I Remember Nothing

An ode to the canopy, Ingrain is an attempt to capture one family's recollections of their home through their fading connections with the trees surrounding it.

Culled from over fifteen hours of footage by the American Genre Film Archive, this mixtape is the definitive presentation of public access TV’s most otherworldly show, The Stairway to Stardom.

Director Peter Judson's semifictitious tale opens a revealing window into the indie filmmaking process, capturing the trivialities, aggravations and enthusiasm that go into completing a picture. Using footage from an indie movie set, e-mails constructing a plotline about distributor difficulties and interviews with indie mainstays such as Steve Buscemi and Sam Rockwell, the film provides a riveting look at one producer's rejections and rewards.

Midland's businessman Paul Downes hires a castle in Jamaica and invites 12 young Ukrainian women to join him in the hope one will marry him. Paul suffers bi-polar disorder and has a manic episode - his plans turn bizarre and troubling.

Con Traje y Sin Zapatos

The lastest neuroscience discoveries show surprising results: false memories, distortion, modification, déjà vus. Our memory is affected in many ways, and deceives us every day. The very fact of recalling souvenirs modifies them. The everyday consequences are manyfold. To what extent can we rely on our souvenirs? How much credit can we give them during trials? Even more shocking, scientists have proved to be able to manipulate our memory: creating artificial souvenirs, deleting, emphasizing or restoring them on demand.

Four paranormal researchers and YouTubers document the paranormal claims of the Harrisville Farmhouse. The inspiration for the well known movie "The Conjuring". Is it truly haunted?

Sculpter la mémoire

For five years, Stephen McCoy documented street life in Boston. This is what he captured.

Madonna's rise to fame from 1978 to 1992, exploring her personal life, controversies, and the challenges she faced during that period.

This film is a poetic composition of recorded history and non-recorded memory. Filmmaker Rea Tajiri’s family was among the 120,000 Japanese and Japanese Americans who were imprisoned in internment camps after the attack on Pearl Harbor. And like so many who were in the camps, Tajiri’s family wrapped their memories of that experience in a shroud of silence and forgetting. This film raises questions about collective history – questions that prompt Tajiri to daringly re-imagine and re-create what has been stolen and what has been lost.

Sisterhood portrays a current reality in Japan, showing the vision and lives of different people, such as a nude model, a music artist, a student and other diverse individuals who give their opinions in front of the camera.

COLUMBA

TIMETRAVEL_0 is an extraordinary docudrama that follows Cris McCarthy as she explores the urban web legend of John Titor, the man that came from the future. Cris searches for evidence of Timetravel and John Titor's predictions of a massive civil war. In the process of her filming, her work was investigated by authorities and eventually confiscated by the government. Its recent release has allowed it to be edited and produced.

The amnion – the fetal membrane protecting the embryo – becomes a metaphor in the film for an intimate space where pain can be shared and a path to healing sought. This sensitive portrait of three women whose lives have been marked by sudden separation is carried from the outset by a meditative soundtrack that shapes an environment in which personal experience becomes expressible. Ritual gestures – traditional costumes, cooking together, hugging – create a protective shell that allows pain not only to be expressed and shared, but also transformed.

A meeting between the daughter and the grandmother of the director, Iván Mora Manzano, at a time when the memories of one, the girl’s, were taking shape, and the other’s the grandmother’s, were vanishing. This starting point is used as a pretext to talk about other topics such as the importance of family memories and the search for memory.

This film continues along the same lines as F.O.D. 1 with short scenes of material related to death. Mortuaries, accidents, police work are filmed by television equipment and domestic video cameras.

Gory real-life footage of blood and guts on the German Autobahn, drug smugglers getting blown away, a parachutist landing in a crocodile pit, torture and murder in El Salvador, a PCP addict getting stoned, a videotaped rape/murder, a car thief getting ripped apart by two junkyard dogs, and much more.

Contains more than 50 separate scenes of blood-chilling horror, none of which have ever been seen by the public, depicting a cremation, an electrocution, a terrorist destroyed by his own bomb, the massacre of a Columbian wedding party, the drawing and quartering of a Russian peasant and a man-eating tiger turning on its trainer.

A direct-to-video compilation of the highlights of the earlier films in the Faces of Death series.