果宝特攻之水果大逃亡
A daily gif created over 100 days.
A Disney Christmas and Halloween Holiday Collection. "Duck the Halls: A Mickey Mouse Christmas Special" and "The Scariest Story Ever: A Mickey Mouse Halloween Spooktacular!" Plus five bonus shorts: "Ghoul Friend", "The Boiler Room", "Black and White", "Entombed", "Split Decision".
A mostly animated short about the highs and lows of being a writer.
A young sailor inches towards an initiation and learns what it means to earn his first tattoo.
Standing still in front of the open window, a woman stares at the dark clouds that obscure the sky. Immobile, she fights against the remembrances of the past. In the clouds, a passionate embrace appears.
Many years after the atomic bombing of Hiroshima, the survivors (called hibakusha in Japanese) are still physically and emotionally devastated by the event. Kuroi Ame ni Utarete tells the interlocking stories of a group of survivors who frequent Stand Akauma, a bar: Takeshi, who lost his entire family; Tomoko, a prostitute horribly burned in the bombing; her younger brother Junji, who scrabbles on the fringes of society; Eiko, a pregnant young woman whom he loves; and Yuri, another prostitute who is determined to secure a brighter future for her blind son.
Rain or Shine takes the viewer on the comic journey of young Ella who’s keen to show off her swishy new sunglasses, only to be dogged by a persistent raincloud whenever she puts them on. The viewer has a direct impact on the pace of which the events unfold, depending on where their focus lies at various points throughout the film.
Animated short about a bunch of pirates who gets shipwrecked, ends up ashore and they settle down on land with marriage and a regular job. They think it will last forever, but one day another pirate ship gets ashore...
Nieto shows an audience how to construct animation.
The crusades come to life in Egyptian artist Wael Shawky’s beautiful Cabaret Crusades. Inspired by the writings of Lebanese writer Amin Maalouf, Shawky’s film trilogy explores the horrors of the medieval holy wars in the Middle-East – from an Arab perspective. With a cast made up entirely of puppets, the third part, The Secrets of Karbala (2014), centres on the period between the 7th and 12th centuries, covering the crusades as well as a dispute between two Islamic sects. Beautifully made of handblown Murano glass, the puppets have amazing expressive power, making the scenes full of violence, repression and torture all the more awe-inspiring.
The age-old story of Don Juan, played by giant puppets.
Embittered by Superman's heroic successes and soaring popularity, Lex Luthor forms a dangerous alliance with the powerful computer/villain Brainiac. Using advanced weaponry and a special strain of Kryptonite harvested from the far reaches of outer space, Luthor specifically redesigns Brainiac to defeat the Man of Steel.
Super Bao, an innocent and passionate steamed stuffed bun, goes through untold hardships and finally grows into a great hero who saves the food world.
Exploration of the connections between sex, love and technology.
Moomintroll is heading home to Moominmamma with milk. On the way there, he meets Mymble looking for his little Sister . Together they set out to find her. Based on Tove Jansson's first Moomin book.
A brief adventure tale set in a one dimensional world.
Three roomates, a rhinoceros, hippo and a wildebeest, must confront their crocodile roomate Gerold about his poor habits.
Sentimento
With 8 Switches, Tim Wright presents six black-and-white microcinematic vignettes of retina-searing, hard-edged, epilepsy-inducing sound and vision; digital hallucinations drained of colour, synchronized to a soundtrack that is relentless and unsentimental. Each new section presents a variation on the same sleek, kinetic minimalism. As each section progresses, the razor-sharp line between a host of binary oppositions—black/white, figure/ground, silence/sound, here/there, on/off — dissolves through sheer velocity. The rapid-fire alternation between these binary oppositions acts like the flicker of film frames, accelerating until sound and sight are wed into a synchronous whole in which neither the visual nor the sonic takes primacy. Instead, each acts as mutually constitutive literalisation of the other. — Joseph Clayton Mills