Feminists: What Were They Thinking?

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Following Germany's transformation as a society from the Holocaust to becoming the moral leader of Europe as the country embraces hundreds of thousands of refugees.

After the insurrection erupted in Libya in the spring of 2012, more than a million people flocked to neighboring Tunisia in search of a safe haven from the escalating violence. When a massive refugee camp was hastily constructed near the Ras Jdir border checkpoint in Tunisia, a trio of filmmakers carried their cameras in and began filming with no agenda. This on-the-fly chronicle of the camp's installation, operation, and dismantling captures a postmodern Babel complete with a multinational population of displaced folk, a regime of humanitarian aid workers, and international media that broadcasts its “image” to the world. Visually stunning and refreshingly undogmatic, Babylon reveals a rarely seen aspect of the Arab Spring.

Bomarsund 1854 tells the story of two humanists, whose actions during the Crimean War prevented bloodshed. They are the British hydrographer, Bartholomew James Sulivan, and the Russian commandant, Jacov Andreyevitch Bodisco, two men who fought on opposite sides in the war. It also traces the rise and fall of the multi-cultural community of Bomarsund. The small island of Åland, located in the Baltic Sea between Sweden and Finland, played a significant role in the war that raged during 1854, originally called the Oriental War and partially fought in Northern Europe. The Baltic campaigns became the forgotten theatre of the Crimean War. The attention awarded events elsewhere has overshadowed the significance of this theatre, which lay close to the Russian capital of St Petersburg.

Au cœur du Papotin

Made on the occasion of March 8, it presents a series of brief portraits of women, from various professional fields, of different ages and even of different ethnicities, pointing out the benefits that the communist organization had brought to their daily lives. A special emphasis is placed on their status as mothers and on the role of nurseries and socialist kindergartens not only in making their lives easier, but also in giving them the time they need to build a career. Another concern of the filmmaker, starting from the concrete case of one of the protagonists, is to highlight the differences between the happy present and the not-too-distant past in which someone with her social status should have dedicated herself exclusively to raising children, in hygienic and extremely difficult lives.

An extremely rare subject by the famed still photographer. A 1934 short.

“Meet Me by the Magnolia Tree” is a student documentary on the history of Richmond’s gay community and the role cruising for sex played in places like Byrd Park, the Block, and Battle Abbey.

A 1980 short about the life and work of 80-year-old practicing psychiatrist Lila Bonner-Miller, who is at once a doctor, a church leader, an artist, a great-grandmother, and a remarkable example to all who know her.

Legendary western swing band leader Bob Wills rose up in the Great Depression to fame in Oklahoma and Texas that soon swept the entire nation. The documentary FIDDLIN MAN offers a full biography of Wills, using a vast array of on camera interviews with his friends, family, and fellow musicians. The film also draws on a wealth of rare archival footage.

A testament of the greta B-movie director Lucio Fulci, whose films inspired great director like Quentin Tarantino. Lucio Fulci gift a long meditation about moviemaking fascinating for his sincerity, irony e clearness, about his filmmaking and his particular career.

Memória, identidades e ancestralidade como possibilidade do estudo de história em sala de aula

"My Socialist Home" is a documentary film exploring the significance of gender in the constitution of domestic space in the socialist and postsocialist state.

A blunt and human encounter between a nurse and an aging man.

People from different ethnic backgrounds with "difficult" names by Western standards share their experience with moving through the world with an identity that challenges others to simply just say their name. A short social docu-film by Mariam Meliksetyan, “Say My Name” is a meditation on identity, otherness, assimilation, community, and ancestral roots.

Filmed in New York in the summer of 2006: a march across the Brooklyn Bridge in support of the Palestinian and Lebanese populations. Habibi means "beloved" in Arabic.

St. Joseph Fort: Principality of Pontinha, the diamond that illuminates the Atlantic Pearl.

An animated history of American health care provider, Planned Parenthood.