Cuba and the Cameraman

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

Megacities is a documentary about the slums of five different metropolitan cities.

A more experimental aproach to labor protection films. In the line of Săucan's style, the soundtrack is as important as the image, the threatening music, full of shrillness, composed by Ion Dumitrescu potentiating the visual construction that mixes - in a montage reminiscent of the Soviet avant-garde school of the 1920s - all kinds of shooting techniques and frame combinations.

When the revolution in Nicaragua won its victory nearly 40 years ago, the world began to dream. A young generation was taking the reins in a country of grand utopias. From West Germany alone, 15,000 “brigadists” travelled to help rebuild the war-torn country: liberals, greens, unionists, social democrats, leftists and church representatives harvested coffee and cotton, built schools, kindergartens and hospital wards. No movement has mobilised so many people. What became of the hopes and dreams of the revolutionaries and their supporters?

Half blind and half deaf, ostraziced Cuban writer Rafael Alcides tries to finish his unpublished novels to discover that after several decades, the home made ink from the typewriter he used to write them has faded. The Cuban revolution as a love story and eventual deception is seen through the eyes of a man who is living an inner exile.

There are countless stories of Cubans reaching their dream destination of Florida as boat refugees. A lesser known route to the United States starts with a flight in a ramshackle plane to Guyana. Then the refugees travel to Colombia where they cross the jungle to arrive in Central America, from where they hope to reach the promised land of America—a hard and dangerous journey. Cuban filmmaker Marcel Beltrán visits them in a refugee camp in Panama, where one of the residents gives him an idea. Many people here have filmed their journey, she says, and these videos tell their real story. These jerky, shocking videos are interspersed with Beltrán’s footage of the camp, tangibly illustrating the difference between the hectic pace of the journey and the insecure life at the reception center.

Margherita Sarfatti, Mussolini's lover and advisor, was a woman who exerted a great influence on the Duce and on Italian cultural life. Through archival documents, autobiographical texts and love letters, the documentary paints a portrait of the woman who helped create the myth of the Duce.

DEBT is the story of a frantic pursuit: the search for the responsible for the televised cry of hunger of Barbara Flores, an eight-year-old Argentinean girl. Buenos Aires, Washington, the IMF, the World Bank and Davos; corruption and the international bureaucratic lack of interest.

At the peak of Perestroika, in 1987, in the village of Gorki, where Lenin spent his last years, after a long construction, the last and most grandiose museum of the Leader was opened. Soon after the opening, the ideology changed, and the flow of pilgrims gradually dried up. Despite this, the museum still works and the management is looking for ways to attract visitors. Faithful to the Lenin keepers of the museum as they can resist the onset of commercialization. The film tells about the modern life of this amazing museum-reserve and its employees.

"Jeunesse Rouge" is a documentary exploring young French Communist revolutionaries fighting for a just and equal society. The film follows their organizing and mobilizing, while delving into the history of the Communist movement in France. Archival footage and interviews with activists show their passionate commitment, from protests and strikes to political education. It highlights the power of youth activism and their potential to bring about change in the face of systemic inequality.

The chronic shortage of housing in Central Havana has pushed the city upwards, where life spills out onto the rooftops. Resilient and remarkable, these rooftop dwellers have a privileged point of view on a society in the process of major transformation.

The dramatic untold story of 420,000 Cubans– soldiers and teachers, doctors and nurses– who gave everything to end colonial rule and apartheid in Southern Africa.

Psychoanalysis in El Barrio shows the experience of Latino psychoanalysts in the United States bringing psychoanalysis to Latino communities. It features interviews with ten Latino analysts (whose heritage is from a variety of Latino cultures) as well as students. It uniquely shows some of those communities in Philadelphia, New York City, and Texas and Interviews Latinos in the street on their thoughts about therapy. And it discusses issues of culture, bias, language and transference that occur for Latino analysts and their patients. The video challenges psychoanalysts to understand the culture and economic circumstances of Latinos in the United States and to bring psychoanalytically informed therapy to them. It Is a consequence of conferences held by the Institute for Psychoanalytic Training and Research (IPTAR) and the Clinical Psychology Department of The New School.

The thrilling story of an elite group of Cuban spies sent undercover to the US in the 1990s. From their recruitment, training and eventual capture on US soil; this film peers into a secret world of false identities, love affairs and betrayal. Using never seen before footage from the Cuban Film Institute’s archive and first-hand testimony from the people at the heart of this story, Castro’s Spies gives a rare glimpse into the shadowy world of a spy – where the stakes are life and death.

Documentary about the merging of the Communist Party of Germany and the Socialist Unity Party of Germany in the Soviet occupation zone, a merger that would lead to the creation of the Socialist Unity Party that would rule the soon-to-be-created East Germany until 1989.

For ten years, Raymond Depardon has followed the lives of farmer living in the mountain ranges. He allows us to enter their farms with astounding naturalness. This moving film speaks, with great serenity, of our roots and of the future of the people who work on the land. This the last part of Depardon's triptych "Profils paysans" about what it is like to be a farmer today in an isolated highland area in France. "La vie moderne" examines what has become of the persons he has followed for ten years, while featuring younger people who try to farm or raise cattle or poultry, come hell or high water.

Scenes from holiday life at Lake Balaton in Hungary during the communism.

Citizens across Europe who used to belong to the lower middle class have fallen into poverty. An in-depth investigation into the precariat, a new social class of financially insecure citizens who, although they are employed, find it very difficult to make ends meet.

Photographer Joe Guerriero sets out to make sense of the U.S. trade embargo of Cuba. Through conversations with people from all walks of life, in and outside of Cuba, he tries to shed light on the political and human sides of this conflict.

The Kafkaesque world of Cuba under Castro's rule is brought to light in this reconstruction of the 1989 trial and execution of General Arnaldo Ochoa Sanchez, the highest-ranking general and hero of the revolution, and commander of the Angolan and Ethiopian campaigns.