The Neddeaus of Duqesne Island

Shot like a documentary, the semi-improvised comedy Hoff The Record follows TV legend David Hasselhoff - playing a highly fictionalized version of himself - as he arrives in the UK in an attempt to reignite his flagging career. It's been thirty years since he rose to worldwide fame in Baywatch and Knight Rider and things have since gone a little stale for The Hoff. Will a move across the Atlantic change his luck?

The Muppets return to primetime with a contemporary, documentary-style show. For the first time ever, a series will explore the Muppets’ personal lives and relationships, both at home and at work, as well as romances, breakups, achievements, disappointments, wants and desires. This is a more adult Muppet show, for “kids” of all ages.

Cast Offs is a BAFTA-nominated dramedy mockumentary that follows a group of six disabled people sent to a remote British Island for a fictional reality show. The series is made up of six episodes, with each episode concentrating on one of the six characters. It follows each character for the year leading up to them being dropped off on the island and also the happenings on the island when they are left to fend for themselves.

Three well-known adventurers want to make a travel program where they search for the origins of the Vespa in Italy. Unfortunately, everything that can go wrong, goes wrong.

In 1988, renegade filmmaker Robert Altman and Pulitzer Prize–winning Doonesbury cartoonist Garry Trudeau created a presidential candidate, ran him alongside the other hopefuls during the primary season, and presented their media campaign as a cross between a soap opera and TV news. The result was the groundbreaking Tanner ’88, a piercing satire of media-age American politics.

The everyday lives of office employees in the Scranton, Pennsylvania branch of the fictional Dunder Mifflin Paper Company.

The many ins and outs of an elite Beverly Hills dating service... located in Tarzana.

The follow-up to 'Twenty Twelve' as Ian Fletcher takes up the position of 'Head of Values' at the BBC. His task is to clarify, define, or re-define the core purpose of the BBC across all its functions and to position it confidently for the future, in particular for Licence Fee Renegotiation and Charter Renewal in 2016 and 2017 respectively.

Set in the year 2031, this mockumentary looks back at events that ostensibly happened during the first 30 years of the 21st century. The series follows a format that co-creator Armando Iannucci previously used in his satirical year-in-review programme '2004: The Stupid Version'.

This partially unscripted comedy brings viewers into the squad car as incompetent officers swing into action, answering 911 calls about everything from speeding violations and prostitution to staking out a drug den. Within each episode, viewers catch a "fly on the wall" glimpse of the cops' often politically incorrect opinions, ranging from their personal feelings to professional critiques of their colleagues.

A review of a movie, or a restaurant, or a car—or whatever else that typically falls under a critic's domain—is all well and good, and can even be helpful at times. But how can one find out about myriad other experiences that are never tackled in reviews? Enter Forrest MacNeil, a critic who goes beyond overviews of life's more-common subjects—way beyond—to satisfy the curiosity of others: The adrenaline rush of stealing; the danger of drug addiction; the delight of sleeping with a celebrity. MacNeil tries anything suggested by viewers of his TV show, then presents a 1-to-5-star review. But his unwavering commitment to experiencing intense adventures means he must deal with the unintended consequences of such a goal.

When a documentary crew sets out to explore the lives of residents in a small American town – their dreams, their concerns – they stumble upon the midwestern town of Flatch, which is made up of many eccentric personalities. It’s a place you want to visit and maybe even stay. If there was a decent motel. Which there is not.

Brian Pern is an ageing rock star and former front-man of ground breaking progressive rock group Thotch. Like many artists of his age, rather than make new music, he spends more time trying to save the planet (including his campaign to teach gorillas how to Skype). Now, the BBC have asked him to front a major new documentary where he presents his guide to The Life Of Rock from prehistoric man to the present day.

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Nightmare boss. Tedious colleagues. Pointless tasks. Welcome to Wernham Hogg. Fancy a tea break with David Brent? Classic comedy from the archive.

Australia – a land as massive as it is vast. And when it comes to outback adventurers they don't come any better, bigger or more reckless than Russell Coight. Winner of the prestigious Ocker Award for services to khaki shorts, Russell takes us on a unique blend of over-the-top, off-road, outback, in-your-face Aussie Adventures!

Derek is a loyal nursing home caretaker who sees only the good in his quirky co-workers as they struggle against prejudice and shrinking budgets to care for their elderly residents.

For Valerie Cherish, no price is too high to pay for clinging to the spotlight. Desperate to revive her career, she agrees to star in a reality TV series, allowing cameras to follow her every move as she lands a part on a new network sitcom.

People Like Us was a British radio and TV comedy programme, a spoof on-location documentary written by John Morton, and starring Chris Langham as Roy Mallard, an inept interviewer. Originally a radio show for BBC Radio 4 in three series from 1995 to 1997, it was made into a television series for BBC Two that aired from September 1999 to June 2000.

Introducing "Barely Famous": a docu-style comedy series. This show explores the hypocrisy of reality TV by centering around two sisters who say they would never do a reality show, but are being filmed by a camera crew. Over the course of the season, we’ll follow Erin and Sara as they navigate the treacherous LA waters of building a career, dating, and simultaneously trying to prove that they’re “normal”. Each episode of Barely Famous will skewer Hollywood stereotypes and comment on the world of celebrity through the eyes of two D-Listers, desperately trying to insist they don’t care about “Lists” while also trying to get on the A-List. By breaking the 4th wall and occasionally telling both the crew and network to cut, no reality convention is too sacred, and our girls point out the absurdity of the medium itself.