Mimesis: Nosferatu

The mysterious Count Orlok summons a happily married real estate agent to his castle, located up in the Transylvanian mountains, to finalise a terrifying deal.

A social worker recounts the case of Ella Jackson, a girl who sees a man standing behind her in the mirror

A year after the murder of her mother, a teenage girl is terrorized by a masked killer who targets her and her friends by using scary movies as part of a deadly game.

Two years after the Woodsboro murders, Sidney Prescott acclimates to college life while someone donning the Ghostface costume begins a new string of killings.

As bodies begin dropping around the Hollywood set of STAB 3, the third film based on the gruesome Woodsboro killings, Sidney and other survivors are once again terrorized by another Ghostface killer.

Image Archive archivist Dino Everett assembled a feature-length compilation of SCA student works from the late ’60s and ’70s. The compilation features recently uncovered and previously unseen student films by Dan O’Bannon and John Carpenter. • BLOOD BATH (1969, written and directed by Dan O’Bannon) B/W (original 16mm) 7 min. • THE DEMON (1970, written and directed by Charles Adair) B/W (original 16mm) 19 min. • GOOD MORNING DAN (1968, written and directed by Dan O’Bannon, camera by John Carpenter) Color (original 8mm) 19 min. • CAPTAIN VOYEUR (1969, written and directed by John Carpenter) B/W (original 16mm) 7 min. • BLOOD BATH (1976, written and directed by Dan O’Bannon) Red tint (original 16mm blown up to 35mm) 8 min. • JUDSON'S RELEASE (1971, written by Alec Lorimore, directed by Terence H. Winkless) (original 16mm) Color 15 min. Total program time: 80 minutes.

An experimental film shot with the purpose of trying to create a hostile alien environment using only shots of nature, color correction, and sound design.

An hypnotic tale of vampirism on All Hallows' Eve.

Twenty-five years after a streak of brutal murders shocked the quiet town of Woodsboro, a new killer has donned the Ghostface mask and begins targeting a group of teenagers to resurrect secrets from the town’s deadly past.

A man without his own half of the body is looking for the other half in the opposite sex. As for the integrity of his body, so for the sake of emotional healing.

Director F.W. Murnau makes a Faustian pact with a vampire to get him to star in his 1922 film "Nosferatu."

A girl, a ghoul, a vampire, a bloodstain... who is it?, what happened? We found it on the floor

Seeking fulfillment, a young drifter forgoes isolation to embark on a year-long murder spree.

There's something in his apartment. A man looking for an insect-like thing devolves into a bout of insanity as his subconscious mind begins to strangle his waking one.

Young clerk Jonathan travels to Transylvania in order to meet with a mysterious count.

A Schmelzdahin short wherein a print of a portion of Nosferatu (including the iconic shot of the vampire on the boat) has been degraded and abstracted through the bacterialogical decomposition, disintegration, and chemical processes Schmelzdahin would use.

Fifteen years after the original Woodsboro murders, Sidney Prescott returns home to promote her new book about surviving trauma, only for a new Ghostface killer to emerge, targeting a new group of teens.

While out on a jog a man comes across a knife in the middle of the trail. After instinctively picking the object up for examination he quickly realizes he must now remove his fingerprints from the knife. This suspenseful mood piece is the second student film from artist Jacob Sizemore.

An aspiring filmmaker goes to shocking extremes to convince Hollywood actress Anne Hathaway to star in his film. First entry in Adrian Țofei's spiritual trilogy which includes We Put the World to Sleep and Pure.

A young director disgusted by the financing system of the movie industry decides to shoot a feature movie made from live scenes without any financial support in order to denounce the difficulties to achieve a cinematographic project in Belgium. The rivalries between the cast members, the excesses and the frustrations will slowly lead him to a surrealistic disaster.