Killing Europe

A unique interview with Tooba Gondal, the woman who groomed and lured scores of Western women to join ISIS. Using social media, she became a deadly matchmaker, recruiting a number of high-profile “jihadi brides” for ISIS militants in Syria: she allegedly helped organise the transporting of three British schoolgirls, including Shamima Begum, to Syria.

An intimate portrait, in his own words, of the Indian writer Salman Rushdie, author of The Satanic Verses (1988), thirty years after the fatwa uttered by the Iranian Ayatollah Khomeini: his youth in multicultural Bombay, his life in England, his many years of forced hiding, his thoughts on President Trump's United States of America.

Turkey's history has been shaped by two major political figures: Mustafa Kemal (1881-1934), known as Atatürk, the Father of the Turks, founder of the modern state, and the current president Recep Tayyıp Erdoğan, who apparently wants Turkey to regain the political and military pre-eminence it had as an empire under the Ottoman dynasty.

O Refúgio

Samuel Paty, le temps de la justice

After the impressive Gulistan, Land of Roses (VdR 2016), the Kurdish filmmaker Zaynê Akyol returns with these conversations with imprisoned members of the Islamic State, alternating their words with aerial views of the countryside. An unexpected look at a far-reaching current political issue and a film whose subject matter and rhythm create an impressive cinematic object.

An exploration into the motives and histories of individuals, including herself, who have exited the world of violent extremism.

This documentary charts the complexity and genius of the NBA's all-time leading scorer Kareem Abdul-Jabbar's legendary career, both on and off the court. Spotlighting a six-time MVP and six-time world champion, the film examines his controversial and landmark moments, his outspoken feelings about race and politics, and the evolution of the game.

Just outside of the Malian city of Timbuktu, now occupied by militant Islamic rebels who impose the Sharia on civilians and inconvenience their daily life, a cattleman kills a fisherman.

HELD FOR RANSOM tells the true story of Danish photojournalist Daniel Rye who was held hostage for 398 days in Syria by the terror organization ISIS along with several other foreign nationals including the American journalist, James Foley. The film follows Daniel’s struggle to survive in captivity, his friendship with James, and the nightmare of the Rye family back home in Denmark as they try to do everything in their power to save their son. At the center of this crisis, we find hostage negotiator, Arthur, who plays a pivotal role in securing Daniel’s release.

At the turn of 1990 in Algeria, in an end-of-era atmosphere marked by the victory of the Islamists in the municipal elections, then in the interrupted legislative elections of 1991, a prelude to a decade of particularly barbaric violence, the Algerians will experience the radical Islamism, its desire to rule public and private life and a daily life of attacks, assassinations, then collective massacres, which left 200,000 dead. Literature and cinema have strived to question and bear witness to the enormous trauma of this period called the “black decade”.

In Taliban-controlled Afghanistan, a woman walks into a chadari store in Kabul to buy her first full-body veil and face an uncertain future.

Lihatlah

In 2014, in Donetsk, Renaud Lavillenie broke the pole vault world record held by the legendary Sergei Bubka. Since then, the French pole vaulter has become one of the world's greatest athletes. This summer, in Rio, he sets his sights on Olympic gold. His second, another record. Already present in Ukraine, Cédric Klapisch followed the champion in his preparation for over a year.

Morning After the Deluge is a large-scale, single-projection video installation, preferably presented in a dedicated room where the projected image is directed onto a free-standing screen. The work features two pieces of real-time footage that the artist filmed in Cape Cod, Massachusetts – one a sunset over the Atlantic Ocean and the other a sunrise on Cape Cod Bay – that are merged together and presented on a continual loop. As the sun slowly disappears into the ocean on one side, it rises out of the water on the other. In this new arrangement, the usual figure-ground relationship is upended: the sun becomes a fixed point at the centre of the image while the horizon line becomes unfixed, slowly wandering across the frame from top to bottom.

A modern trial by jury at the Old Bailey of one of the most famous events in English history. Conducted on the afternoon and evening of 21st February, 1984, it was held almost 500 years after the death of the last of the Plantagenet Kings, King Richard III, on Bosworth Field, the last of the English monarchs to die in battle. The charges are that King Richard III did, in or about the month of August, 1483, in the Tower of London, murder Prince Edward, Prince of Wales, and Prince Richard, Duke of York. Presiding over the case is Lord Elwyn-Jones, the former Lord Chancellor, and he is ably supported by two of Britain’s leading criminal Queen’s Counsels. A fascinating trial which presents evidence which offers the viewer the opportunity to join the jury in weighing the evidence and reaching his or her own verdict before discovering that of the television jury.

He rubs shoulders with Hollywood legends, created his own anime series and drove the gaming world crazy with his songs, parodies and live streams. Now, the most influential Fortnite content creator in the Spanish-speaking world, Rubius, is about to join the Icon Series!

The sites and sounds at the 800-year-old Horenji Temple in Kyoto — electro music, English, takoyaki, a kaleidoscopic elephant — would seem to belie its long history. But in order for the family-run temple to thrive in the 21st century, it must continue to reinvent itself. Intimately following future head priest Scion (30) along with his fiancée Haruka and firstborn sister Ariya, critically-acclaimed director Ema Ryan Yamazaki captures one unexpected corner of Japanese society's struggle to balance tradition with progress.

The beginnings of Chantal Akerman behind the camera at the ages of 17 and 18: four films shot in Super 8 during the summer, presented to enter the National Higher Institute of Performing Arts and Broadcasting Techniques (INSAS, Brussels) in September 1967, where she was accepted

Three young people look back on their plague past and the dark valley in which they ended up. They dare to talk openly about how they found the resilience to turn their lives around.