An in-depth investigation featuring world renowned philosophers and scientists into the most profound philosophical debate of all time: Do we have free will?
This shows physicist Stephen Hawking's life as he deals with the ALS that renders him immobile and unable to speak without the use of a computer. Hawking's friends, family, classmates, and peers are interviewed not only about his theories but the man himself.
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The Academy Award® nominee Cosmic Voyage combines live action with state-of-the-art computer-generated imagery to pinpoint where humans fit in our ever-expanding universe. Highlighting this journey is a "cosmic zoom" based on the powers of 10, extending from the Earth to the largest observable structures in the universe, and then back to the subnuclear realm.
Part of the Almost Famous series. Jocelyn Bell was a graduate student at Cambridge in 1967 when she pushed through the skepticism from her superiors to make one of the greatest astrophysical discoveries of the twentieth century. While Jocelyn was belittled and sexually harassed by the media, the Nobel Prize was awarded to her professor and his boss.
In 1973 Yorkshire public television made a short film of the Nobel laureate while he was there. The resulting film, Take the World from Another Point of View, was broadcast in America as part of the PBS Nova series. The documentary features a fascinating interview, but what sets it apart from other films on Feynman is the inclusion of a lively conversation he had with the eminent British astrophysicist Fred Hoyle.
Who invented time, who invented the clock? Why 1 hour, why 60 minutes, why 60 seconds? Since prehistoric times, man has sought to measure time, to organize social and religious life, to plan food supply... Today we can surf the Internet, geolocate, pay by credit card… All our daily lives depend on time and the synchronization of clocks. The history of the invention of time and of the ways and instruments to measure it is a long story…
An exploration of the link between science and beauty through the work of scientists at CERN, in Geneva.
A documentary telling the remarkable human story of Stephen Hawking. For the first time, the personal archives and the testimonies of his closest family reveal both the scale of Hawking's triumphs and the real cost of his disability and success.
In our terrestrial view of things, the speed of light seems incredibly fast. But as soon as you view it against the vast distances of the universe, it's unfortunately very slow. This animation illustrates, in realtime, the journey of a photon of light emitted from the surface of the sun and traveling across a portion of the solar system, from a human perspective. Liberties were taken with certain things like the alignment of planets and asteroids, as well as ignoring the laws of relativity concerning what a photon actually "sees" or how time is experienced at the speed of light, but overall the size and distances of all the objects were kept as accurate as possible. It was also decided to end the animation just past Jupiter to keep the running length below an hour.
A film about the world's oldest functional particle accelerator and the people who keep it running today.
CERN in Switzerland is a research center where they try to recreate the big bang. Nikolaus Geyrhalter follows the center's infrastructure and meets the people who created the "Large Hadron Collider".
Twenty years after A Brief History of Time flummoxed the world with its big numbers and black holes, its author, Stephen Hawking, concedes that the "ultimate theory" he'd believed to be imminent - which would conclusively explain the origins of life, the universe and everything - remains frustratingly elusive. Yet despite his failing health and the seeming impossibility of the task, Hawking is still devoted to his work; an extraordinary drive that's captured here in fleeting interview snippets and footage of the scientist sharing a microwave dinner with some fawning PhD students. Though the pop-science tutorials that dapple the first of this two-part biography are winningly perky, Hawking, alas, remains as tricky to fathom as his boggling quantum whatnots
Nowadays we associate Johannes Kepler with his famous laws of planetary motion. But the history of his discoveries is a drama of Shakespearian proportions - full of intrigue, passion, depravity and corruption.
Black holes stand at the limit of what we can know. To explore that edge of knowledge, the Event Horizon Telescope links observatories across the world to simulate an earth-sized instrument. With this tool the team pursues the first-ever picture of a black hole, resulting in an image seen by billions of people in April 2019. Meanwhile, Hawking and his team attack the black hole paradox at the heart of theoretical physics—Do predictive laws still function, even in these massive distortions of space and time? Weaving them together is a third strand, philosophical and exploratory using expressive animation. “Edge” is about practicing science at the highest level, a film where observation, theory, and philosophy combine to grasp these most mysterious objects.
The first transatlantic communications cable, traversing the ocean floor from Valentia Island, County Kerry, to Newfoundland, Canada, 165 years ago was an 8 year endeavor that helped lay the foundation of the modern technology industry and explains the fragility of undersea cables today.
CERN, the world's largest physics laboratory, is also a society in itself. A mythological microcosm and science's answer to the Tower of Babel, with its many thousand employees as an indispensable element among cables and computers. The researchers speak the same esoteric and nerdy language. But their physical trials are not the only experiments in the human anthill. CERN is also a utopian experiment in collaboration across cultures, where the world's most advanced technology meets the world's sharpest—and some of the quirkiest—minds.
An educational physics film utilizing a fascinating set consisting of a rotating table and furniture occupying surprisingly unpredictable spots within the viewing area, Leacock’s Frames of Reference (1960), features fine cinematography by Abraham Morochnik, and funny narration by University of Toronto professors Donald Ivey and Patterson Hume, in a wonderful example of the fun a creative team of filmmakers can have with a subject other, less imaginative types might find pedestrian.
Just outside Paris, France, inside a high-tech vault, requiring three independently controlled keys, rests a small metallic cylinder about the diameter of a golf ball. Encased within three vacuum-sealed bell jars it may not look like much, but it is one of the most important objects on the planet. It affects nearly every aspect of our lives from the moment we are born, to the food we eat, the cars we drive, and even the medicines we take. The Last Artifact follows the high-stakes race to redefine the weight of the world reveals the untold story of one of the most important objects on the planet. The kilogram, the base unit of mass in the International System of Units, helped send humans to the moon and satellites into space. This small hunk of metal is the object against which all others are measured. Yet over time, its mass mysteriously eroded by the weight of an eyelash. A change that, unbeknownst to most, unleashed a crisis with potentially dire consequences.