"Jellicle" cats join for a Jellicle ball where they rejoice with their leader, Old Deuteronomy. One cat will be chosen to go to the "Heavyside Layer" and be reborn.
In 1968 America, as two men fight to become the next president, all eyes are on the battle between two others: the cunningly conservative William F. Buckley Jr., and the unruly liberal Gore Vidal. During a new nightly television format, they debate the moral landscape of a shattered nation.
In a woods filled with magic and fairy tale characters, a baker and his wife set out to end the curse put on them by their neighbor, a spiteful witch.
Broadcast of a live performance of the Roundabout Theater Company's 2000 New York revival of the classic Kaufman-Hart comedy, about a famous (and famously acid-tongued) theater critic who is forced to stay in a Midwestern couple's home and the havoc that ensues.
Fashionable sorority queen Elle Woods has it all, but, she wants nothing more than to be Mrs. Warner Huntington III. But he dumps her before heading to Harvard Law School. Elle rallies all of her resources and gets into Harvard, determined to win him back. While there, she figures out that there is more to herself than just good looks.
In 1846, Anthony Hope sails into London with the mysterious Sweeney Todd, a once-naive barber whose life and marriage was uprooted by a corrupt justice system. Todd confides in Nellie Lovett, the owner of a local meat pie shop, and the two become partners, as Todd swears revenge on those that have wronged him and decides to take up his old profession.
The Will Rogers Follies is a musical with a book by Peter Stone, lyrics by Betty Comden and Adolph Green, and music by Cy Coleman. It focuses on the life and career of famed humorist and performer Will Rogers, using as a backdrop the Ziegfeld Follies, which he often headlined, and describes every episode in his life in the form of a big production number. The Rogers character also performs rope tricks in between scenes. The revue contains snippets of Rogers' famous homespun style of wisdom and common sense and tries to convey the personality of this quintessentially American figure whose most famous quote was "I never met a man I didn't like."
Memphis is set in the places where rock and roll was born in the 1950s: the seedy nightclubs, radio stations and recording studios of the musically-rich Tennessee city. With an original score, it tells the fictional story of DJ Huey Calhoun, a good ole' local boy with a passion for R&B music and Felicia Farrell, an up-and-coming black singer that he meets one fateful night on Beale Street. Despite the objections of their loved ones (Huey's close-minded mama and Felicia's cautious brother, a club owner), they embark on a dangerous affair. As their careers rise, the relationship is challenged by personal ambition and the pressures of an outside world unable to accept their love. Originally shown in select theatres, then broadcast as an episode of the PBS series "Great Performances" (season 39, episode 11).
In 1941 Hawaii, a private is cruelly punished for not boxing on his unit's team, while his captain's wife and second in command are falling in love.
Set in modern upper-crust Manhattan, an exploration of love and commitment as seen through the eyes of a charming perpetual bachelor questioning his single state and his enthusiastically married, slightly envious friends.
The comedic play tells the story of a Black preacher’s scheme to reclaim his inheritance and win back his church from a plantation owner.
When the S.S. American heads out to sea, etiquette and convention head out the portholes as two unlikely pairs set off on the course to true love... proving that sometimes destiny needs a little help from a crew of singing sailors, a comical disguise and some good old-fashioned blackmail. This hilarious musical romp across the Atlantic, directed by the multi-award-winning Broadway director and choreographer Kathleen Marshall, features Cole Porter’s joyful score, including "I Get A Kick Out of You," "You’re the Top" and the show-stopping "Anything Goes."
Crazy For You is a romantic comedy musical with a book by Ken Ludwig, lyrics by Ira Gershwin, and music by George Gershwin. Billed as "The New Gershwin Musical Comedy", it is largely based on the songwriting team's 1930 musical Girl Crazy, but incorporates songs from several other productions as well. Crazy For You won the 1992 Tony Award (Broadway), 1993 Olivier Award (London), and 1994 Dora Award (Toronto) for Best Musical. Originally aired on the PBS series "Great Performances" (season 28, episode 2).
TV-recording of the famous Swedish comedy play Djingis Khan, first performed in 1954.
As beautifully touching as it is funny and bold, Things I Know To Be True tells the story of a family and marriage through the eyes of four grown siblings struggling to define themselves beyond their parents’ love and expectations. Parents Bob and Fran have worked their fingers to the bone and with their four children grown and ready to fly the nest it might be time to relax and enjoy the roses. But the changing seasons bring home some shattering truths. Featuring Frantic Assembly’s celebrated physicality, and co-directed by Frantic Assembly’s Tony and Olivier Award nominated Artistic Director Scott Graham and State Theatre Company’s Artistic Director Geordie Brookman, Things I Know To Be True is a complex and intense study of the mechanics of a family that is both poetic and brutally frank.
For our fifteenth year of RiffTrax Live, we've selected the 1990's cult classic about bank robbing, presidential masks, and surfing: Point Break! It was directed by Academy Award Winner Kathryn Bigelow (The Hurt Locker, Zero Dark Thirty) and stars Keanu Reeves (The Matrix, John Wick, Keanu), Patrick Swayze (Road House), and one of our all-time favorite character actors, Gary Busey (A Star Is Born, Predator 2). Mike, Kevin, and Bill will riff Point Break LIVE at the State Theatre in Minneapolis on July 27th, and the resulting hilarity will be broadcast to over 700 movie theaters across America on Thursday, August 8th with an encore on Tuesday, August 13th thanks to our partners at Fathom Events.
A pair of divorced actors are brought together to participate in a musical version of The Taming of the Shrew. Of course, the couple seem to act a great deal like the characters they play, and they must work together when mistaken identities get them mixed up with the mafia.
New York, 1971. There’s a party on the stage of the Weismann Theatre. Tomorrow the iconic building will be demolished. Thirty years after their final performance, the Follies girls gather to have a few drinks, sing a few songs and lie about themselves.
1850, and Europe’s most feared terrorist is hiding in Dean Street, Soho. Broke, restless and horny, the thirty-two-year-old revolutionary is a frothing combination of intellectual brilliance, invective, satiric wit, and child-like emotional illiteracy. Creditors, spies, rival revolutionary factions and prospective seducers of his beautiful wife all circle like vultures. His writing blocked, his marriage dying, his friend Engels in despair at his wasted genius, his only hope is a job on the railway. But there’s still no one in the capital who can show you a better night on the piss than Karl Heinrich Marx.
The stage musical Peter Pan starring Cathy Rigby has toured the world to great acclaim. An adaptation of the famous 1954 musical directed by Jerome Robbins and starring Mary Martin, this new version is lasting proof that J.M. Barrie's tale of the boy who would never grow up is one of the kingpins of family entertainment. All the elements are in good form for this video production shot at the Mirada Theater in 2000 for the A&E Network. Some new songs have been added to the fabulous Moose Charlap-Carolyn Leigh score (which includes "Tender Shepherd," "I Gotta Crow," "I'm Flying," and "I Won't Grow Up"). But the biggest asset to this production are the spectacular flying sequences: Peter even soars over the audience at times. Martin was a stronger actress in a close-up, but Rigby is magical with her athleticism and spark, most notably in a percussion-filled song and dance number "Ugh-a-Wug.".