Unarmed Verses

The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.

The young American Pablo Menéndez came to Cuba to study Music at the National School of Art. Here he formed a family and became one more Cuban. Member of the Sound Experimentation Group of ICAIC and promoter of the teaching of the electric guitar in Cuba, he is, together with his group Mezcla, one of our most original musicians.

When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.

Dance Alone

I followed the everyday lives of Ali, Kais, Ertan and Alban with my camera for over two years. The time was characterized by disappointments, conflicts and also great successes. It all began with a visit to the "Klingelpütz" youth center in the middle of Cologne. Young migrants have been meeting here for many years.

On August 8, 1988, the world’s first and largest Satanic rally took place. Ripped from a video featuring Satanist talking about creating a New World Order and killing off the masses. The 8-8-88 ritual was conducted right at the heart of the Satanic Panic. The goal, further exploit and feed upon the energies produced by the fears of the ignorant general public and media. It was shown to a sold-out crowd of degenerates promising them, “A Bitter Message of Hopeless Grief,” “A Nightmare of TERROR!” and “An Evening of Apocalyptic Delight!”

An experimental journey through a year in the life of the director, using his always playing playlist to cross the boundaries of fiction and documentary. Through scenes of both comedy and tragedy, realistic documentary footage and experimental sequences of the director's environment and daily life we get a sometimes estranging image of a young man and also an intriguing insight in his mindset and how this translates to the imagery on screen.

When you listen to The Years, the debut studio recording from Urbanites, you're hearing a band in progress. They wanted to make The Years differently, and decided to record the album together, live, in the same space - Studio A of Electrical Audio in Chicago, Illinois. With the exception of limited overdubs, (vocals, drum ensembles and laptop atmospherics) each song represented one collective take, warmly captured to two inch analogue tape. This recording method embraced the mistake as much as the moment. They also chose to document the making of the record with a film, appropriately titled, 'You Can't Rewind The Years'. With a new understanding and years of progress to come, these longtime friends are making the music that they'd always hoped to. As they sing, in The Years' standout track Restless, "Not without trial, not without err - this brokenness is ours to share."

In spring 1997, after several delays, The Video Dream Mixes was released. It features music material from The Dream Mixes, combined with films of US landscapes and alienated sights of Venice, pictures and computer animated graphics and virtual views from outer space. The film material was mixed up with clips showing the band on stage or during journeys. Most of the material was filmed by Edgar Froese.

San Francisco's North Beach in the 50's - A mix of jazz, poetry and art - The Beach recreates the atmosphere that prevailed through first-hand accounts from the actual "players" along with photographs and artwork from that vibrant time.

When Tomoko finds some messages for a 'Mr Smith' on a lost mobile phone, she finds herself on an 'Alice in Wonderland' journey through Tokyo's boulevards and back alleys. From the tyranny of symmetry in soaring office blocks - to buildings that look like space-ships, this creative documentary shows us the city's soul.

Podium

Chronicles Harry’s musical journey while creating his much anticipated debut solo album. The film features exclusive interviews and behind the scenes footage shot in Jamaica, Los Angeles and London during the making of the album and is complemented by Harry and his band performing songs from it for the first time at the world famous Abbey Road Studios in London.

A short film about the changing face of London Soho and the implications of gentrification on Mimi, an aging transvestite.

Slowdive performing live at The Garage, London, UK

After Sunny's time now, his portrait of the American Free jazz drumming legend Sunny Murray, filmmaker Antoine Prum turns his attention to the British Free Improvised Music scene in this new music documentary. Following the leads of artistic advisor Tony Bevan, it retraces the road that leads from its emergence and emancipation from the various free music movements of the 1960s to the recent surge in popularity as talented new players are coming to the fore. In his search for the Britishness of British Free Improvised Music, Prum and Bevan are assisted by stand-up comedian and Derek Bailey expert Stewart Lee, who converses with musicians from different generations and backgrounds to uncover the specifics of a genre that refutes the very notion of genre.

Cranes and Voices follows, on one side, people who hear voices and share their daily lives, and on the other, a collective of tenants who investigate their neighbourhood through its noises, its vibrations and its construction sites. The film moves through apartments, streets, meetings and moments of sound creation, where voices, urban noises and recorded materials are transformed into collective sound compositions and spaces for exchange. Sound appears here as an ambivalent force, at once invasive and generative, shaping the way we inhabit the city, other people and ourselves. Cranes and Voices invites us to pay attention to these singular listening experiences, to hear what they reveal about the housing crisis, about how mental health is viewed and about the ways we organise our shared spaces.

Murder, rape, satanism and necrophilia is the staple diet of millions of teenagers who listen to the lyrics of extreme heavy metal music. This World investigates the potential links between "death metal" and a series of gruesome crimes around the world. In Italy a group of young death metal fans formed a satanic cult called the Beasts of Satan. At least four gruesome killings resulted. But death metal musicians deny that they have any responsibility for the actions of people who profess to be their fans. With exclusive access to the families, one of the killers and graphic police footage, the film tells the inside story for the first time. We hear from the musicians, the children and the parents from Oslo to California and ask just how far can music go in its ability to shock, and just how damaging might it be?

Heaven Adores You is an intimate, meditative inquiry into the life and music of Elliott Smith. By threading the music of Elliott Smith through the dense, yet often isolating landscapes of the three major cities he lived in -- Portland, New York City, Los Angeles -- Heaven Adores You presents a visual journey and an earnest review of the singer's prolific songwriting and the impact it continues to have on fans, friends, and fellow musicians.

An inspiring documentary chronicling the rise, fall and resurrection of '80s metal band Quiet Riot. The career of Frankie Banali, the band's drummer, reached a serious crossroads when his best friend and bandmate died in 2007. Years later, Banali realizes he must forge ahead and make a new life for himself and his daughter and he goes on a quest to reunite the band and fill the immense void left by his bandmate.