The Orville

New home. New missions.

Drama Comedy Sci-Fi & Fantasy
English     7.615     2017     USA

Overview

Follow the crew of the not-so-functional exploratory ship in the Earth's interstellar fleet, 400 years in the future.

Reviews

chris wrote:
ok so I watched the first episode of this show and I was expecting more laughs that what I received but I still really liked it the show had lots of action some humor and heart I really liked the crew too they seemed fun so far I think I will keep this one around for awhile and see just how it goes I am liking what I am seeing so far though loads of fun to watch' update I have seen almost every episode of this and its getting funnier every time '
larz9 wrote:
More heart than humour. Nothing wrong with that, if you find that sort of thing to be entertaining. Perhaps it's because we're talking about the creator of Family Guy, American Dad and A Million Ways to Die in the West. Maybe that set my funny bone's expectations too high but the guy is indeed hilarious and I suppose that was the standard I was hoping for. In any case, this comes off more as pure homage to Star Trek with a little sprinkling of humour here and there. I gave it a chance with three episodes. I'll give it another chance with the fourth episode but if that doesn't tickle me pink, well, this series will be off my list.
YouShouldKnow wrote:
Don't be fooled by the trailer, this is not a comedy show. Sure, it's a little off-beat and more reminiscent of Firefly than Star Trek. It doesn't reinvent anything though and rather uses a lot of things present in similar shows. The crew is interesting and so are their missions. The images are quite breath-taking and of course the story has new elements to it, but it is the same "righteous" and "just" series with a health dose of self-reflection. But two cliches do stand out: cocky alien males, and very mechanical and condescending androids, What they really did wrong though was mess with time-travel for more than an episode. It has been nearly every show's downfall and this is no exception. Season 2 is as far as I recommend going unless they pull a rabbit out of their hat and completely stop messing with time.
Folio Swami wrote:
100% Star Trek with retards. Sure, it's too dumb to make it for a license into the franchise. The good part, it makes the Kirk 60s show shine, even the acting in the old series is better. And the special effects would look great compared with Next Generation's first season. But not noticeable better than the later seasons.
titanjedi wrote:
Amazing to see a couple of low reviews here. THIS SHOW IS STAR TREK. This show has heart and especially HOPE and WONDER; like actual Star Trek, not the new dystopian, hopeless, bleak, ideologically-skewed "Star Trek" shows now, which are filled with propaganda and gaslightng. And Episode 9 of Season 2 was one of the most amazing space battles I've ever laid eyes upon on screen, TV AND movies. Amazing. Not many shows today make you feel good, normal, hopeful—this one does.
MovieGuys wrote:
Season one and two of The Orville were excellent and then along bumbled season three..... Season three is everything I associated with the new Star Trek franchise.Woke, poorly written, cynical and frankly irritating and boring, in equal doses. I'm no longer sure how to rate this once well written, funny and generally likeable, show. Suffice to say, if season three is the direction of things, I hope its the last one. 5/10 factoring in seasons one and two. I found three so bad, I wont even attempt to rate it on its own but it does pull down my overall rating, significantly.
misubisu wrote:
I originally rated this show 8/10 after watching seasons 1 & 2. I have started watching season 3... which was a long time coming and I was really hanging out for it... I have just watched S03E05 'A Tale of Two Topas' and the first thing I did was up my rating to 9/10. Season 3 was totally worth waiting or. I particularly love the way that the stories are carrying on from season 1 & 2 events. I truly hope there is a season 4!! When the series started it was too forced with the comedy moments. They were not natural, and some were to the point of being cringe-worthy. But as season 1 progressed, it became more serious and in my opinion, it became a much better program. I don't consider there to have been a bad episode. Sure, some are better than others, but none are bad. There is drama, action, comedy (but no longer cringe-worthy)... the stories are totally engaging and cover worthwhile topics and ethical quandaries. I find the show extremely well cast and the acting very natural. It's more like Star Trek that Star Trek Discovery is!!

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Kath & Kim is a character-driven Australian television situation comedy series. The series was created by, and is written by Jane Turner and Gina Riley who play the title characters: a suburban mother and daughter with a dysfunctional relationship. The series main characters consist of Kath Day-Knight, a cheerful 50-year-old woman, her self-indulgent daughter Kim Craig, Kath's boyfriend and second husband, the metrosexual Kel Knight, as well as Kim's estranged husband Brett Craig and her lonely, overweight "second best friend" Sharon Strzelecki. The series is set in the fictional suburb of Fountain Lakes in Melbourne. It is primarily filmed in Patterson Lakes. The series was conceived by Turner and Riley in the early 1990s as a weekly segment of the Australian comedy series Fast Forward. The skit was then developed into a full-series. The first series of Kath & Kim premiered on ABC TV on 16 May 2002, with three further series following, while a television movie, entitled Da Kath and Kim Code, was broadcast nationally on 25 November 2005. Kath & Kim has garnered much critical acclaim since its debut, winning two Logie Awards, for "Outstanding Comedy Programme" and the "Best Television Drama Series" award at the Australian Film Institute Awards. In Australia, it has become a pop culture phenomenon, and is a success with audiences nationwide. Internationally, the series has spawned a cult fanbase, and in 2006 it was announced an American version of the series would be produced, to air on NBC. Riley and Turner served as executive producers on the US version. The American version was also picked up by Seven, which debuted the program on 12 October 2008, just three days after its debut in the United States.

More info
Kath & Kim
2002