The Other Pair

When his credit card doesn't work, the biggest problem for a middle class man is finding enough change to buy a sandwich on sale.

Isolation and loneliness converge on an unexpected journey when intrigue and new come to town.

Separate We Come, Separate We Go is the story of a 10-year-old girl, Thea who escapes her bleak domestic life to find sanctuary in the surreal desert landscape of Dungeness. Roaming around the barren skeletons of boats and abandoned fishing huts, she is increasingly aware of her loneliness and vulnerability. Seemingly out of nowhere a man (David Thewlis) appears; she is so intrigued by him she defies all lessons taught about strangers and approaches him. As they walk and talk she discovers he is a widower and has lost his son; she realises she is not alone in experiencing loss. He notices her sadness and unusual maturity and decides to help lift her out of her melancholy. Through the metaphor of the freedom of flying birds, he shows her that life does have exciting possibilities. This redemptive story shows that in life you should not allow fear to limit your horizons.

In this loose adaptation of Shakespeare's "Henry IV," Mike Waters is a hustler afflicted with narcolepsy. Scott Favor is the rebellious son of a mayor. Together, the two travel from Portland, Oregon to Idaho and finally to the coast of Italy in a quest to find Mike's estranged mother. Along the way they turn tricks for money and drugs, eventually attracting the attention of a wealthy benefactor and sexual deviant.

An emotionally scarred highway drifter shoots a sadistic trick who rapes her, and ultimately becomes America's first female serial killer.

Yeong-shin and Dong-hyuk graduate from college with a cause. They plan to bring education and modernization to farmers living in the rural area of their hometown. When they arrive, the pair immediately get to work, Dong-hyuk builds a village hall and starts aiding the farmers while Yeong-shin tries to gather the children to form a school. However, the villagers at first resent and resist the pair. It is not until one child, Ok-bun, takes the initiative and and learns to read under Yeong-shin’s care that the villages trust the pair and allow their children to be taken from the fields and taught reading, writing and math.

One hot summer afternoon, two boys try to earn the cash for a movie in this beautiful evocation of the landscape of childhood.

A group of migrants from the drought areas of Northeastern of Brazil gets a truck "pau-de-arara" trying to move to São Paulo and have a better life. Along their travel, one of the women delivers a baby on the road. The driver, indeed, intends to carry them to the slave-work in the fields of a powerful "colonel", but the brave Ana faces the foreman of the farm and the driver, and the truck follows to the hired final destination.

Mike, a young hired hand in California is working a small farm with a close friend, Dan. Mike is content on the farm and obviously attracted to the handsome Dan. Dan seems to be attracted to Mike as well but is a drifter and not happy as a farmer. He longs to finish out the contract and move on to a big city, perhaps with Mike. Gary, a boy from the next farm over, befriends them during their daily chores. When an innocent session of skinny-dipping is misconstrued, the young hired hands soon find themselves unjustly suspected of wrongdoing in a suddenly hostile small town.

Two men meet in a florist shop. Their talk will bring them through the city of San Sebastian and through their memories.

In the dog days of summer, two sisters and their mother move into a concrete tower surrounded by farmland as far as the eye can see. Twelve-year-old Violette innocently concentrates her budding desires on Franklin, while Isa, her older sister, staves off her sadness with short-lived romances.

13-year-old Rafael Bregman prepares for his bar mitzvah in the Jewish community of Montevideo, Uruguay.

After being 'talent scouted' outside of an ice cream store, teen cousins Jess and Stella find themselves enslaved in the illicit world of sex trafficking.

The Good Teacher is a film about the lives of school teachers in a low-income urban area and the challenges they face while trying to provide a quality education to students. Dominique Daily is a first year school teacher who gives up his football career after an injury to teach Math at Louis Jones high school while struggling to cope with his short-lived life long dream of being a football star.

'Intended Parents' is a short film about a Black millennial couple, seeking to expand their family through surrogacy. With one partner identifying as a transgender woman, the couple (Alexandra Grey as "Robyn" and Lawrence Locke as "Anthony") find themselves continously educating or being imprisoned by outdated traditions and opinions from loved ones. While the film explores the intersections of love, gender, surrogacy, acceptance, and desperation; the powerful couple aims to deflate multiple negative stigmas as they prepare for the life-alternating roller coaster of fertility and surrogacy.

A look at the lives of migratory farm workers, focusing on one family.

When a worker is found murdered on the construction side, the investigation swiftly turns from things criminal to the political circumstances surrounding the building itself. Widespread corruption and neglect by the builder himself are seen to have brought the situation about. Much of the movie is filmed using hand-held cameras, and the majority of the dialogue is in the difficult-to-understand and very slangy Spanish dialect of Mexico City's bricklayers.

A Peruvian teen lusts after his wild sister while the new wife of their difficult, wealthy father tries to hide her lower-class background.

Chen Hao-Zhi lives alone with his Grandmother who has Alzheimers and has suffered from a stroke. In order to pay the bills and his grandmother's medical expenses, he goes to work in a gay massage parlor. At first, it was just work...but Hao-Zhi soon finds that he is attracted to some of his clientele, and gets pulled into a world where he loses control of things he thought he could handle.

A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?