Life as It Is: The Neorealist Movement in Italy

A short film in which Isabella Rossellini discusses the life and work of her father, Roberto Rossellini.

On the evening of March 11, 1950, Annabella Bracci, a 12-year-old girl, was brutally killed and thrown into a pit on the outskirts of Rome, near the village of Primavalle. A brief and poetic account of the events and their impact on an impoverished community. A handful of wild flowers and a painful catch in the voices.

World-renowned director Martin Scorsese narrates this journey through his favorites in Italian cinema.

This short film tells the story of the most important cinema trend that Italy has ever produced - Neo Realism. Born after the Second World War, this veritable cultural revolution rapidly became a boundless source of inspiration for movie-makers throughout the entire world. Even today it influences those wanting to produce quality movies characterized and identified as Italian products able to be exported as well. It is precisely one of the masters of this unique current rich in different personalities who introduces the story - Carlo Lizzani - whose 'lesson' reconstructs the birth and development of Neorealism in Italy. It combined innovative movie techniques with a new view based on a 'true' interpretation of reality. Due to its high cultural value, this short film was given the highest reknown of the Presidency of the Republic of Italy.

The first part of this series by Norman McLaren deals only with tempo. It starts by showing the disc travelling in one move (1/24 of a second) from A to B, and progressively demonstrates slower and slower tempos.

Three friends drive through the mountains looking for a community of Palestinians they've only ever heard about.

Via Delle Rose 36

A teenage skateboarder becomes suspected of being connected with a security guard who suffered a brutal death in a skate park called "Paranoid Park".

After years spent working as a prostitute in her Italian village, middle-aged Mamma Roma has saved enough money to buy herself a fruit stand so that she can have a respectable middle-class life and reestablish contact with the 16-year-old son she abandoned when he was an infant. But her former pimp threatens to expose her sordid past, and her troubled son seems destined to fall into a life of crime and violence.

Director Maurizio Nichetti is invited on TV to introduce a screening of his neo-realist classic 'The Icicle Thief'. He is horrified to discover that his black-and-white tale of life in poverty is constantly interrupted by garish color commercials, and even more horrified when a power cut in the studio causes film and commercials to mix up – a glamorous model finds herself in the arms of an unemployed pauper, while his wife finds herself in consumers' heaven. Nichetti has to break into the film to try to sort everything out.

The film represents life in a godforsaken Russian village. The only way to reach the mainland is to cross the lake by boat and a postman became the only connection with the outside world. A reserved community has been set up here. Despite the modern technologies and a spaceport nearby the people of the village live the way they would in the Neolithic Era. There is neither government nor social services or jobs. The postman's beloved woman escapes the village life and moves to the city. Postman's outboard engine gets stolen and he can no longer deliver mail. His normal pattern of life is disrupted. The postman makes a decision to leave for the city too but returns before long with no certain reason. The script is based on real characters' stories. People from the village play their own parts in the film. The search for the protagonist lasted for over a year.

A man named Clay flies into Phoenix for a reunion with his long-lost half-brother Vincent.

June 1944. In the newly liberated Rome, Roberto Rossellini and Sergio Amidei decide, against all odds, to make an unprecedented, true-to-life film on the tragic events that occurred during the Nazi occupation: Rome, Open City .

On the day they move apartments, a couple struggles to get everything in order before the landlord arrives for a final inspection.

Pablo returns to the neighborhood where he spent the early years of his life, searching for Juanito, but he does not find him. His sister Delia tells him that Juanito has lost his job and, in his desperation, has turned to crime. It is considered as the first Venezuelan and Latin American neorealist film.

An anthropologist investigates the origins of human evolution. She had suffered a mental trauma during her childhood when her father, a submarine captain, died during the war. This trauma periodically destabilizes her condition. The ghosts of a prehistoric past and a violent death collide in the subconsciousness of the scientist to give birth to an unexpected theory of the origins of human beings.

When a young couple involved in care proceedings travel across the country to collect a motorbike, their resolve to get their baby back is tested, as is their relationship.

TO THE BONE is classic kitchen sink, British drama with a revenge twist. It focuses on the injustices of the work place and the ritualism of trade work and the dynamic between the old guard and the new apprentices.

A farm family moves into a city maybe at the end of the Spanish Civil War. They move in with the sister of the farmers wife. In the city everything is illegal or immoral or both.

A short film centered around young schoolboy Tommy Rogers; alienated by his peers & abused by his step-dad he spends his days caring for his alcoholic mother.