Documentary depicting the lives of child prostitutes in the red light district of Songachi, Calcutta. Director Zana Briski went to photograph the prostitutes when she met and became friends with their children. Briski began giving photography lessons to the children and became aware that their photography might be a way for them to lead better lives.
Wege Gottes
The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
Devoted teacher Anne Sullivan leads deaf, blind and mute Helen Keller out of solitude and helps integrate her into the world.
Gwen Griffith is a hard working, single mom struggling to make ends meet while taking online classes to get her insurance sales license. Gwen doesn't think she has time to find "Mr. Right." That is until handsome, charming and successful Ed Baker jogs into her life and makes her think perhaps there is room for love. Gwen's hopes for happily ever after crumble when Gwen discovers Ed is not only married with kids... but also the preacher of a popular church. When Ed's heiress wife is murdered, Gwen find herself in the middle of a police investigation that forces her to face skeletons from her past, and fight for her freedom and custody of her son.
At the beginning of the century, in Italy, a wealthy woman Francesca (Loren), adopts a poor little girl named Nunziata. The years pass, Nunziata falls in love Federico (Bova), her adoptive brother, son of Francesca.
Road's End is the story of Daina who lives in Latgale in Eastern Latvia, close by the Russian border. She lives two miles from the nearest road, with no electricity or running water. The roof has collapsed. She is completely dependent upon herself in order to cope with her everyday life. Daina’s children have both emigrated, her son to Norway and her daughter to Italy. When she feels lonely, she goes to her husband's grave and sits there talking with him as if he were still alive. Road’s end is a both poetic and existential film about choices we make in life, about obstinacy, love and betrayal.
An effervescent facilitator and mother figure, Multicultural Liaison Officer Rosemary is undoubtedly a force of nature. Isolation in Auburn’s migrant community is a huge obstacle, and cultural norms mean that women are often tied to the house or a limited locale. Rosemary, with her larger-than-life spirit and generosity, works tirelessly to draw the women out of their homes and into society. She hosts a lively African Women’s Dinner Dance and takes them on a trip to the Blue Mountains and the NSW South Coast – introducing them to an Australia they’ve never seen before.
Jean-Luc Godard and Anne-Marie Miéville talk about their films, while doing everyday tasks around their house.
It examines the daily life of the residents and cops at a Rio de Janeiro favela one year after the arrival of a Pacifying Police Unit.
Friends and admirers of iconoclastic film director Sam Fuller read from his memoirs in this unconventional documentary directed by Fuller's only child, Samantha.
A dive, the midday sunlight filtering down through the water. The air in her lungs has to last until she can dislodge the abalone. Dives like these have been carried out in Japan for over 2000 years by the Ama-San.
A small group of girls in one of the most remote forests left on earth attend a radical high school where they learn to protect the threatened forest and forge a better future for themselves. Set in the untamed wilds of the Mbaracayu Reserve in rural Paraguay, this intimate verite documentary offers a rare glimpse of a disappearing world where timid girls grow into brave young women even as they are transformed by their unlikely friendships with one another.
A 91-year-old Polish Holocaust survivor donates his violin of 70 years to a local instrument drive, changing the life of a 12-year-old schoolgirl from the nation’s poorest congressional district, and unexpectedly, his own.
The Democratic People's Republic of Korea is a country with a very strong social cohesion and the unprecedented admiration of the people for their leader, which is absolutely unique and incomprehensible especially from a Western point of view. The native Korean director Sung-Hyung Cho tries to understand this by accompanying several Koreans from different backgrounds in their daily lives. The film shows the country and its people in a way, as it is rarely done in Western media, non-judgmental and respectful towards the people.
Director Sara Broos examines the relationship between herself and her mother, painter Karin Broos.
A young woman escapes the war in Syria and ends up in the forest in Sweden. Listening to music is a way for her to survive and bring her back, in dreams and memories, to her homeland.
Documentary about the musical and social phenomenon of Brazilian funk (or Carioca Funk), a style derived from Miami Bass, based on repetitive bass drum loops and lyrics full of sexual and violent overtones, not directly related to American funk/soul music. This style emerged in the slums and poor neighborhoods of Rio de Janeiro, and is deeply associated with the lower social classes, but is gradually being accepted on higher social circles. The film is specially interested in women's participation, focusing on its major female stars.
Recently-widowed Leann and her 17-year-old daughter Julina move into an isolated polygamous compound, where the freethinking Julina meets like-minded Ryder, son of the religious compound’s charismatic Prophet, Ervil.