Carlos Almaraz: Playing with Fire

Mistr Theodorik

Oproerkraaiers

A documentary film about the Afro-American Woodstock concert held in Los Angeles seven years after the Watts riots. Director Mel Stuart mixes footage from the concert with footage of the living conditions in the current-day Watts neighborhood.

A documentary film that highlights two street derived dance styles, Clowning and Krumping, that came out of the low income neighborhoods of L.A.. Director David LaChapelle interviews each dance crew about how their unique dances evolved. A new and positive activity away from the drugs, guns, and gangs that ruled their neighborhood. A raw film about a growing sub-culture movements in America.

The Fall tells the remarkable story of a South African barefoot runner, an American track-and-field prodigy, and the events behind one of the most memorable moments in sporting history – the 1984 LA Olympics. The film charts two journeys, from rural South Africa under apartheid and the rolling hills of Southern California, to the starting line of the women’s 3,000 metres. It uncovers a tale of betrayal and exploitation, of the blurred lines between politics, media and sport, and of the dedication and sacrifice required to compete at the highest level. It’s a story that split governments and divided nations, but at its heart is a tale of two young women who, despite the turmoil in their lives, just wanted to run.

Sickert vs. Sargent brings to life two of the biggest characters in modern British art; Walter Sickert - the gruff, aggressive man-of-the-people; and John Singer Sargent - the urbane and charming dandy. The film focuses on some of the most beautiful and alarming paintings ever made in this country; pictures of aristocrats and prostitutes, coronations and killings, opera houses and music halls, and will evoke the long-lost atmosphere of Edwardian London. But above all it will show that from their two outposts in Chelsea and Camden, Sickert and Sargent were waging a war whose legacy still haunts us today.

Tjipto Setiyono, 85, is a rickshaw painter. Despite being past his prime, he lives alone in a 3-by-3 meter square boarding room, in which Tjipto’s brush strokes give birth to his paintings.

A villager of Desa Jepitu named Rubiyanto conducted a water extraction project from Gua Pulejajar with a group of volunteers. Echa, a student of cultural anthropology, involved herself in the project for her research. The water reserve in Gua Pulejajar does not only give hope to Rubiyanto and the other villagers of Desa Jepitu, but also reignites spiritual relations between Echa and her late father, who was a former activist of Gua Pulejajar.

How to Fix the World? is a comprehensive and informative documentary about direct action in the 1990s and 2000s, directed by Jouko Aaltonen. In the documentary, anarchists, climate activists, and squatters openly describe their experiences and link them to mainstream phenomena in society. A wide range of archive material sheds a light on the history of direct action and activism in the Finnish society.

Bachar à la ZAD

Tamara is from the ocean and water runs in her veins. Born in a fishing village on the Mexican coast, she became a full-time scuba instructor. When she discovers plastic in her beloved ocean, she sets out to get the diving industry to stop using single-use plastic.

For Los Angeles natives living in the early 1900s, bicycles and streetcars shared the road as our primary modes of transportation. But the arrival of the freeway effectively wiped them out. Today, a collective of cycling communities fight for protected bike lanes and road safety, determined to bring a new era of mobility justice to the city.

More than 40 years ago, Bas Jan Ader decided to go on an adventure. In a tiny sailing boat, the Dutchman set sail across the ocean. Nine months later the boat was found adrift at sea. There was no sign of Ader. It’s a story that has always fascinated filmmaker Martijn Blekendaal, not just because of the disappearance itself, but also because of the entire mystery that surrounds it. Blekendaal embarks on an investigation that follows his footsteps to Hollywood. It turns out that, in order to understand what drove this man to his fateful voyage, the filmmaker has to overcome his fear of looking beyond his own horizon. In a whirlwind montage of images jumping from one time, place and person to another, Blekendaal shows us that Bas Jan left behind something more special than just a mystery.

Filmmaker Jake Auerbach decides to offer a description of his friend Lucian Freud that's more truthful than the common media image by asking a number of people who have sat for Freud's portraits to share their experiences with the camera. They include several of Freud's friends and daughters, and the film becomes a depiction not only of his art, but also his private persona. Lucian Freud does not appear, with the exception of a brief shot at the end of the film.

The theme of death is heavily interwoven in Smolder’s surreal salute to Belgian painter Antoine Wiertz, a Hieronymus Bosch-type artist whose work centered on humans in various stages in torment, as depicted in expansive canvases with gore galore. Smolders has basically taken a standard documentary and chopped it up, using quotes from the long-dead artist, and periodic statements by a historian (Smolders) filling in a few bits of Wiertz’ life.

Produced in 1988, this feature documentary presents a living history of Quebec's last 40 years as seen through the eyes of one couple. Pauline Julien and Gérald Godin, two Quebec artists, share their perspectives on the events that have marked Quebec's evolution. Julien, a singer, and Godin, a poet, express their love and passion for the province (and each other) while providing a unique take on the Quebec nationalist movement.

Short interview with Clive Barker about Midnight Meat Train, his artistic process, and his paintings. Includes a tour of his painting studio.

After their hunger strike in Berlin's government district, 5 climate activists reunite. While Lina has joined the "Last Generation," her comrades prepare for the eviction of Lützerath, a village facing demolition for mine expansion. How far will they go for their ideals?

Bill Bartell was a multifaceted individual who traversed the punk rock scene, law enforcement, rodeo riding, and country music. Known for his unique contribution to punk rock through his label Gasatanka Records and band White Flag, Bartell's life defies conventional boundaries, blending hyper-masculinity with subcultural rebellion. His story, filled with mysterious and seemingly contradictory roles, offers a compelling narrative about identity, transformation, and the unexpected paths life can take.

An inspiring documentary about overcoming homelessness and addiction in the City of Los Angeles.