Killing Europe

An intimate portrait, in his own words, of the Indian writer Salman Rushdie, author of The Satanic Verses (1988), thirty years after the fatwa uttered by the Iranian Ayatollah Khomeini: his youth in multicultural Bombay, his life in England, his many years of forced hiding, his thoughts on President Trump's United States of America.

Turkey's history has been shaped by two major political figures: Mustafa Kemal (1881-1934), known as Atatürk, the Father of the Turks, founder of the modern state, and the current president Recep Tayyıp Erdoğan, who apparently wants Turkey to regain the political and military pre-eminence it had as an empire under the Ottoman dynasty.

After the impressive Gulistan, Land of Roses (VdR 2016), the Kurdish filmmaker Zaynê Akyol returns with these conversations with imprisoned members of the Islamic State, alternating their words with aerial views of the countryside. An unexpected look at a far-reaching current political issue and a film whose subject matter and rhythm create an impressive cinematic object.

An exploration into the motives and histories of individuals, including herself, who have exited the world of violent extremism.

This documentary charts the complexity and genius of the NBA's all-time leading scorer Kareem Abdul-Jabbar's legendary career, both on and off the court. Spotlighting a six-time MVP and six-time world champion, the film examines his controversial and landmark moments, his outspoken feelings about race and politics, and the evolution of the game.

A unique interview with Tooba Gondal, the woman who groomed and lured scores of Western women to join ISIS. Using social media, she became a deadly matchmaker, recruiting a number of high-profile “jihadi brides” for ISIS militants in Syria: she allegedly helped organise the transporting of three British schoolgirls, including Shamima Begum, to Syria.

O Refúgio

In Taliban-controlled Afghanistan, a woman walks into a chadari store in Kabul to buy her first full-body veil and face an uncertain future.

At the turn of 1990 in Algeria, in an end-of-era atmosphere marked by the victory of the Islamists in the municipal elections, then in the interrupted legislative elections of 1991, a prelude to a decade of particularly barbaric violence, the Algerians will experience the radical Islamism, its desire to rule public and private life and a daily life of attacks, assassinations, then collective massacres, which left 200,000 dead. Literature and cinema have strived to question and bear witness to the enormous trauma of this period called the “black decade”.

HELD FOR RANSOM tells the true story of Danish photojournalist Daniel Rye who was held hostage for 398 days in Syria by the terror organization ISIS along with several other foreign nationals including the American journalist, James Foley. The film follows Daniel’s struggle to survive in captivity, his friendship with James, and the nightmare of the Rye family back home in Denmark as they try to do everything in their power to save their son. At the center of this crisis, we find hostage negotiator, Arthur, who plays a pivotal role in securing Daniel’s release.

Just outside of the Malian city of Timbuktu, now occupied by militant Islamic rebels who impose the Sharia on civilians and inconvenience their daily life, a cattleman kills a fisherman.

Lihatlah

A weekend in the mountains.

"We, the Yazidis, became doves. Doves without wings", says Hedil. Stranded with her family in a Yazidi refugee camp in Eastern Turkey, she reminisces about her former life in Northern Iraq and recounts the horrors of her escape. The film follows two families' attempts at normality in an otherwise miserable place. (ML)

Amal is 14 years old when she ends up on Tahrir Square during the Egyptian revolution, after the death of her boyfriend in the Port Said Stadium riot. During the protests, she is beaten by police and dragged across the square by her hair. This coming-of-age film follows her over the years after the revolution. As the film cuts between the unfolding current events and Amal’s rapidly changing life and appearance, we see her searching for her own identity in a country in transition. Amal is fiery and fearless, sinking her teeth into the protests and constantly lecturing her mother, who works as a judge. A girl among men, she also has to fight for respect and the right to take part, both in the street and in the rest of her life. In Egypt, even for a young woman like Amal—her name means "hope"—the choices open to her for her future are limited.

East of Walbrzych

Dans la forêt de Borek

"[This film] embodies (...) one of his [Hahnemann's] most mature films. Rainy rides along Schönhauser Allee, which seems to be depopulated. Past the 'Viennese Café', the meeting place par excellence. From a moving train the view of idyllic landscapes, on the horizon a castle. The camera tilts, turns, until the world is upside down. Scenes of an action with the artist friend Heike Stephan: in the sanctuary Hahnemann, black painted with a white turban, and Stephan, stack cages with rabbits on top of each other. Then TV recordings of a discussion forum with Jean-Luc Godard and Rosa von Praunheim - scenes as from another planet. From the off again and again a poem Hahnemann, recited by Peter Mario Graus. The diction is initially calm, almost factual, increases, eventually overturns, but then falls back, resigned. " (Claus Löser in "Gegenbilder")

Chronicles five of fashion photographer Peter Lindbergh's muses, the supermodels of the early 1990s.

Joyful, magical, inspiring, Into the Light with Cité Mémoire soars above the city, revealing history through giant projections that compel us to slow down, look up and breathe as characters of the past emerge from the stone walls of Old Montreal, touching us deeply with their human stories.