The Truth Beneath

In hopes of building a closer relationship, a girl sits down with her mother, seeking to hear her experiences and aspirations growing up. What starts as a revisit of her mother’s past turns into a revelation about love and the weight of unspoken needs.

After the death of her little boy, Anita wants to take her own life.

A vengeful widow hires a professional killer to train her son so that he can hunt down and kill the men who murdered her husband. The quest for revenge soon becomes an obsession.

Freely adapted from Gabriel García Márquez's Chronicle of a Death Foretold, the film follows the investigation of a local teacher's murder in a small and desperately poor rural village, the story of the crime gradually pieced together from the fragmented memories of witnesses forced to testify at an inquest. Sharing with her Fifth Generation colleagues Chen Kaige and Tian Zhuangzhuang a remarkable eye for the barren landscapes of northern China and a fascination with small-town life — especially those enduring superstitions that Communism failed to erase — director Li Shaohong also introduces several formal innovations, particularly in storytelling structure, that remain unprecedented in Chinese cinema.

A Democratic political consultant helps a retired Marine colonel run for mayor in a small, conservative Wisconsin town.

A ruthless criminal operative has less than 24 hours to exact revenge on her enemies and in the process forms an unexpected bond with the daughter of one of her past victims.

The Curse of Quon Gwon is the oldest known Chinese-American film and one of the earliest American silent features made by a woman. Only two reels of the film survive, and no intertitles are known to exist, making it difficult to parse out the exact plot. An article in the July 17, 1917 issue of The Moving Picture World states that the film "deals with the curse of a Chinese god that follows his people because of the influence of western civilization." The film also touches on themes of Chinese assimilation into American society. Formally premiering in 1917, no distributor was willing to purchase a Chinese-American film without racial stereotypes. Considered a devastating financial failure, the film was only screened two more times until its rediscovery in 2004. Preserved by the Academy Film Archive in 2005.

Claire returns to France following the death of her actress friend Agathe. She attends an auction of her friend's possessions, provoking memories of the past.

When Tatiana's friends find her catatonic, they decide to gather the group of friends to try to help her. Between mystical and medical approaches, they realize that to wake Tatiana up they must call Arthur, her ex-boyfriend. When he arrives, he manages to snap her out of the trance, but not in the way they expected.

August 1st in Zurich. An unbearably hot day. While many are celebrating the Swiss national holiday, five individual fates take their course: 1. As a symbol against capitalism in Switzerland, Vinc is planning an attack in the city centre. 2. Tibetan descendent Sonam is struggling to settle into her new job as a police officer – worse still, she makes a major mistake during her first operation. 3. Hunter Edi’s status quo is unbalanced when a financial predicament puts his morals to the test. 4. Young Ukrainian Sonja arrives in Zurich full of hope to surprise the love of her life – but she is in for an even bigger surprise. 5. Chilean Javier no longer feels at home in Switzerland and decides to return – with his daughter, but without her mother’s knowledge – to his motherland.

A successful woman in New York City finds her life upended when she is forced to confront a dark truth that threatens to unravel her meticulously crafted life.

The company soldier Hannah and the scientists Gavin and Dimitri are researching an algae project on board the Rubikon space station, which is supposed to permanently supply humanity with oxygen and food. But suddenly the earth disappears below them in a brown, toxic fog and all contact is broken off - are they the last survivors of humanity? Should they initiate the safe station, dare the return flight and thereby risk their lives?

Chris and his girlfriend Rose go upstate to visit her parents for the weekend. At first, Chris reads the family's overly accommodating behavior as nervous attempts to deal with their daughter's interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he never could have imagined.

A woman battles to survive alone in a post-apocalyptic London wasteland.

France, 1963. Anne is a bright young student with a promising future ahead of her. But when she falls pregnant, she sees the opportunity to finish her studies and escape the constraints of her social background disappearing. With her final exams fast approaching and her belly growing, Anne resolves to act, even if she has to confront shame and pain, even if she must risk prison to do so.

Anna dreams of her life after high school, to move away and become an actress, despite her mother Jaya's expectations for her to become a doctor. On the day of Anna's big audition, Jaya organises Anna a scholarship interview, forcing her to choose between family or ambition.

Agnes is not satisfied with her life. She wants a change, but her relationship with her single parent father and dominant girlfriend inhibit her to do something about it. When the father introduces his new wife, Annalyn, everything changes. The same-aged Filipino stepmother helps Agnes see a new path. Soon emerges something that no one could have foreseen.

In 2008, soon-to-be father Adam braces for the end after being diagnosed with cancer. Until one day, he discovers a way to travel through time. Seizing the chance, he leaps into the future to meet Nadia, the daughter he'll never live to see.

A widow attempts to reunite with her daughter who has been sentenced to death in Saudi Arabia for murdering her employer. However, the daughter refuses to see her mother, having never forgiven her for past betrayals.

The semi-biographical The Extremists' Opera follows the everyday and inner struggles of a women-only alternative theater group delivering explosive and politically controversial explosive stage performances under the control of tough mannered director Naoko.