We Were Three

Eight year old Paulie is happiest when dressing-up in his mother’s high heels and having tea parties in the garden. His father however would prefer him to be involved in more ‘manly’ pursuits and decides to take action. It is left to Mickey, a ferret with the cutest nose and the sharpest teeth, to sort out the men from the boys.

Swain is inspired by Nathaniel Hawthorne’s Fanshawe, features a dreamlike narrative of a young man’s ritualized rejection of heterosexuality, as a mysterious woman in white gossamer pursues him through a ruined landscape.

Young computer enthusiast Liam runs a website streaming video of his every action captured on a webcam. He lives a reclusive life, temporarily staying in a friend’s apartment in Paris until waitress Alison and her British husband, James, move in.

Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to choose between his wife and his lover, and a married man who turns to a prostitute for advice.

When a young boy makes a wish at a carnival machine to be big—he wakes up the following morning to find that it has been granted and his body has grown older overnight. But he is still the same 13-year-old boy inside. Now he must learn how to cope with the unfamiliar world of grown-ups including getting a job and having his first romantic encounter with a woman.

Helen Thomas is an unhappily married woman. While spending Christmas alone at home, she forms a brief yet passionate relationship with Tarik El Bez, a quiet immigrant worker who comes to fix her computer on a cold December night. Trapped in a small living room, the two loners find themselves engaging in a gentle struggle between intimacy and privacy.

Scénarios sur la drogue

Buenos Aires at the outskirts of XIX century. A society rigid in patriarchal rules. A war between brothers of Argentina, Brazil, Uruguay and Paraguay. Two young and very much in love youngsters, fight for their right to be together. Obeyance and fear sets them apart along more than ten years. When they are finally reunited, will they be able to overcome the pain and tragedy that haunts them?

Written, directed, and self-financed by Juleen Compton, The Plastic Dome of Norma Jean is the story of a clairvoyant teenage girl, Norma Jean (Sharon Henesy), taken advantage of by a boy band, fashioned after The Beatles, determined to exploit the young woman's powers as part of a hoax revival.

Compton's first feature was the autobiographical Stranded, which she wrote, directed, starred in, self-financed and distributed. Released in 1965, the film shares the cinematic experimentation and stylish, youth-centric rebellion of the French New Wave made even more radical by its progressive portrayals of female independence and sexuality, beatnik culture, and discussions of homosexuality. Stranded follows Raina, a young American woman (played by Compton), traveling through Greece with her American lover (Gary Collins), and her French, gay, best friend (Gian Pietro Calasso). Raina partakes in several love affairs rejecting marriage offers for no other reason than she likes her life the way it is. Made just prior to the arrival of second wave feminism, Compton, as writer-director, never judges her on-screen alter-ego the way similar female characters were frequently punished in other films during this era by stigmatizing female sexuality.

Boris and Hugo, 16-year-old friends, arrive at Hugo’s parents’ apartment. They have bought a gun. They set up a livestream video on the internet and announce that in one hour they will commit suicide. While Boris is sure about the decision, Hugo still has his doubts. In the final moments of their lives, sadism, homoeroticism, and destructive desire are released.

O Quintal dos Guerrilheiros

A girl is still dealing with the death of her father. In the midst of her relationship with a detached mother and her own struggle to find peace, she must confront an old wound she deeply buried.

The inspiring true story of Richard Montañez, the Frito Lay janitor who channeled his Mexican American heritage and upbringing to turn the iconic Flamin' Hot Cheetos into a snack that disrupted the food industry and became a global pop culture phenomenon.

A young woman confronts her aggressor and hits back where it would hurt the most.

A film about two young women, trying to decide how to go on with their lives and loves: Marie just dumped her boyfriend, who's married and can see her just secretly twice a week. At this point Pipa invites her to join her on a visit at her home at the coast of Portugal. Only when they are arrived there, Marie learns that Pipa has come to marry Manuel, and that she too is unsure if she'll be happy with her decision.

Having enabled a loss that now torments her, a woman enters an adult store in search of redemption. Adapted from a short story by Christos Tsiolkas.

A dark, surreal comedy about a local man who becomes convinced that a vast conspiracy is behind the impossibly rapid gentrification in his London area. But is it all in his head, or is the truth even darker than he imagines? Cla'am is the debut short from Nathaniel Martello-White, one of the UK's leading young playwrights.

Mary and Joseph make the hard journey to Bethlehem for a blessed event in this retelling of the Nativity story. This meticulously researched and visually lush adaptation of the biblical tale follows the pair on their arduous path to their arrival in a small village, where they find shelter in a quiet manger and Jesus is born.

In the everyday life of the bus, the world still hopes to find warmth.