Jim Jacobs and Nick Carlton, childhood friends, are CIA operatives on a sting operation in Chechnya. The raid of a rebel militia group goes bad and the entire teams gets wiped out except for Jim and Nick, who manages to save them both. Five years later, they are out of the CIA game.
The last days of World War I, Eastern front. Captain Conan, a lone wolf, a true warrior, leads a band of ruthless French fighters who love hand-to-hand combat; they are not fit for peacetime, they only feel really alive in the chaos of the battlefield.
Two estranged brothers are brought together when they have opposite roles in a racist beating: while Georgi who's recently joined a neo-nazi group participates in the violence, Hristo witnesses and rescues a Turkish family. Only by reuniting will the two brothers be able to assess what they really want from life.
XVII century, Bulgaria is under Ottoman rule. Four men break into the house of the shepherd Karaivan, raping and killing his wife in full view of their child, Maria. To protect his daughter and to enact revenge, he raises Maria as a son, teaching her to fight and kill. But as Maria grows up, she longs for a different life.
Graying Spaniard Daniel has a healthy budget for indulging in the finer things in life. Daniel's favorite luxury is playing sponsor to younger men amid the lights and sights of Madrid's gay club scene. After Daniel shares a night with handsome Bulgarian emigre Kyril, he finds himself consumed with an insatiable lust for the charismatic foreigner. But, as their relationship takes shape, Daniel's latest conquest reveals his own manipulative tendencies.
While hitchhiking from Sofia to Ruse, Kamen meets Avé, a 17-year-old runaway girl. With each ride they hitch, Avé invents new identities for them, and her compulsive lies get Kamen deeper and deeper into trouble. Reluctantly drawn into this adventure, Kamen begins to fall in love with the fleeting Avé.
Samy is a Frenchman accused of smuggling counterfeit money from Bulgaria to France. To avoid jail, he becomes an informer for the French police, joining under cover a Bulgarian channel for human trafficking. Gradually, he falls in love with Elka, an underage gypsy prostitute. Torn by the pressure from all sides, he almost turns into an unscrupulous pimp. His feelings for the girl will help him keep the last thing he has – his dignity.
Eight thousand feet above sea level, in the sacred heart of Rila mountain, in sweltering heat, and rain, and fog, the only transport being mules, deprived of water, means and fuel, next to the sky, only to God’s eternal eye, a crazy medley cast of seventy plays Shakespeare's greatest tragedy, Hamlet!
On 3 April 2004, during the holiday of Ashura, Iraqi rebels loyal to Shiite leader Muktada As-Sadr, launched an insurgency in the Polish zone. The Poles, together with Bulgarian soldiers and Iraqi police, were given the task of defending City Hall, led by Lieutenant colonel Grzegorz Kaliciak. The clash developed into the biggest Polish engagement since World War II. Not a single allied soldier died, although about 80 insurgents were killed in a counter-attack.
There is a small frontier post. A soldier abiding by the rules of the system gradually turns into a murderer.
Victor has a nice life in Madrid with his partner, José. However, after returning to his childhood home in the mountains of Bulgaria for his grandfather's funeral, he decides to stay for the summer. While reconnecting with his father and the village way of life, he unexpectedly finds love in the form of Liuben, an 18-year-old Roma boy. Despite their differences, and the conflicts surrounding them, Victor and Liuben find refuge in each other, while a romance begins to take form.
The great Bulgarian football player Georgi Asparuhov and his greatest love - his wife Lita go through a number of trials of life, football and the political system.
Tracks an unknown man’s life as he sifts through memories of his youth in Bulgaria through to his increasingly rootless and melancholic adulthood in Canada.
In 1944 Bulgaria switches sides and joins the war against Germany. The story focuses on the advance of the Bulgarian army through Yugoslavia and Hungary, as well as its internal struggles.
A solitary man struggles to cultivate beauty in a desolate urban world. Lonely and dislocated, he drifts in and out of a dream state envisioning the promise of regeneration. ROSEWATER tells a story of hope sustained through perseverance, ritual and, ultimately, revelation.
At the end of 13th and the beginning of the 14th century twenty-four-years old, Prince Svetoslav Terter takes the helm of the state. The young Prince engages in a intricate political game, into getting his way by means of court intrigues, and is forced by circumstances. Svetoslav Terter is remarkably shrewd and consistent. He is perhaps the only head of state at this time to take the liberty of impeaching the primate of the country's church. He tries to rally the neighboring Slav people to a joint resistance to the Turkish conquest. Terter lives through a great personal tragedy. He becomes estranged from his dearest person, Mariya, who is too weak to join him on the difficult road of his choice. (written by Georgi Djulgerov)
Part one of this two-part epic follows the life and deeds of Boris I – a strong historic personality, which completes his mission to the full and at the end of his life receives holy orders.
Follows the Bulgarian people's struggle for national independence in the period from 1875 to the Liberation from Otoman bondage.
During an imaginary actors exam, in order to choose the best, the jury utilizes immoral ways of selection – spying, making conflicts, humiliating the applicants – in short, taking advantage of its power.
A young boy (I. Spassov) gets his hand caught in a bridge beam on a hot summer day in this straightforward drama. As the water level rises in the river, people band together to try and save the boy before he drowns. He is comforted by his mother (G. Vachtov) and an army general (P. Slobokov), and the latter calls out the troops to save the lad from liquidation. This feature was the official Bulgarian entry at the 1965 Cannes Film Festival and is devoid of the usual 1960s propaganda associated with countries from the Eastern block of Europe.