Nothing

CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect ...

2064. Cora, a Danish woman, finds an unfinished documentary in which Benjamim, her Brazilian father, attempted - fifty years earlier - to investigate the story of his own parents: Teo, who, afflicted by insanity, died when he was still a child, and Elenir, a mysterious woman he’d barely heard of. In the course of his investigation, Benjamim discovers that both characters are part of a complex family puzzle, filled with traumas and taboos, and starts seeing himself as an important piece in the puzzle. The footage found in Benjamim’s documentary is reorganized by his daughter, Cora, in an attempt to understand her family’s lost past.

Seventy-Two Hours

How would a found footage film look if the footage was never found? This conceptual art experiment questions the very nature of film and cinema while serving as an ironic tribute to the found footage horror pop culture. The found footage format provides the narrative justification for such a film to exist: the non-existence exists because the footage existed yet it was lost and never found.

Conducting a series of experiments in his makeshift home-lab, a skeptic IT worker tries to cure his harrowing hearing impairment. But where will his research lead him? "Masking Threshold" combines a chamber play, a scientific procedural, an unpacking video, and a DIY YouTube channel while suggesting endless vistas of existential pain and decay. Glimpse the world of the nameless protagonist in this eldritch tale, which is by no means for the faint of heart.

A man who wants to end his life in this mortal world in three acts.

A seemingly mundane evening in suburbia is disrupted by an unforeseen event.

Ann follows Warhol's instructions throughout the entire screen test, as she stares directly at the camera without blinking, until tears begin to fall first from her left eye, and then from her right eye.

A whistle blower counts the steps. The steppers share glances. The whistle blower stops blowing the whistle and attempts to steal their glances. Steps are broken and transform. A new glance replaces the old.

After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.

A lonely character in a deserted world watches as it goes up silently in flames.

Event and murmur: modulating attention through channels, like shifting through radio, can reveal signals in noise – the basis for "frequency hopping" cryptography, which gives the logic for mobile networks. At the beach, networks fail, we hop waves, acumulate dead time, roam. ( Super8 films shot in the 1970s and processed only in 2020.)

Deriva amorfológica: bacia de Cubatão

an eight-hour long experimental film/performance art piece in which filmmaker chandler pippin creates their own arbitrary form of service work and films a shift in its entirety.

A description of two nude bodies.

An experimental film: dozens of pictorial techniques applied directly on celluloid; a work of impressive aesthetics that recovers certain ideas of abstract expressionism: endless chromaticism, constant mutations, the music of the cosmos, mysticism, synesthesia… and an enigmatic title that, although it imitates the phonetics of the Basque language, means nothing.

The introductory text of as they pass is spoken calmly and quietly. The voice doesn't tell a story, it conveys atmosphere. It´s superimposed over images that flare up briefly and are punctuated by relatively long intervals of black frames whenever the viewer begins to orient him or herself. And suddenly, the images in Bödenauer´s animation made with silk paint on glass - start to overlay one another: They´re arranged by layer, extending into the screen´s depths, and the uppermost layer flows apart, revealing the one below it. In the end they seem to have all moved away, their composition has turned into strips of color which zip upward or to the side. This is accompanied by an increasing volume of sound. At the film´s conclusion there is openness rather than a point.

A young girl has been falling in love with Neptune for 10 years. In His birthday, she wants to meet Him.

From high up in the glacier-carved mountains of Northern Spain, towards the Atlantic Ocean in the cities of Porto and V.N.Gaia in Northern Portugal. A journey through a river and through sound.

Images of concrete and stone. A cemetery. Light making its way through the tree leaves.