Right to Work March

A government aided college, RK University, is on the verge of completing its golden jubilee but a bizarre event shuts it down indefinitely. Will RK University restore its lost glory?

Three women, three men, all very high level athletes, Olympic medalists, world champions in basketball, judo, rugby, fencing, swimming and figure skating have agreed to testify in a documentary. For the first time, they publicly reveal their homosexuality.

There are thousands of comedians in New York City, performing every night, working hard for laughs from the world's toughest audience. What happens to them when the city that never sleeps grinds to a halt? When the comedy clubs close and no one is laughing? "Back At It" is a chronicle of the tumultuous summer of 2020 in New York, through the eyes of a diverse group of comedians who hustle to keep their comedy alive and to stand out from the throng. It follows them as they take to the streets, rooftops, and parks to entertain a city ravaged by the Covid-19 pandemic. It asks how the art of standup changes when the traditional systems and established hierarchy no longer exist? Who will evolve and raise their voice?

A 17 year-old student is forced to get off the fence he has actively sat on all his life to stand up for himself, his whanau (family) and his future in this heartwarming story of identity.

Football icon Nathan Blake uncovers the incredible story of a Welsh rugby legend: his uncle, Clive Sullivan, who was the first black man to captain Great Britain in any sport.

The YES line-up of Jon Anderson, Chris Squire, Trevor Rabin, Alan White and Tony Kaye perform highlights from their 1985 tour - "Introduction," "Cinema," "Leave It," "Hold On," "I've Seen All Good People," "Changes," "Owner of a Lonely Heart," "It Can Happen," "City of Love," and "Starship Trooper" in a landmark concert.

Siddhartho Chowdhury, a brilliant young medical student, is forced to leave his studies after his father's sudden demise. He is forced to navigate the high unemployment rate and the communist socio-political climate of 1960s Calcutta in search of a job. He lives in a flat with his younger, employed sister, revolutionary brother and widowed mother. The strain of the situation ultimately causes him to hallucinate.

In 1830s England, Tom Brown attends a rugby boys' school, where his moral and personal growth is formed through friendship, bullying–particularly from the cruel Flashman–and the influence of headmaster Dr Thomas Arnold.

25-year-old philosophy major Marta faces the ugly truth for many young Italians — a complete lack of career opportunities. While babysitting for single mother Sonia, she starts to work as a telemarketer, experiencing first-hand the fanatical and exploitative rat-race culture pushed on employees while quickly rising through the ranks of the company. Around her revolve people like delusional supervisor Daniela, her womanizing boss Claudio, fragile coworker Lucio "2", and well-meaning but inconsistent union rep Giorgio.

Grandson of a legendary rugby player, son of a legendary rugby player, and he himself a legendary rugby player, Jo Canavero raises his only son, Tom, in a small village in the Tarn region. To the great displeasure of Jo, thirteen-year-old Tom is as good at math as he is useless on the rugby field. For a Canavero, the legend can't stop there, even if it means setting up a rugby team specifically for Tom, despite the wishes of the whole village and of Tom himself.

The Idle Ones is a profile of contemporary affairs - somewhere on the edge of Europe - in a place where unemployment for some young people is fast becoming a way of life. Covering a period of 18 months, the film follows the activities of a group of young men in their 20s who have finished their schooling and stayed in their home village - they loaf about unemployed since they can´t find any work in the remote district. The main characters are more or less idle young fellows whose stories link together and make up the film. Tinged with humour, The Idle Ones is a story about frustrated but vital young people in a period of transition, waiting for something to happen. For some, the waiting is becoming their life.

A music student’s testimony ignites a feminist uprising on her campus, where protest becomes performance and collective voice becomes an act of resistance.

Haka Nation

In the late 19th century, a former high school teacher turned unionist tries to organize workers laboring with inhuman conditions at a textile factory in Turin, Italy.

In a near-future city where soaring opulence overshadows economic hardship, Gwen and her daughter, Jules, do all they can to hold on to their joy, despite the instability surfacing in their world.

Motörhead Live: Everything Louder Than Everything Else features Lemmy and his band of metal warriors shaking Munich's Deutsches Museum to its Foundations. 1. Metropolis 2. Going To Brazil 3. I'm So Bad (Baby I Don't Care) 4. Traitor 5. No Voices In The Sky 6. Just 'Cos You Got The Power 7. Angel City 8. Love Me Forever 9. R.A.M.O.N.E.S. 10. Orgasmatron 11. Killed By Death 12. Ace Of Spades

A cleaning woman decides to sue the state for illegal discharge.

Big Boys Don't Cry' follows Joe Marler as he discusses his own struggles and learns new methods of managing mental wellbeing. The England and Harlequins player has opened up about his battles with mental health during his private life and his time playing rugby on the international stage. The documentary follows Marler as he travels around the UK to open up the conversation around mental health challenges and to learn about how people manage with their mental wellbeing - from taking the plunge in cold water swimming and getting involved in singing in a choir along the way.

Rugby Union has long been viewed in South Africa as a game for the white population, and the country’s success in the sport has been a true source of Afrikaner pride. When the 50-year-old policies and entrenched injustices of apartheid were finally overthrown in 1994, Nelson Mandela’s new government began rebuilding a nation badly in need of racial unity. So the world was watching when South Africa played host to the 1995 Rugby World Cup. Though they had only one non-white player, the South African Springboks gained supporters of all colors as they made an improbable run into the final match where they beat the heavily favored New Zealand team. When Mandela himself marched to the center of the pitch cloaked in a Springbok jersey and shook hands with the captain of the South African team, two nations became one. Oscar winner Morgan Freeman and director Cliff Bestall will tell the emotional story of that cornerstone moment and what it meant to South Africa’s healing process.

Inspired by true events, the story begins with Japanese rugby officials dwelling on a humiliating anniversary, a 145-17 defeat by the New Zealand All Blacks in the 1995 World Cup. Officials question their decision to appoint Eddie Jones, to coach their national team for the 2015 World Cup. Jones plans to defy convention in order to put a stop to Japan being the laughing stock of world rugby.