An Hour with Alice

Told in flashback form, the film traces the rise and fall of a tough, ambitious Hollywood producer, Jonathan Shields, as seen through the eyes of various acquaintances, including a writer, James Lee Bartlow; a star, Georgia Lorrison; and a director, Fred Amiel. He is a hard-driving, ambitious man who ruthlessly uses everyone on the way to becoming one of Hollywood's top movie makers.

The movie portrays the story of an Italian family emigrated in Germany in the 1970s. Romano (Gigi Savoia), the father, decides to open a pizzeria which, by mutual decision with the wife Rosa (Antonella Attili), will call Solino, leaving his sons Gigi and Giancarlo to work there. A hostile relationship comes to life between the father and his sons, which will end up in the escape of the boys from family.

A filmmaker recalls his childhood, when he fell in love with the movies at his village's theater and formed a deep friendship with the theater's projectionist.

Previously lost exploitation film which chronicles the sexual journey of a teenager who introduces her own family to the liberated ways of the free love rebellion.

In 1967, during the making of “La Chinoise,” film director Jean-Luc Godard falls in love with 19-year-old actress Anne Wiazemsky and marries her.

A radical student is adopted by a group of young New Yorkers, serves as a catalyst to alter his and their lives. Gathering in a Manhattan apartment, the group of friends meet to discuss social mobility, Fourier's socialism and play bridge in their cocoon of upper-class society - until they are joined by a man with a critical view of their way of life.

Cecilia is a waitress in New Jersey, living a dreary life during the Great Depression. Her only escape from her mundane reality is the movie theatre. After losing her job, Cecilia goes to see 'The Purple Rose of Cairo' in hopes of raising her spirits, where she watches dashing archaeologist Tom Baxter time and again.

The film is based on a 2003 novel by the same name, written by Norwegian author Jostein Gaarder. The main character is the young boy Georg who one day finds a long letter from his deceased father. The letter tells, among other things, about the father's youthful love for the mysterious "orange girl" (appelsinpiken), and leaves a mystery for Georg to solve.

Raju faces many hurdles and disappointments in matters of the heart throughout his life. But as a clown in a circus, he tries to make his audience laugh at the cost of his own sorrows. Along the way, Raju loves and loses, but must always keep a smile on his face because, in the words of his circus manager, "The show must go on."

Ben Santhanaraj journeys to Sri Lanka to rekindle his relationship with Suzanne Hopper, an American NGO worker, after a long separation. But when Suzanne's boss demands she work during their vacation, their love is tested by a dilemma: desire versus duty. As Suzanne struggles with the responsibilities of her job, Ben tries everything to revive their intimacy, leading to candid conversations and chaotic twists as New Year’s Eve - and Ben’s departure - looms ahead.

The Catholic Jean-Louis runs into an old friend, the Marxist Vidal, in Clermont-Ferrand around Christmas. Vidal introduces Jean-Louis to the modestly libertine, recently divorced Maud and the three engage in conversation on religion, atheism, love, morality and Blaise Pascal's life and writings on philosophy, faith and mathematics. Jean-Louis ends up spending a night at Maud's. Jean-Louis' Catholic views on marriage, fidelity and obligation make his situation a dilemma, as he has already, at the very beginning of the film, proclaimed his love for a young woman whom, however, he has never yet spoken to.

In the midst of a mid-life crisis Jan, a 40 year old dancing teacher, decides to instigate a revolution against himself. His first act is to summon each of his four lovers, who are unaware of each other, to join him at the dance studio where we assume he is a tutor. His revelations to the women prompt a discourse about love and the fleeting nature of happiness. But when he comes to the fourth and final woman, he finds that his own philosophy of love is not as easy to apply as he had presumed. He realizes that the more the contemporary world has become sexually oriented the farther it has moved away from love...

Two friends, Mia and Teo, meet up one evening and over a glass of wine, they debate the philosophy of love into its very depths. Being polar opposites, Mia argues over the inevitable end and pain that comes with the start of every relationship while Teo is more concerned with the loss of self and the change that occurs in someone over a relationship. By trying to preserve a memory that will forever exist in their minds, they choose to play pretend for the evening and live out the perfect relationship. The film offers a quick glimpse into an alternate universe where after years spent together, Mia moves out of the apartment where Teo and her lived together. A short peek into what could have been and also asking - would it have even been worth it in the end? However, once the hour has passed, they have to return to reality.

Stefano, a philosophy grad student without a future, tries to commit suicide after his girlfriend leaves him. He is saved by Giulio, a wisecracking plumber who takes him home and teaches him the tricks of the trade. When Lucia, a woman disappointed in both men and conventional jobs who has started to work as a prostitute, calls them to repair a sink, for Stefano it's love at first sight.

As Alex struggles with disturbing hallucinations, his wife Vera tries to help, until they both experience their own profound revelations.

A penetrating study of a marriage on the rocks, set against the backdrop of a small Mediterranean fishing village. Both a stylized depiction of the complicated relationship between a married couple and a documentary-like look at the daily struggles of the inhabitants of Sète in the South of France.

After connecting with the shy Madeline, a jazz trumpeter embarks on a quest for a more gregarious paramour, but through a series of twists and turns punctuated by an original score, the two lovers seem destined to be together.

The story of a young man who arrives in Hollywood during the 1930s hoping to work in the film industry, falls in love, and finds himself swept up in the vibrant café society that defined the spirit of the age.

While rehearsing the annual play, a clerk tries to regain the attention of his beloved, in a comedy of equivoques.

Antoine - a grieving loner - spends his days in a cafe on Place Clichy watching people. Every day, he sees a woman he calls Albertine get out of the subway and go to the movies. Today, he takes it upon himself to talk to her. Thus began Antoine's down-going.