attempt the conquest of the Matterhorn. On the 29th, the conquest was completed by the filming of the panorama from the actual summit of the mountain. The film consists of 20 scenes and illustrates the whole ascent from Zermatt through the Hornli Ridge. A copy of the film was found in Zermatt in 1953 and was was erroneously attributed to Frederick Burlingham and dated 1901. Since then, the film has been widely publicized as the first mountain film under the title of 'Cervin 1901', but this is incorrect. Ormiston previously had made 'Alpine series' (1901), 'The ascent of Mont Blanc' (1902), 'Climbing the Great Schreckhorn' (1902) and 'Ascent of the Jungfrau' (1903). The pictures and descriptions of the Charles Urban Trading 1903 film catalogue show without any doubt that 'Ascent of the Matterhorn' and 'Cervin 1901' are the same film.

Joseph Vallot and his team of guides and porters climb Mont Blanc in 1906. Their ascent will take three days. They spent their nights at the Grands Mulets refuge and the Grand Plateau refuge. This is the very first successfully filmed ascent. Joseph Vallot (1854-1925), rich heir of Lodève in Occitania. He devotes part of his fortune to the observation of the Alps, sometimes opposing the scientific community. He built an observatory, still standing today.

In 1996, one of the biggest media scandals in German history shook the public: Michael Born, a self-made journalist, had faked over twenty reports for the newly established private television station between 1990 and 1996. Some seemed amateurish, others dealt with absurd topics: child labor for IKEA in India, drug addicts licking toads to get high, and the Ku Klux Klan in the Eifel region were just some of his numerous fabrications. How did it come to this? Was Michael Born an enlightened figure who subversively exposed the tabloid system, a victim of the system, or simply a bumbling fraud? Film traces Michael Born's footsteps. Put together from hundreds of hours of raw material and the memories of former companions, an incredible story of forgery emerges. A media-theoretical film about levels of reality, fake news, and the question: Why do we actually believe what we see?

Set by a beautiful river canyon in Western Ukraine, a pacifist community with unique religious beliefs, sees their peaceful way of life gradually distressed by regular floods and eventually an unexpected war.

Frank Ormiston-Smith, the pioneer mountaineering photograher and filmmaker, filmed in 1906 the ascent to several towers in the Cinque Torri area in the Dolomites, acomppanied by Bortolo Barbaria, Baldessare Verzi and Damiano Dibona, three well-known Ampezzo mountain guides. Among others, the team ascended Torri Inglese, and placed the camera on top of some of the towers by pulling it with a rope. The film, produced by the Urban Trading Company, was presented at the Alhambra Theater in London in November 1906. Ormiston-Smith is considered the father of mountain cinema. In 1902 he filmed the first major mountain film shown widely in cinemas: "The Ascent of Mont Blanc". The success of his films encouraged the production of alpine films in which mountaineering feats were shown, and inspired other pioneer filmmakers.

The ascent of the Matterhorn by the Hornli Ridge, filmed in July 1913 by Frederick Burlingham. The team, composed of Burlingham and four mountain guides from Zermatt, carried the 15-kilo camera and the 10-kilo tripod to the top the mountain to film the summit of the Matterhorn. Frederick Burlingham, known at the time as 'The man who kinomatographed the Matterhorn', was a traveller cinematographer and one of the mountain film pioneers. Continuing the mountain film tradition established by Ormiston-Smith, Burlingham filmed several mountaineering films largely in Switzerland, taking mountain film in a new direction of immediacy and perceived peril.

A record of the ascent of the Jungfrau by Frederick Burlingham accompanied by four mountain guides. The film starts with panoramics of the Eiger North Face from Kleine Scheidegg. The party begin the climb from the Jungfraujoch Station crossing the Jungfrau Firn and reaching the summit of the Jungfrau by the steep Roththal Sattel. Frederick Burlingham was a traveller cinematographer and one of the mountain film pioneers. Continuing the mountain film tradition established by Ormiston-Smith, Burlingham filmed several mountaineering films largely in Switzerland, taking mountain film in a new direction of immediacy and perceived peril. In the early history of factual filmmaking, Burlingham played a substantial role in developing the related genres of the mountaineering and the exploration film.

A pioneering mountaineering film made by Frank Ormiston-Smith for the Warwick Trading Company in 1902. Ormiston-Smith himself led and filmed an expedition of seven men up to the top of Mont Blanc. The party left Chamonix the 23rd of september up to Pierre-Pointue and Grands Mulets and reached the top the 25th. The film consists of 18 scenes including a final scene of the team on the summit. This is the first major mountain film shown widely in cinemas. The mountaineering filming is rudimentary by later standards, but in 1902 it gave audiences moving pictures of places, and altitudes, which they could never expect to witness otherwise.