Hao, a chubby gay man, works as a janitor at a gay spa. For him, romantic relationships are an unreachable dream. One day, an attractive customer, Kai, walks into the place, and Hao has the opportunity to massage him.
A teen raised in a southern home in the mid-1960s risks everything to cross-dress for the first time after receiving an invitation to an underground party.
Manuel is a gay Latino teen who lacks guidance and support. Even though his mother, Anna deeply cares for him, she is only able to prove and instill her love through video tapes made from afar. Keeping his sexuality and boyfriend a secret from his homophobic father, Manuel must decide the life he wants to live or end.
Two men share an odd friendship while they care for two women who are both in deep comas.
Actor Marc Berger is unhappy. In an interview, he explains why this is the case and why he feels he has never been loved.
Sent to Mexico to help take care of aging Father Benito, young Father Amaro faces a moral challenge when he meets a 16-year-old girl who he starts an affair with. Likewise, the girl's mother had been having an affair with Father Benito. Father Amaro must choose between a holy or sinful life.
The encounter of an ex-couple that haven't seen each other in five years. His name is Andrés and he's a film director. Her name is Lucía and she's an actress. They confront their past in a real-time conversation: a mingling of what they remember, what their dreams were, and what never happened — not even in their dreams.
A road in the middle of nowhere. A car. A bike. Two lonely people looking for the same thing. They meet.
When the recently divorced Tarik spends time alone in a holiday cottage on the Veluwe, he meets the owner of the house, Jonas. But when they seem to grow towards one-another, it proves difficult for Tarik to not let his true feelings emerge.
Childhood memories of fishing with grandpa grow so vivid they visit the protagonist's present experience.
Trapped in a seemingly dull family vacation, Dimitra, Dimitris and their two daughters will have to find a way out of a secluded island in the Mediterranean, when confronted with the unexpected end of the world.
The young Samir accompanies the politician Stefan to a hotel room. Samir is in love and has set everything aside to be able to go with Stefan, as they had planned. But under the surface lies a big misunderstanding, and outside in the rain a journalist is waiting for the next big headline.
A young drifter working on a river barge disrupts his employers' lives while hiding the fact that he knows more about a dead woman found in the river than he admits.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Parisian everyman Antoine Doinel has married his sweetheart Christine Darbon, and the newlyweds have set up a cozy domestic life of selling flowers and giving violin lessons while Antoine fitfully works on his long-gestating novel. As Christine becomes pregnant with the couple's first child, Antoine finds himself enraptured with a young Japanese beauty. The complications change the course of their relationship forever.
Part of MGM's "Crime Does Not Pay" series, this short film focuses on crimes revolving around pension scams.
A disturbed young man pushes away his exurban family to seek wildness in the woods. The boy's urge for the primitive manifests in his bedroom at home and in a wild dog he follows through the countryside.
'Sacrifice' follows the love story between James Hunter and Blake Robinson as they begin a new phase in their life together. Forces out of their control tear them apart but to what extent and consequence? How much will they sacrifice? A traditional military love story from a perspective which has not yet been seen before.
"On the edge of non-existence and hallucination, of a reality that, if I acknowledge it, annihilates me. There, abject and abjection are my safeguards." Julia Kristeva.