Universal Techno

Ángel Molina: Sónar 2018

Since 2013, the Casual Gabberz collective has been storming dancefloors and the stages of the biggest festivals with its gabber surge, that hardcore techno sound born in Holland in the 90s. Until a virus causes the planet to go haywire. And triggered an existential crisis within the collective.

This comprehensive documentary chronicles the underground rave culture in Southern California, one of its first American strongholds. With roots in a tribal past, this movement attempts to format the future of a truly global community by combining elements of electronic/percussive music, the psychedelic imagination, and mass dancing. From warehouses to mountain retreats to the deserts of the Mojave, an unseen world comes into clear focus; with kinetic camera work and candid interviews, this slice of visual anthropology probes the underbelly of a worldwide subculture with the help of some of electronic music's most acclaimed DJs, a technomusicologist, and a county sheriff. Open your mind to this moving entertainment experience and intimate portrait of a modern counter-culture that follows its own electronically induced beat.

An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories. 

A man tours clubs around the globe with his manager and girlfriend. On the eve of their largest album release he is admitted to a psychiatric clinic after overdosing at a gig.

The film traces over 10 years of uninhibited activism by this modern tribe, from the first underground parties to the temples of showbiz society. The Heretik have climbed all the way to the legendary Olympia concert hall in Paris. Immerse yourself in the tormented intimacy of a leading counter-culture band.

Dance music has spread across the world transcending religious & racial barriers connecting to the hearts and souls of millions. People have always felt the rhythm of music and have as a result evolved countless dance styles throughout the ages. Beginning in the late 80's in Melbourne's underground dance music party scene, a revolutionary freestyle dance began to grow and has now developed into the most unique and robust underground dance style since the birth of Breakdancing. The Melbourne Shuffle has no set steps but encourages individuality and imagination, incorporating dance moves from numerous styles such as miming, popping & locking, liquid and breaking.

Techno celebrated its 25th birthday in 2013. It has become a culture in its own right, ranking among trendy music, and bringing together millions of people worldwide. Its DJs have become veritable stars. It is a global, worldwide culture, and its creators and fans alike share its common denominators of hedonism, a thirst for freedom, and a sense of suspended time via its musical trances. Thanks to Internet, but also thanks to emblematic festivals, the Techno movement is today undergoing exponential growth. What are the codes and the creative processes of this worldwide culture? Who are the leading players of this global movement? How does this music influence contemporary creation, and increasingly, the economy?

At the end of the Cold War, something new arised that should influence an entire generation and express their attitude to life. It started with an idea in the underground subculture of Berlin shortly before the fall of the Wall. With the motto "Peace, Joy, Pancakes", Club DJ Dr. Motte and companions launched the first Love Parade. A procession registered as political demonstration with only 150 colorfully dressed people dancing to house and techno. What started out small developed over the years into the largest party on the planet with visitors from all over the world. In 1999, 1.5 million people took part. With the help of interviews with important organizers and contemporary witnesses, the documentary reflects the history of the Love Parade, but also illuminates the dark side of how commerce and money business increasingly destroyed the real spirit, long before the emigration to other cities and the Love Parade disaster of Duisburg in 2010, which caused an era to end in deep grief.

On February 20th , deadmau5 releases the "Meowingtons Hax 2k11 TORONTO" live DVD featuring one of the biggest live shows in electronic music. The concert was filmed at the Rogers Centre in Toronto in front of a sold out hometown crowd and includes performances of deadmau5's biggest hits, plus special unreleased tracks, all accompanied by his infamous mind-blowing visuals. "Meowingtons Hax 2k11 TORONTO" rounds off a prodigious 12 months for the 'mau5 and showcases exactly why he has been lauded so highly by critics and peers alike.

Booka Shade cap off their 150-show world tour with a live concert DVD. Movements – The Tour Edition is out early next month. The CD/DVD package includes a CD version of Booka Shade’s 2006 album ’Movements’ alongside a DVD titled We Came To Dance, the centrepiece of which is a live concert filmed at Belgium’s Pukkelpop Festival on August 18th, 2007. The show features the usual Booka hits ‘Body Language’, ‘Mandarine Girl’ and ‘In White Rooms’ as well as two previously unreleased tracks, ‘We Came To Dance’ and ‘Monkey On My Deck’. DVD - We Came to Dance: Live at Pukkelpop 01. We Came to Dance 02. Night Falls 03. Trespass 06 04. Oh Superman 05. Karma Car 06. Unhealthy Pleasures 07. Monkey on My Deck 08. In White Rooms 09. Darko 10. Mandarine Girl 11. Blue Rooms 12. Body Language

Brujas

When Adam's job is threatened, he seeks distraction at a rave.

New Order's Stephen Morris and Gillian Gilbert unpack a playlist of electro, pop and new wave classics spanning four decades. Stephen and Gillian have been married for 24 years and have been in New Order together for even longer, but they still manage to surprise one another with their musical tastes. While Stephen declares Captain Beefheart an early influence, Gillian confesses her teenage love for a disco classic. During an hour of top tunes, Stephen also reveals the moment he was mistaken for Stevie Wonder, and Gillian recalls how her Dad was a fan of punk. From Kraftwerk to Can, David Bowie to Kate Bush, Magazine to Grace Jones and many more, this stellar playlist by Stephen and Gillian is brimming with iconic performances.

The film follows the inception of the movement, a meeting between ravers and the new age travellers during Thatcher's last days in power, and the explosive years that followed, leading up the infamous Castlemorton free festival in 1992 - the largest ever illegal rave, which provoked the drastic change of the laws of trespass with the notorious introduction of the Criminal Justice Act in 1994.

In the final days of the yuppie decade, the summer of ’89 saw a new type of youth rebellion rip through the cultural landscape, with thousands of young people dancing at illegal Acid House parties in fields and aircraft hangars around the M25. Set against the backdrop of ten years of Thatcherism, it was a benign form of revolution, dubbed the Second Summer of Love – all the ravers wanted was the freedom to party… The rave scene, along with the drug Ecstasy, broke down social barriers and even football hooligans were ‘loved up’, solving a problem the government had never managed to crack. But lurid tabloid headlines and cat-and-mouse games with the police eventually turned the dream sour, as the gangster element moved in at the end of the summer.

It is a short video produced by Matthias Fritsch in 2000 at the Fuckparade in Berlin.

Paris La Defense - Une Ville En Concert was a concert held by musician Jean Michel Jarre on the district of La Défense in Paris on Bastille Day, July 14, 1990. About 2.5 million people standing in front of the pyramidical stage all the way down to the Arc de Triomphe witnessed this event, setting a new Guinness Book of Records entry for Jarre. The concert was funded by Mairie De Paris, Ministry of Culture and a small cluster of high-profile Parisian business concerns. Later, a concert video as well as a photobook of the event were released. The show featured new tracks from the Waiting for Cousteau album, and vast grotesque marionettes created by Trinidadian Peter Minshall.

A 3 song set taken from the world famous Abbey Road Studios.

Massive Attack perform in Moscow as part of their world tour supporting Heligoland.