The Road to Sunrise

Mbeu Yosintha was made to help farmers and rural communities cope with the effects of climate change and in particular the ever changing rain patterns in South East Africa. The film is a drama using local actors and was devised with Malawian writer Jonathan Mbuna following extensive research with various agricultural NGOs in Malawi. Following successful drama like Mawa Langa this film has already been seen in Malawi by over 10,000 people in rural areas using a pedal-power cinema kit.

A teen-aged nanny is impregnated by her employer, who pays for her education to keep her quiet.

Anita Chitaya has a gift: she can help bring abundant food from dead soil, she can make men fight for gender equality, and maybe she can end child hunger in her village. Now, to save her home in Malawi from extreme weather, she faces her greatest challenge: persuading Americans that climate change is real. Traveling from Malawi to California to the White House, she meets climate sceptics and despairing farmers. Her journey takes her across all the divisions that shape the USA: from the rural-urban divide, to schisms of race, class and gender, and to the American exceptionalism that remains a part of the culture. It will take all her skill and experience to help Americans recognise, and free themselves from, a logic that is already destroying the Earth.

Enock is six years old when he is taken to a Confucian Buddhist orphanage and given the Chinese name Alu. He becomes extremely skilled in acrobatics. Suddenly he must make a choice to reunite with the culture of Africa or to sign up for five years in order to study in Taiwan.

Follows Molina, a 12-year old Malawian girl who is forced to leave school and enter an arranged marriage to improve the family's economic standing. Once married, Molina quickly becomes a young mother and the victim of an abusive husband until the arrival of Chief Kachindamoto.

A mother's unconditional love and care for her son and family is well portrayed in the film in a very sensitive way.

A Cincinnati college student breaks off his engagement to his wealthy fiancée after he falls in love with a backwoods Kentucky girl he meets at a party. She says she's 20, but he finds out she's 16 and married to an abusive husband.

Paris 1913. Coco Chanel is infatuated with the rich and handsome Boy Capel, but she is also compelled by her work. Igor Stravinsky's The Rite of Spring is about to be performed. The revolutionary dissonances of Igor's work parallel Coco's radical ideas. She wants to democratize women's fashion; he wants to redefine musical taste. Coco attends the scandalous first performance of The Rite in a chic white dress. The music and ballet are criticized as too modern, too foreign. Coco is moved but Igor is inconsolable.

The girl lends her lips to the boy who lends her a pair of eyes. Her lips become his voice as his eyes become her sight.

Yannick moves to a small, quiet town to study cinema. One day when he fell off his bike, he knocked at the door of the Beaulieu residence so he could clean the blood off his hands. But Jacques Beaulieu and his family had other plans for Yannick. Beaulieu is a righteous psychopath and fanatic chess player who wants to rid the world of evil. And even though Ian has done nothing wrong, he is beaten, tortured and tormented before Beaulieu makes him an offer: win at chess and he is free to go. And so Ian is now a pawn in Beaulieu 's game. A game in which he will either lose his mind or his life.

The film tells the story of a mother struggling to make ends meet on her own. Rising unemployment in the country leads to the breakdown of many families. Saliha and Şevki, who live in a shanty town, are one such family. When Şevki's unemployment is compounded by gambling debts, things become even more difficult for the family. Unable to tolerate her husband's indifference, Saliha eventually kicks him out of the house. However, after working as a cleaner for a while, Saliha cannot make ends meet this way. She is forced to ask her old friend Emel, who works as a prostitute, for help.

Rip is the World Wrestling Federation champion who is faithful to his fans and the network he wrestles for, but Brell, the new head of the World Television Network, wants Rip to wrestle for his network.

Justine is a nubile young virgin cast out of a French orphanage and thrust into a depraved world of prostitution, predatory lesbians, a fugitive murderess, bondage, branding, and one supremely sadistic monk. It's a twisted tale of strange desires, perverse pleasures and the ultimate corruption of innocence as told by the Marquis de Sade.

Sten Lehtoja, a married, middle-aged businessman, picks up a young hitchhiker, Elsie, while driving to his summer home. Elsie spends the night and becomes his mistress. Later during the summer, Elsie also begins an affair with Reino, the teenage son of a local storekeeper. Sten offers to divorce his wife, and Elsie, attracted by the prospect of a secure social position, agrees to marry him when the divorce becomes final. One night when the couple are in bed, Reino climbs a ladder and attempts to force his way into their room; he falls and breaks his neck, and to avoid scandal Sten hides the body. But the strain of guilt ruins the romance, and Elsie contacts the police, who arrest her lover.

Fresh off a toxic relationship, an aspiring author begins a whirlwind romance with the man of her dreams, or so she thinks.

Erwin wants to propose to Natalie, but encounters obstacles due to demands from his prospective in-laws. On the other hand, Koh Afuk urges Yohan and Ayu to have children soon.

When Aoi is gang-raped by her classmates and kicked out of her home by her own parents she sees no reason to continue living. Before she commits suicide, however, she receives an email on her cellphone from a man named Toshi addressed to a girl named Ai. The message simply thanks the girl for being alive, but this specific message has an effect on Aoi and she decides to keep on living. Without many options, Aoi resorts to everything from paid dating to porn to earn money and meets a lot of less than reputable characters. Throughout it all though she looks toward Toshi as her hope for happiness and the two form a relationship.

Guitarist Ko-chan is a mess of sexual repression after a childhood at the mercy of two elder sisters eager to use him as a guinea pig for their make-up skills. Bassist Gaku-chan keeps a bucket in the wings for whenever his nerves get the better of him, and drummer Momo-chan is doomed to forever carrying the botched childhood attempts at self-tattooing. It's not until this foursome is forced to look for an additional guitar player after Jin's dad burns his Stratocaster, that attitude and musical ability enter into the equation. Leather-clad, shade-wearing Tani (Tamaki), inseparable from his black Les Paul, is introduced as the king of R'n'R cool and Jinnai keeps him firmly seated on his throne throughout the film, retroactively proclaiming the guitarist, rather than himself, as the band's true hero.