Kadaisi Bench Karthi

In a world where human beings and puppets live together, when the members of the cast of a children's television show aired during the 1990s begin to get murdered one by one, puppet Phil Philips, a former LAPD detective who fell in disgrace and turned into a private eye, takes on the case at the request of his old boss in order to assist detective Edwards, who was his partner in the past.

Recorded at Carnegie Hall, New York City in 1982, released in 1983. Most of the material comes from his A Place for My Stuff, the album released earlier that same year. The final performance of "Seven Dirty Words," his last recorded performance of the routine, features Carlin's updated list.

Back in Town is George Carlin's ninth HBO special. It was also released on CD on September 17, 1996. This was also his first of many performances at the Beacon Theater in New York City. He rants about Abortion, The death penalty, prison farms, fart jokes, free floating hostility and words.

George Carlin changes his act by bringing politics into the act, but also talks about the People he can do without, Keeping People Alert, and Cars and Driving part 2.

The decade of the hippies is at an end and the 80's are approaching fast. Carl and Robert are two doped out guys who lives in harmony with the world around them and let life pass by in an eternal hash high. They have been peddling hashish for a decade, hitting an all time high with this last batch: 45 Kilos of pure, high grade Nepalese Hashish. Following the delivery, the police are on their tail.

Consisting of two parts: ‘Revelations’, Bill Hicks’ last live performance in the United Kingdom made at the Dominion Theatre; and a documentary about Hicks’ life ‘Just a Ride’ featuring interviews with friends, admirers, and family.

Maher addresses contemporary political, social and cultural topics -- Iraq, President Bush and the so called Axis of Evil. The opinionated Maher said about Victory Begins at Home: "We've heard everything about the War on Terrorism except what we can actually do to help win it. The government used to do that for us through propaganda (the positive kind) posters, so taking my cue from the great old posters of World War I and World War II ('Loose Lips Sink Ships,' 'Buy War Bonds,' 'Plant a Victory Garden,' etc.) I commissioned artists to paint the posters our government today should be putting out to help us win this war."

An adult-oriented version of what would eventually become an award-winning children's classic. This version of the show features Pee-wee's playhouse and many of the characters of the later series, but with adult and sexual overtones and jokes including "mirror shoes" and others.

When George Carlin is asked which HBO concert is his favorite, his answer is always, "Jammin’ In New York." The show, taped at the Paramount Theater in Madison Square Garden and winner of the 1992 CableACE Award, is a perfect blend of biting social commentary and more gently-observed observational pieces.

The bags belonging to a young man about to break up with his lover, two bumbling criminals planning a bomb blast, a man circulating counterfeit currency, and a couple paying ransom to save their daughter get mixed up leading to so much confusion.

Кастинг

Some of the boys from South Park Elementary find themselves on a balloon ride to an imaginary land. Upon their arrival they're faced with an unimaginable threat.

A man tries to conceal his extensive use of marijuana when he goes home for the holidays to have dinner with his family. A stoner comedy short.

George Carlin hits the boards with the former Hippie-Dippie Weatherman's take on Brooklynese pronunciations of the names of sexually transmitted disease ("hoipes"), plus a prayer for the separation of church and state, feuds between breakfast foods, and the absurdity of wearing jungle camouflage in a desert.

Notorious Baltimore criminal and underground figure Divine goes up against Connie & Raymond Marble, a sleazy married couple who make a passionate attempt to humiliate her and seize her tabloid-given title as "The Filthiest Person Alive".

Phyllis Diller’s brand of comedy is as timeless today as it was in the 1960s, when she became a regular on popular variety and talk shows. From her outrageous costumes to wildly teased hair, Diller was a pioneer among female comediennes, paving the way for future stars. Who can forget her hilarious housekeeping and marriage tips, her beleaguered husband Fang, her cackling laugh and self-deprecating sense of humor? Phyllis Diller: Not Just Another Pretty Face highlights some of her best routines. Special guest stars such as Don Rickles and Dean Martin make this a fun trip back in time.

This is a great performance. Through yelling and energetic story-telling, he talks about marriage, drugs, being arrested (thanks to his ex-wife), pleasing women, religion, and much, much more.

Twelve skits in six minutes: the first one and the final three are about sex, in between are sketches of blood, death, murder, truck crashes, a tough day on the toilet, a slip on a banana peel, and an omnivorous Elvis. In several vignettes, Plympton draws on the essentially comic image of men wearing jackets and ties in a world gone awry. Women, who don't appear all that often, cheerfully participate in the sex and don't hang around for the violence.

Blustery funnyman Lewis Black hits the stage for his Comedy Central special, which finds the comic using his wry observational humor to skewer everything from Washington politicians and the tanking economy to cellphones and getting old.

Ron White does an hour long standup routine about his life, things that bother him, and other thoughts.