A collection of five silent comedy shorts co-starring Roscoe "Fatty" Arbuckle and Buster Keaton, and produced by their own Comique Film Company: THE BELL BOY (1918), THE BUTCHER BOY (1917), OUT WEST (1918), MOONSHINE (1918), and THE HAYSEED (1919). Volume One of a two-volume DVD series from Kino Video. Musical score by the Alloy Orchestra.
A florist borrows $10,000 from a pawnbroker. When it’s time to pay, he can’t come up with the money. Short reckonings make long enemies.
Po and Zhen battle over whose dumplings reign supreme.
In this Pete Smith Specialty short, a raccoon spends the night looking for food for his family. After his encounters with a skunk, a frog, and a menacing bobcat, he experiences the dangers in a vacant cabin.
The Hunter tracks down a beast.
A creative political short animation calling for saving time and increasing efficiency in national economic construction.
A baby is transported to Lullaby Land, where pacifiers grow on trees, diapers, bottles, and potty chairs march on parade, and the gingham dog comes to life. He wanders into the "keep out" cave, full of things like scissors, knives, and fountain pens that are not for baby and begins smashing watches with hammers and playing with giant matches. The matches chase after him; baby escapes by riding a bar of soap across a pond, but the smoke from the matches turns into boogey-men. The benevolent sandman, dressed as a wizard, spots baby hiding and works his magic, bringing us back to the real nursery.
We see bunny rabbits preparing for Easter, by making chocolate eggs and rabbits, decorating eggs, and weaving and filling baskets.
In a sterile white examination room, a young woman is asked by a doctor to undress completely. An exhaustive examination of the protagonist’s skin begins during which every centimetre, the palm of her hand, the sole of her foot, the back and also the genital area are closely scrutinised. The doctor meticulously probes every nook and cranny of the young woman’s outer shell until she is able to identify a suspicious birthmark. A timely appointment to remove the mole is made.
RK Dandekar goes to the grocery store to gather the ingredients for the perfect sandwich, and makes an unlikely connection.
A short film by Hieronim Neumann.
A mad scientist invented a new weapon of mass destruction and offered it to the god of war. The animation was shot in the genre of political satire. The visual solution of the tape proposed by the artist Henrikh Umanskyi is reminiscent of the films of the German expressionist cinema of the 1920s, in particular the legendary film "The Cabinet of Dr. Caligari" (1920). There, too, the main character was a mad scientist, and the events unfolded in distorted scenery that emphasized the state of insanity.
Jonas is desperately trying to get to a job interview, but the world seems to fight against him — or rather, it seems oblivious to him.
Pvt. Snafu thinks he's too smart to get caught by an enemy booby trap, but he soon finds that the traps are alluring and that he is every bit the booby.
This short animation set to Lenny Bruce's live monologue tells how the Lone Ranger hooks up with Tonto. With Bruce doing all the voices, this animation begins with local folks upset at the Lone Ranger because he won't stay around to be thanked after a good deed. So, he stays and finds he likes hearing "Thank you mask man." When their attention starts to shift elsewhere, he shocks and disgusts the townspeople with a final request. According to the cartoon’s producer John Magnuson, at early showings of this, gay audiences were upset by its apparent “fag-bashing”. And it’s true, part of the fun of the piece is just crying out “Masked man’s a fag”, scandalising and defacing the image of this all-American hero. But it’s within the larger context of Bruce’s analysis of heroism, and that the towns people reject the Masked Man is because of their prejudices, not because Bruce is asking us to endorse them. (from: http://ukjarry.blogspot.de/2010/01/352-lenny-bruce-thank-you-mask-man.html)
Bugs gets involved in a wrestling match to save Ravishing Ronald from the Crusher.
Although not the first feature-length animated film, as is sometimes thought, it was the first cartoon to feature a character with an appealing personality. The appearance of a true character distinguished it from earlier animated "trick films", such as those of Blackton and Cohl, and makes it the predecessor to later popular cartoons such as those by Walt Disney. The film was also the first to be created using keyframe animation.
Two cats (one a caricature of Jimmy Durante) battle violently for the affections of a pretty girl cat, who'll dispense her favors on the one who brings her a little bird. Unfortunately for the lovestruck felines, the bird in question is a vicious little thing named Tweety.
Daffy Duck plays a western hero, but things don't go as he hoped in a one horse town.
Another entry in the "books come alive" subgenre, with possibly more books coming alive than any other. We begin with some musical numbers, notably the various pages of Green Pastures all joining in on a song, The Thin Man entering The White House Cookbook and exiting much fatter, and The House of Seven (Clark) Gables singing backup to Old King Cole. The Three Musketeers break loose, become Three Men on a Horse, grab the Seven Keys to Baldpate, and set the Prisoner of Zenda free. They are soon chased by horsemen from The Charge of the Light Brigade and Under Two Flags and beset by the cannons of All Quiet on the Western Front. All this disturbs the sleep of Rip Van Winkle, who opens Hurricane so that everyone is (all together now) Gone with the Wind.