Frame

Seeing himself as a form unable to experience intimacy, he is given the chance when brought to the household of twin sisters.

A portal, a sorceress, a fictional device to portray existence as a moment encapsulated inside an instantaneous photograph to present fragmented biographical elements —family disintegration, rootlessness, scars, two loyal companions, the promises of a new land—subverting the notion of a home-movie and transform it into a pilgrimage tool of self-discovery, mirroring the fragile nature of memories.

Maya excitedly leans into the joy of her first queer relationship, but must confront the seemingly never-ending sexualisation of her identity

Maccaia

The process of depersonalization maintains a dialogue with the objectification of the body, a sort of thingified flesh, clothed in animosity. In an epiphanic act, the sutures reveal themselves as the reflection of this gaze upon its own spilled fluids and transcend into an internal soup. It is the stream of consciousness in its purest form. It is the raw and the bare. It is the visceral nature of facts. It is the merging of worlds. It is the flesh in turmoil.

A man and a woman talk on the phone and express their feelings and desires for each other for the first time. We watch as they listen to the other's admissions.

An awkward boy and a shy girl meet on a bench, what awaits is a night they will remember forever.

Two star-crossed friends escape to the woods for one night in an attempt to find their way back to one another.

Fede is a theater actress who, while putting on clown make-up for a show, thinks back to her relationship with her father: a relationship of tenderness, desire and hatred.

Ahmet, a Turkish guy in his early twenties visit his grandfather's abandoned mansion located somewhere in the northern Anatolia. Thinking that he would return to where he spent his early childhood, only to find out that the place is now in ruins. When he goes to sleep. An unexpected angel will visit him to give her a blessing of the truth. He wakes up being not the guy he was before.

365 jours

A young woman is on the verge of committing suicide when things take an unexpected turn.

A woman, director of advertising films, catches the eye of a mysterious young woman dressed in white during an evening of dancing on the terrace of a bar and is fascinated by her.

fragments from song lyrics of different artists have given life to this story about love, loss and desperation.

Speak To Me Of What I Know is a short experimental film shot on a Super8. The idea of lack of communication is expressed through an intimate relationship, more specifically the men of the film. The themes of miscommunication develop throughout the film in many ways, even the slightest details are there with the explicit goal of adding to the main message. Pay attention to as much as you can, and build your idea of what it's all about. It remains up to interpretation.

Filmed on Super 8 in Paris, Portrait de Rosa, à la française portrays an intimate love story through quiet images and gentle emotion.

A poetic cine-essay about race and Australia’s colonised history and how it impacts into the present offering insights into how various individuals deal with the traumatic legacies of British colonialism and its race-based policies. The film’s consultative process, with ‘Respecting Cultures’ (Tasmanian Aboriginal Protocols), offers an evolving shift in Australian historical narratives from the frontier wars, to one of diverse peoples working through historical trauma in a process of decolonisation.

It is the year 2020 and women have lost the right to their bodies completely. In this tale of sweet revenge, a cult of courageous women go to extremes to take back what is rightfully theirs.

It’s the year 1990. America is on the verge of another Great Depression. A Hitler-like President puts into action his mad scheme to wipe out the federal deficit by dispatching extermination squads. Can the terribly violent genocide be stopped before all non-conformists are destroyed?

"What I tried to "tell" is Rosa's close and distorted relationship, common to many women who are used to living alone with themselves, with objects that have become animated and unreal and the relationship which is completely silent, but no less clear and explosive of Rosa with her feminine unconscious” (D. Maraini).