One-man armies, meet-cutes, casual strolls away from huge explosions — stars and industry insiders toast and roast these cinematic chestnuts and more.
They are the first and the last, those who imagine stories and give voice to the characters who live them. However, they never speak. But now, they emerge from the shadows of a poorly lit room and tell their secrets, their tricks, their influences; they tell their own story, that of those who face the blank page, the absolute nothingness; that of those who are the true authors, those who create and destroy entire universes. They are the screenwriters.
A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.
The incredible story of the Italian Emilio D'Alessandro, personal driver of the great director Stanley Kubrick (1928-1999), who met Emilio by chance in London in 1971 and hired him, thus establishing a deep friendship that lasted thirty years and helped create four masterpieces of cinema. A moving tale about two seemingly opposing people who found their ideal travel companion far away from home…
Since he was 18 years old, Blake Eckard has written and directed six feature length films in his hometown of Stanberry, Missouri (population 1186). Aside from a short distribution deal in Canada and a few festival screenings, his movies have largely gone unseen.
A deep investigation, in the way of a poetic essay, on one of the main Latin American movements in cinema, analyzed via the thoughts of its main authors, who invented, in the early 1960s, a new way of making movies in Brazil, with a political attitude, always near to people's problems, that combined art and revolution.
Friends and admirers of iconoclastic film director Sam Fuller read from his memoirs in this unconventional documentary directed by Fuller's only child, Samantha.
Leonard Maltin interviews Tony Curtis on his experience filming 'Some Like It Hot'.
A look back at the impact Billy Wilder's comedy classic "Some Like It Hot" has left since it's release in 1959.
A look back at the making of Billy Wilder's 1959 comedy classic "Some Like It Hot."
A joyful tale filled with music. The rise of radio. The jazz big bands. The legendary clubs and ballrooms. The soundtracks of the great musical films and TV shows. Sex and romance, gangsters, luxury cars and palm trees. From Barcelona to New York, with a stop in Cuba. The birth of Las Vegas. The sound of the maracas. Chihuahuas everywhere. The incredible life story of Xavier Cugat (1900-90).
In this program, director Bing Liu, executive producer Gordon Quinn, and producer Diane Quon discuss the conception of Minding the Gap and its evolution. The program features separated interviews that were conducted in 2020.
A look back at the life and works of Michelangelo Antonioni.
An intimate chronicle of the shooting of Ran (1985), a film directed by the legendary Japanese filmmaker Akira Kurosawa.
Exploring the edits to receive an R rating from the MPAA.
An appreciation of Dressed to Kill by Keith Gordon
Profile of Jean Gabin, the great French actor of 100 films, who died in 1976 at the age of 73. Here his career is traced and he is remembered by some of the many producers, directors, writers and actors with whom he worked. Illustrated with many photographs and film clips. Narrated by Nadia Gray who played opposite Gabin in the early 50's. Interviews with Directors Rene Clement, Jean Dellanoy, Denys de la Patelliere, Granbier-Deferre. Actors Madeleine Renaud, Michele Morgan, Simone Simon, Jean Desailly, Francois Arnoul, Lino Ventura, Danielle Darrieux. Cinema Critics and Historians Claude Beylie, Robert Chazal. Screenwriter Michel Audiard. 1978.
The surprising and entertaining life of renowned film critic and social commentator Roger Ebert (1942-2013): his early days as a freewheeling bachelor and Pulitzer Prize winner, his famously contentious partnership with Gene Siskel, his life-altering marriage, and his brave and transcendent battle with cancer.
Spain, 1961. Life in the small village of Torrelobatón, in the province of Valladolid, was turned upside down when the cinematic magic circus of a future Hollywood blockbuster, produced by Samuel Bronston, the rogue mogul of his own film empire, came to town: its inhabitants became participants and witnesses of the shooting of “El Cid,” a film directed by Anthony Mann, starring mythical actors Charlton Heston and Sophia Loren. Those days, legends came alive.
Paparazzi explores the relationship between Brigitte Bardot and groups of invasive photographers attempting to photograph her while she works on the set of Jean-Luc Godard's film Le Mépris (Contempt). Through video footage of Bardot, interviews with the paparazzi, and still photos of Bardot from magazine covers and elsewhere, director Rozier investigates some of the ramifications of international movie stardom, specifically the loss of privacy to the paparazzi. The film explains the shooting of the film on the island of Capri, and the photographers' valiant, even foolishly dangerous, attempts to get a photograph of Bardot.