A teen-aged nanny is impregnated by her employer, who pays for her education to keep her quiet.
Mbeu Yosintha was made to help farmers and rural communities cope with the effects of climate change and in particular the ever changing rain patterns in South East Africa. The film is a drama using local actors and was devised with Malawian writer Jonathan Mbuna following extensive research with various agricultural NGOs in Malawi. Following successful drama like Mawa Langa this film has already been seen in Malawi by over 10,000 people in rural areas using a pedal-power cinema kit.
Enock is six years old when he is taken to a Confucian Buddhist orphanage and given the Chinese name Alu. He becomes extremely skilled in acrobatics. Suddenly he must make a choice to reunite with the culture of Africa or to sign up for five years in order to study in Taiwan.
Anita Chitaya has a gift: she can help bring abundant food from dead soil, she can make men fight for gender equality, and maybe she can end child hunger in her village. Now, to save her home in Malawi from extreme weather, she faces her greatest challenge: persuading Americans that climate change is real. Traveling from Malawi to California to the White House, she meets climate sceptics and despairing farmers. Her journey takes her across all the divisions that shape the USA: from the rural-urban divide, to schisms of race, class and gender, and to the American exceptionalism that remains a part of the culture. It will take all her skill and experience to help Americans recognise, and free themselves from, a logic that is already destroying the Earth.
Follows Molina, a 12-year old Malawian girl who is forced to leave school and enter an arranged marriage to improve the family's economic standing. Once married, Molina quickly becomes a young mother and the victim of an abusive husband until the arrival of Chief Kachindamoto.
Based on real life incidents, a young Black woman with white skin due to Albinism struggles to fit in with society.
Nana, who aims to be an actress, has no buds. Nagasaki calls out to Nana as she walks through her town. She is curtly treated by her, but invites her to a nearby cafe and asks for her Nana and Yori back. But Nana has another target. He even threatened to break up with her wife, but she insisted she wasn't interested. Unable to allow her Nagasaki to treat her unkindly and in the end be taken away by her other man, he hit her from behind. Nana is photographed naked by female photographer Chigusa. She was her next target. While teaching Nana, who has a poor expression, Chigusa inadvertently kisses her. Nana accepts Chigusa and she embraces him. She said after the fact that Nana wanted her to lend money to Chigusa. She was being chased by her apartment landlord because she was behind on her rent. Chigusa said she would send the pictures together when they were done and she said she would also introduce the producer of the film.
Brechó Brasil
an anthology of three stories based in different eras - the first story is set in the 1940s where a freedom fighter ends up taking refuge at a woman's place after being chased by the cops. The second story is about three childhood friends who have lost touch and reunite after many years. The third story is about a young village boy who comes to the city to pursue his dream and doesn't care for his old parents.
Thea, Rene’s wife, always invites her other man, Geoff, over dinner for them to make out in the house. But when a new woman, Camille, enters the picture, Thea’s wild and crazy gameplay changes.
How to strike a conversation... or not.
Adel has a firm belief that his stepfather killed his father to marry his mother. He makes a strange deal with the unemployed Aziz, who wants to get rid of his wife to cash her life insurance policy. Adel pledges to kill Aziz's wife in return for Aziz killing his stepfather.
Co-ed for the first time, love at first sight, dating apps, gay practice, after school secrets... This is one page of my youth.
A young couple, grieving the recent death of their daughter, move to the countryside where they are troubled by their experience of tragedy and the dark past of their new home.
Lotfi, a census enumerator (counting demographics) or at least that's what he claims. Visits a neighborhood full of nutcases to interview and "count" them but everything quickly turns into a huge mess in a hilarious comedic frame full of twists about the Moroccan society..