Bettas

A short film about a raisin.

August has to put up with quite a lot. Ever since his parents separated, his father no longer seems to have any time for him. To console him, his Dad gives him a sweet little dog. But his mother refuses to have the animal in her house and before long there are shouting matches on the phone again. August can hear them arguing through his bedroom door – it's something he seems to have become used to. When his mother remains adamant about not having the dog, August packs his bags to move in with his father. But there’s no place for him in his father’s new family either. And so the boy makes up his mind to create a drastic wake-up call. Told from the boy’s perspective, this coming-of-age drama describes the situation for children who are caught in the middle when their parents decide to separate.

Tobi and Achim, the pride of the local crew club, have been the best of friends for years and are convinced that nothing will ever stand in the way of their friendship. They look forward to the upcoming summer camp and the crew competition. Then the gay team from Berlin arrives and Tobi is totally confused. The evening before the races begin, the storm that breaks out is more than meteorological.

Jess Bhamra, the daughter of a strict Indian couple in London, is not permitted to play organized soccer, even though she is 18. When Jess is playing for fun one day, her impressive skills are seen by Jules Paxton, who then convinces Jess to play for her semi-pro team. Jess uses elaborate excuses to hide her matches from her family while also dealing with her romantic feelings for her coach, Joe.

Scuggs, the utterly unpleasant super of a Bronx tenement is driven to desperate measures by an innocent-appearing, but manipulative 11 year-old girl. Based on the graphic novel by American Master Will Eisner, Meinecke combines larger-than-life characters, borrows from the traditions of melodrama and applies a visual language derived from German Expressionists to create a haunting tale, that won particular favor with New York critics.

A quirky high school girl has to learn that you can't fit friendship into a checkbox.

Identity is an experimental short film about gender fluidity, memory, and transformation.

Pussy Have the Power is the song improvised by four girls in a recording studio. When an established music producer walks in, they face the choice of selling out their work to something that could lead to success, while they risk losing their own message

Forbidden love stories where gay men navigate the intense conflict between their deep-seated religious beliefs and their passionate desires. The 7 short films are: A Particular Friend (2023); Venena Bibas (2016); Keeping Faith (2017); Give Up the Ghost (2020); Barely in Love [לאהוב בקושי] (2013); The Vigrant [연극하는 날] (2021); Longing [אישך, תשוקתך] (2014).

Science fiction about a future Thailand. Futuristic, experimental, homo-erotic and with elements of a political essay. With a richness of themes and impressions that wouldn't get past the censor in Thailand. The maker doesn't mince his words and isn't afraid to look reality in the eye.

Herrmann is a leftist Thirty Something, who is still politically active, despite beginning to live the usual life of having a girlfriend and a child. On the way to his weekly political meeting he is kidnapped.

In a desolate future, one small town has survived because of a large windmill dam that acts as a fan to keep out pollution. The dam's operator, Pig, works tirelessly to keep the sails spinning and protect the town, despite abuse from classmates and an indifferent public. When a new student joins Pig's class, nothing will be the same again.

A young farmer in rural Yorkshire numbs his daily frustrations with binge drinking and casual sex, until the arrival of a Romanian migrant worker.

Eastern Cape, South Africa. A lonely factory worker, Xolani, takes time off his job to assist during an annual Xhosa circumcision initiation into manhood. In a remote mountain camp that is off limits to women, young men, painted in white ochre, recuperate as they learn the masculine codes of their culture. In this environment of machismo and aggression, Xolani cares for a defiant initiate from Johannesburg, Kwanda, who quickly learns Xolani's best kept secret, that he is in love with another man.

Walt is a lonely convenience store clerk who has fallen in love with a Mexican migrant worker named Johnny. Though Walt has little in common with the object of his affections — including a shared language — his desire to possess Johnny prompts a sexual awakening that results in a tangled love triangle.

In a barren, arranged marriage to an amateur swami who seeks enlightenment through celibacy, Radha's life takes an irresistible turn when her beautiful young sister-in-law seeks to free herself from the confines of her own loveless marriage.

SPACEMAN uses mime, stop motion, classic animation, and theatrical elements, to explore one artist's loss of creative passion, and his journey to get it back again.

When Alex wakes suddenly from a dream in which she confesses her love to her best friend, her whole world is turned upside down. She uses the following weeks to understand herself and slowly comes to terms with who she may be, all the while trying really hard not to lose the best friend she’s had since she was five. After all, coming out isn’t easy. 'From A to Q’ is a story of friendship, coming out and learning to love yourself.

A band of displaced untouchables in Western Ghats of India embrace Buddhism in order to escape from caste oppression.

Invited by the conductor Premil Petrovic to stage Arnold Schoenberg’s Pierrot Lunaire, a musical theater work from 1912 based on the poems of Albert Giraud, LaBruce transposed a strange and tragic episode of true crime onto the composition. Complementing the original atonal score is a narrative about a trans man who is outed by his girlfriend’s father and forbidden from seeing the young woman again. Crestfallen, the protagonist decides to prove the fact of his manhood by castrating a taxi driver and then revealing his newly transplanted member to the two of them. This story, which for LaBruce “serves as a kind of allegory for all gender radicals and outcasts driven to extremes by the disapproval and hostility of the dominant order,” is rendered in a visual style that nods to the era of Schoenberg’s melodrama. LaBruce cheekily appropriates the formal vocabulary of silent cinema with black-and-white photography, irises, and intertitles like “A cock, a cock, my kingdom for a cock!”