Slurpee

A woman arrives in an unknown country at daybreak. She appears to be running away from her past.

Herrmann is a leftist Thirty Something, who is still politically active, despite beginning to live the usual life of having a girlfriend and a child. On the way to his weekly political meeting he is kidnapped.

On the verge of a nervous breakdown, a school teacher finds the wisdom she needs in the most unlikeliest of places.

In a small, conservative Scottish village, an oilman is paralyzed in an accident. His wife, who prayed for his return, feels guilty; even more, when he urges her to have sex with another.

Kresten, newly wed, is on the threshold of a great career success in his father-in-law’s company. But when the death of his own father takes him back to his poverty-stricken childhood home, far out in the country, his career plans fall apart. For one thing he has to deal with his loveable, backward brother, who is now all alone; for another, he meets a stunning woman who comes to the farm as a housekeeper, in disguise of her real profession as a call-girl.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Parisian everyman Antoine Doinel has married his sweetheart Christine Darbon, and the newlyweds have set up a cozy domestic life of selling flowers and giving violin lessons while Antoine fitfully works on his long-gestating novel. As Christine becomes pregnant with the couple's first child, Antoine finds himself enraptured with a young Japanese beauty. The complications change the course of their relationship forever.

Shepherd Isa must obey his father's strict order to bring back the lost lamb. On top of the mountain, his little brother and companion, Hamid, is wounded and Isa must decide whether he should do as told or follow his own instinct.

When 14 year old Nete's twin brother Noah is killed in an accident, her world collapses. Months later, her parents decide to move to Copenhagen to start anew. Nete, still deeply troubled by her brother's death, begins in a new school - but the day she starts, a new boy, Jonas, also arrives. To everyone else, he is just the new boy - but Nete is in deep shock at what she sees.

A short film by Edwin Mcgill.

In a desolate future, one small town has survived because of a large windmill dam that acts as a fan to keep out pollution. The dam's operator, Pig, works tirelessly to keep the sails spinning and protect the town, despite abuse from classmates and an indifferent public. When a new student joins Pig's class, nothing will be the same again.

Ali must lie and say she is her wife's sister so she can be with her in the hospital. Through Ali's memories, we see the women's relationship develop as Ali faces the truth in the present.

The latest in Peccadillo’s critically acclaimed series – now established as a leading showcase for new and emerging queefilm-makingng talent from around the world – features a fresh and exciting selection of the very best contemporary gay short films. Each self-contained drama in this diverse and thoughtfully curated collection offers fascinating and insightful new perspectives on the gay experience – sensual, affecting, sometimes provocative and always entertaining. The 8 short films are: Have We Met Before? (2019); The Act (2020); First Position. (2019); Winter [Invierno] (2021); The Suit Weareth the Man (2020); Infinite While It Lasts [Infinito Enquanto Dure] (2019); Melon Grab (2017); Thrive (2019).

Three parents decide to kill the guy who murdered their children.

A young boy builds a raft to reach his mother in the land of the dead, which he believes is at the end of the river that runs alongside their property.

Tom, 16, lives in a small town in Bavaria and is about to admit his homosexuality to society. Being mobbed and threatened in school and after some exiting experiences he overcomes his own barriers and makes his dream come true: getting into contact with others.

Balthazar's grandfather has just died. He does not understand the sadness of his parents as, being very religious, he believes that his grandfather will go to heaven and there is therefore no reason to be sad..

Chris is embarrassed and shy about some problems with his ding dong. When he starts to catch feelings for Daisy, he fears the truth will finally come out.

August has to put up with quite a lot. Ever since his parents separated, his father no longer seems to have any time for him. To console him, his Dad gives him a sweet little dog. But his mother refuses to have the animal in her house and before long there are shouting matches on the phone again. August can hear them arguing through his bedroom door – it's something he seems to have become used to. When his mother remains adamant about not having the dog, August packs his bags to move in with his father. But there’s no place for him in his father’s new family either. And so the boy makes up his mind to create a drastic wake-up call. Told from the boy’s perspective, this coming-of-age drama describes the situation for children who are caught in the middle when their parents decide to separate.

Ricky is a young man who takes care of his sick mother. His father hovers at the edge of the picture, so Ricky provides for himself and his mom through prostitution, running errands, and acting as a caregiver for a blind man. Through the course of the film, Ricky befriends Janey, a young woman he finds beaten by her ex-boyfriend, and Trenn, a mysterious young man in trouble with the law. The three of them navigate a dark and confusing world. It uses many of the actors who have come to constitute the Dar A Luz company, including Tony Torn, Tom Fitzpatrick, Juliana Francis, and Tom Pearl. It will disappoint those who approach it looking for a film analogue of the “faster and louder” aesthetic that critics have used to characterize much of Abdoh’s stage work. The Blind Owl does use a variety of techniques reminiscent of his stage direction, giving it an unusual theatricality.