The Date

Follows Supernova, a young Christian, and the backlash they face after coming out to their church as LGBTQ+. Loosely based on director Tatiana Navarrette’s own experiences.

The Robert Mapplethorpe documentary, from 1988--one year before he died--is an excellent examination of one of the most controversial of American photographers. British documentarian Nigel Finch does an outstanding job fusing interviews with Mr. Mapplethorpe himself, with critic and author Edmund White, and with several of Mapplethorpe's subjects as well, with numerous shots of the man's work. Mapplethorpe, gay, did not hesitate to photograph what he wanted to without fear of reprisal or censorship. Indeed, a good number of his pieces were not shown in the documentary at its original airing on PBS with the comment, "Considered Unsuitable for Viewing On This Transmission." His openly sexual work can at times be more than shocking, but it is always powerful and direct; as critic Lynn Davies says in the documentary, he did not pose people but photographed them doing what they would normally do in the course of their lives.

A novelist travels to the country to learn the problems of a friend's shy son and runs into an intruder.

When private investigator Jim Noble moves into a beautiful loft complex in Tampa, he never expects to find his first case literally right outside his door - the corpse of one of his neighbors, right in the middle of the complex's courtyard. When he's hired to solve the crime, Jim quickly learns that everyone in the complex has secrets, and that someone was willing to kill to keep their secrets hidden.

This spoof of Never on Sunday was the first film made by a group of gay men who frequented a Los Angeles gay bar, The Brownstone, for Sunday brunch. Rarely seen today, these films, made at a time when gay lives were universally portrayed as tragic, remain a unique affirmation of the pleasure and joy gay people take in their lives.

Former major league baseball player Moe Berg lives a double life working for the Office of Strategic Services in World War II Europe.

Two gangsters, fighting for influence in the city, decide to get suitcases filled with money and drugs. Meanwhile, another criminal group has the same purpose.

A portrait of a woman, composed of 17 moments from her life.

A couple of teenagers start playing truth or dare at a party.

Two black non-heterosexual masculine leaning men attempt to escape their sexuality.

Ricardo was once Sara, a homeless HIV positive transvestite, living in the underbelly of Manhattan. Today he is a churchgoing, married man, "saved" by a Dallas ministry. He has renounced his homosexuality, but is his conversion complete? Susana Aiken and Carlos Aparicio offer an intimate look at Ricardo's transformation.

Having moved to Paris for university, Leevi returns to his native Finland for the summer to help his estranged father renovate the family lake house so it can be sold. Tareq, a recent asylum seeker from Syria, has been hired to help with the work, and when Leevi's father has to return to town on business, the two young men establish a connection and embark on a romance set against the idyllic Finnish summer. However, looming over this chance encounter, is the father's imminent return to the lake house, the continuation of Leevi's studies abroad as well as Tareq's complex relationship with his family in Syria.

Two teenage outcasts, who resent their schoolmates and teachers, resolve to spread panic in school through a series of anonymous vandalism acts. Little by little, the game loses its innocent approach and the boys find themselves absorbed in a dangerous spiral of violence that seems to have no limits.

Traces the Beats from Allen Ginsberg and Jack Kerouac's meeting in 1944 at Columbia University to the deaths of Ginsberg and William S. Burroughs in 1997. Three actors provide dramatic interpretations of the work of these three writers, and the film chronicles their friendships, their arrival into American consciousness, their travels, frequent parodies, Kerouac's death, and Ginsberg's politicization. Their movement connects with bebop, John Cage's music, abstract expressionism, and living theater. In recent interviews, Ginsberg, Burroughs, Kesey, Ferlinghetti, Mailer, Jerry Garcia, Tom Hayden, Gary Snyder, Ed Sanders, and others measure the Beats' meaning and impact.

Meet Duewand Collier Jr.-Male, 68 years old, American Citizen, a child conceived in the backdrop of the Philippines-American Mutual Defense Treaty, born and raised with Catholic guilt. He has made peace with his past and now tells his story-a story of love.

It's 1997, and a bunch of twenty-somethings prepare to throw the best rave Manchester's ever seen.

Rafaël is waiting until the day when a boy he had never seen before stops him from committing a desperate act.

A beautiful young escort suffers from trip-like dreams he doesn't understand. These visions are shared by his clients, both scaring and exciting them.

The story revolves around a point in the friendship of Vano, (Andhika Pratama), Tia (Poppy Sovia), and Desi (Debby Kristi). A love triangle lies between them, where Vano secretly falls for Desi, while Desi is very protective of Tia and knows of Tias long-withheld feelings for Vano. Tia and Desi have agreed to both be friends with Vano and nothing more. The tale continues when they embark on a trip on Desis 20th birthday, a trip the trio have long planned. But Desi falls ill in the middle of the trip. Vano and Tia had wanted to bring Desi to the hospital, but Desi insisted on completing their journey, a journey where they learn the true meaning of love, friendship, and life.

Sam and Tusker, partners of 20 years, are traveling across England in their old RV visiting friends, family and places from their past. Since Tusker was diagnosed with early-onset dementia two years ago, their time together is the most important thing they have. As the trip progresses, however, their ideas for the future clash, secrets come out, and their love for each other is tested as never before. Ultimately, they must confront the question of what it means to love one another in the face of Tusker’s illness.