Velli Thirai

In 1939, boy-wonder Orson Welles leaves New York, where he has succeeded in radio and theater, and, hired by RKO Pictures, moves to Hollywood with the purpose of making his first film.

A notorious gangster is incited to transform into a film hero and opts for a filmmaker and their project descends into a scenario they had never anticipated.

An aspiring director wants to submit his own short film to his school's media festival. With less than a month left to participate, he has yet to begin production on the film. His procrastination leads him to decide between making the project he's most excited for, or coming up with something else for the meantime.

The story centers on a man who loves movies, having once worked at movie studio in pursuit of his dreams, surrounded by great directors and famous actors. In this tale of love and friendship spanning a lifetime, the "god of cinema" that Go has worshipped since he was young will transcend time, and work a miracle in the lives of one family.

Eusebio José Fernández López Reboredo Bergamín is a teenager in the 1960s whose dream is to be a movie director, but General Francisco Franco prohibited in 1964 all types of art. A coincidental encounter with another artist, named Antonio Mínguez, will change his life.

A budding director endeavors to research a merciless gangster for making a film on gangsterism. But his secret attempts to conduct the research fail when he gets caught for snooping.

Uncertain whether his bus will arrive, a hesitant and anxious young man begins to question the point of waiting. As he stands at the bus stop, his interactions with those who arrive lead him to reflect on the passing of time and how he should face it.

A wannabe film director becomes embroiled in a battle against the laws of time and space when his attempts to recreate the iconic black and white, photograph-only, time travel film, La Jetée, spiral out of control.

In spite of blood ties to both Haifa's Jewish and Arab populations, Moshe leads a rootless existence. Grown weary of his impatient wife Didi and ambivalent about his needy young mistress Grisha, the only relationships Moshe doesn't complicate are with his devoted parents, Jewish Hanna and Arab Yussuf, and with Jules, Moshe's ne'er-do-well childhood friend. But when Jules' real estate developer brother moves to buy a prized piece of property from the Arab side of the family, Moshe's divided ancestry is put to the test.

How to find your way in a suburb of the mega-city of Seoul, that is just one of the things this North Korean refugee hasn't learnt on his citizenship course. He gets lost as soon as he is on his own. At least he speaks Korean.

Tae-il lives a fast life as low level thug. He then learns that he has a terminal illness and not much time left to live. Then, for the first time in his life, he falls in love.

Antônio is an astrophysicist who has just found out he has an inoperable brain tumor. After decades living in the United States, he returns to Brazil and tries to learn more about his biological mother. His quest sends him off into the slums of Rio de Janeiro.

A dying widow plays matchmaker to her 32-year-old unmarried son and sets him up with a nurse that she meets.

Three NYC stories at a climax. Stories about breaking up, losing, leaving, giving away... the things or people you love, you live with, you depend on, which formed your past... The stories are about how difficult this is, how terrifying and how frightening. Yet, you HAVE to do what you have to do. The three girls are met at the turning point of their lives. The film is wonderful written, with few words and a great, exciting pace (though it takes its time and lot of it). Stop: there may be a lot of words, sometimes, but what's important is between-the-lines. The performances are marvellous. Style and location (all shot "on location") remind of this specific independent NYC style of Jarmusch, Poe, Seidelman, Silver, etc.

Mario is the son of a rich couple, but he lives in constant conflict with his family. In a beauty salon, he meets the beautiful Glória and the hairdresser Gustavo, with whom he becomes friends and gets closer and closer. However, the guys' relationship can be more than just friendship.

Elena and Antonio seem not to be made for each other. They are too different in terms of character, life choices, worldview, and the way they relate to others. They are total opposites. However, they are overwhelmed by a mutual attraction they're trying hard to avoid; but to which they succumb to.

Liisa and the renowned composer Raimo Kaarna are fond of each other, but in Kaarna's family history, everyone does not accept the relationship. In addition, Liisa has her own doubts, and a secret that does not endure the daylight.

On the wharfs of San Francisco, saloon girl Toy, also known as Mary, lives over Mother Bright's bar. When Como Murphy, a fugitive from the law, hides in her room, she falls in love with him. He explains that after he spoke out about the rights of man to a crowd, a riot ensued, during which a policeman was killed. Como took the gun from the killer, but is thought to be guilty of the crime himself. Como, who reciprocates Mary's love, spends the night with her, but leaves to keep her out of danger. He joins the crew of a ship sailing to China after he is befriended by Turk, a big lumbering sailor who is also in love with Mary. Each man is unaware that they love the same woman.

This love story is disguised as a road drama and a crime story with all the twists and turns along the way. Aptly directed by Shi Runjiu, with engaging cinematography that matches the feel of the story, All The Way involves many stories of many people surrounding one goal—find the guy who’s got the goods.

A gigantic Christmas tree travels across Bulgaria towards the capital passing birthdays, pregnancies, a suicidal man and gypsies. The countless stories on the way sketch a realistic and poetic image of this brand new member of the European Union.