Poly Styrene: I Am a Cliché

Toronto filmmaker Charles Officer profiles the young people of Villaways Park, a housing project on brink of historic change.

This documentary, shot entirely on location in Havana, includes many band members' insights into this revival, and features performance footage of an All-Stars' concert at the city's Salon of Dreams.

With an original staging of text and music, Orlando follows the trail of one of the greatest composers of the Renaissance: Orlando di Lasso (also known as Roland de Lassus). His life and masterful oeuvre continue to move people to this day. Although he was a European star at the time, di Lasso had to endure the indignities of his social status as a servant. This documentary explores the relationship between art and power, musically accompanied by the ensemble La Tempête.

The Road Forward is an electrifying musical documentary that connects a pivotal moment in Canada’s civil rights history—the beginnings of Indian Nationalism in the 1930s—with the powerful momentum of First Nations activism today. Interviews and musical sequences describe how a tiny movement, the Native Brotherhood and Sisterhood, grew to become a successful voice for change across the country. Visually stunning, The Road Forward seamlessly connects past and present through superbly produced story-songs with soaring vocals, blues, rock, and traditional beats.

Breaking the circle

The cinema of Pernambuco is considered one of the most complex components of Brazilian cinema, particularly for its potency and creative style. The presence of women in filmmaking seldom holds the same historical notoriety as that of men, and the Pernambuco scene is no exception. In the context of "Amor, Plástico e Barulho" (Love, Plastic, and Noise), we find a film that serves as a testament to the marginalization of women in the creative industry, intertwining themes of consumption and the production of brega music. Hence, we use "Feminino e Barulho" (Feminine and Noise) as a means to share what we've learned. Renata Pinheiro has inspired us to craft a narrative that gives voice to those who need to be heard. We are here to showcase a glimpse of them and what they represent. "Feminino e Barulho" is a short film about love, femininity, sisterhood, and empowerment.

The Spectacular Spinning Songbook made its first appearance in 1986 in Los Angeles during the "Costello Sings Again Tour." In 2011, Elvis Costello and the Imposters set out on The Revolver Tour and, for the first time in 25 years, once again allowed his set-list to be chosen by "The Spectacular Spinning Songbook," a monumental game-show type wheel spun by select fans and featuring songs from his latest critically acclaimed release National Ransom, plus new renditions of hits, rarities and very unexpected covers. This is the complete concert from the 12th May, including special guest appearance from The Bangles.

Sentenced to life in prison at 15, musician JJ'88 finds hope by writing songs during solitary confinement in this award-winning documentary visual album.

With the release of her eighth studio album, Britney is back and she's workin' it! This documentary chronicles the career of international superstar from her more innocent years with the release of "Baby One more Time" to being the highest paid judge on US X Factor and collaborating with Will.i.am on her latest album. She is worldwide a pop icon, who continues to grow and deliver to her fans. This is her inside story.

A short film made through original music and photos to invoke calmness.

Martin Scorsese's documentary intertwines footage from The Band's incredible farewell tour with probing backstage interviews and featured performances by Eric Clapton, Bob Dylan, Joni Mitchell, Van Morrison, and other rock legends.

"Babymetal: Live At Tokyo Dome" is the sixth live video release by BABYMETAL. Featuring two concerts, "Red Night" held on September 19th, 2016 and "Black Night" held on September 20th, 2016, at the Tokyo Dome

The Nutcracker is Mikhail Baryshnikov's breathtaking and critically acclaimed Emmy-nominated production. This spectacular performance is danced by the magnificent team of Baryshnikov, one of the greatest classical dancers of the century, and Gelsey Kirkland, both showcased at the peak of their careers, with members of the American Ballet Theatre.

A coming-of-age story centered around a small-town singer brokenhearted by the death of her brother in a car crash, who had secretly submitted her for a summer session at a performing arts academy in Los Angeles. In the academy, she experiences a whole new way of life in the big city, far from the small town lifestyle she's used to.

British musician and writer David Toop leads viewers through a tour of his voluminous record collection, reflecting on perception, the limits of music and the connections between seemingly disparate performers. This unusual documentary from filmmakers Guy Marc Hinant and Dominique Lohlé also captures Toop's progression from engagement to near exhaustion as he methodically combs through tens of thousands of records.

On the evening of April 30, 1971, a standing room only audience of local literati and feminists packed New York City’s Town Hall to watch Norman Mailer, who had just written “The Prisoner of Sex,” grapple with a panel of passionate feminists. The subject was Women’s Liberation, an issue on which Mailer seemed like the devil’s own advocate.

Two actresses take us through a series of 'raps' and sketches about what it means to be beautiful and black.

Commemorating the centennial of Mercer's birth, this documentary is part biography, part archive, and part recontextualization, taking Mercer's tunes and putting them in the hands of modern singers like Jamie Cullum and Dr. John to show they are still relevant today. Host Clint Eastwood also interviews artists who collaborated with Mercer or performed his songs, including composer John Williams, Blake Edwards, Andre Previn, Tony Bennett, and Julie Andrews.

SOUND OF THE SOUL is a compelling portrait of an Arab country where Muslims, Christians, and Jews have lived together in relative peace for centuries. Beautifully photographed during the Fez Festival of World Sacred Music, the film presents unforgettable performances from groups from Morocco, Ireland, Russia, Afghanistan, Mauritania, the USA, Portugal and France, which carry viewers into what the film's Moroccan sufi guide calls "the hearing of the heart": the essential Oneness at the core of all religions and faiths.

The point of departure for this film is the 1981 composition De Tijd by Dutch composer Louis Andriessen. Van der Keuken leaves the music undisturbed as an autonomous soundtrack and has the images engage in a sort of battle with it. These images are associations, fragments of events, scenes and situations. The film is preceded by a text by Bert Schierbeek.