Fomo Sapiens

A writer is persecuted by an enormous and abusive letter 'A'.

Sid the Sloth takes a school of children out on a camping trip from home, only to find that in typical Sid style, he is not a very good guide and the children he takes with him don't have a very good time.

Bernie Cates requests the services of the most absent-minded waiter he's ever seen, who pours water before setting the glasses, endlessly repeats questions, brings wrong orders, and ruins everything- but the bill.

A married woman falls in love with a 19-year-old girl, and she has to make a choice between her family and the one who might be the love of her life.

The Lost Letter tells the tale of a young boy as he prepares his neighbourhood for Christmas. That is until he confronts the one lady who doesn't want the holiday to come at all. The determined boy does all he can to bring colour to her dreary world, only to discover the truth behind her lack of Christmas spirit.

shows visual and metaphorical representation using rope as a motif through various rope images and meanings.

It shows Korea’s traditional colors and culture through the use of superimposing. It is an experimental film, which not only tries to show Korean traditional culture through the use of color, but also tries to show the modern history of Korea.

In a magicians’ private stand-off, two practitioners must brave tricky challenges to demonstrate a hidden ability. They conjure animal illusions, consume light bulbs, and face the choice between antagonism and friendship.

A short scene of a mother and her little son playing ball games on a set of steps together.

All sympathetic magic is based upon two principles: the first called the Law of Similarity says that “likes produce likes,” or that an effect resembles its cause; the second, called the law of contagion or contact says that all things having been in contact with each other continue to react upon one and another at a distance even after they have been severed or disconnected. A fearful man meets a disquiet woman. Do you believe in magic?

A nameless drifter navigates a barren landscape punctuated by satellite dishes, radio towers and droning airplanes. Stopping periodically in anonymous hotel rooms, she makes attempts to connect to an unidentified second party.

La Maison en Petits Cubes tells the story of a grandfather's memories as he adds more blocks to his house to stem the flooding waters.

In a covert listing station an operative picks up a telephone conversation between someone he suspects is an agent and someone called mother. He follows their communication and intercepts another message about cakes and candles. However has he stumbled upon a plot of major importance or just something innocent?

One of Han Ok-hee’s renowned pieces called The Hole uses the flicker, oblique angles, the cross-cutting of reality and fantasy to express inner entrapment and the desire for liberation. Han Ok-hee’s The Hole, The Rope and Untitled not only experimented with cinematic forms of expression, but also played an important role in the protest against forms of expression in experimental films and the artistic protest against the social suppression and censorship in 1970s Korea. (Art Cinema OFFoff)

The film contains the despair of an artist’s desire for creation on ruthless censorship, rebel, and anxiety in the mid-70s when it was politically and socially depressed.

Street artist Blu animates large-scale creatures as they crawl across an abandoned Argentine cityscape.

The story about the wild creatures of the wild forest and one impudent Cat who walks by himself, and all places are alike to him.

A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?

A group of neighborhood kids must resort to extreme measures to win a neighborhood bet.

Iain Armitage interviews Sting about his Broadway musical The Last Ship.