Killing Europe

An intimate portrait, in his own words, of the Indian writer Salman Rushdie, author of The Satanic Verses (1988), thirty years after the fatwa uttered by the Iranian Ayatollah Khomeini: his youth in multicultural Bombay, his life in England, his many years of forced hiding, his thoughts on President Trump's United States of America.

Turkey's history has been shaped by two major political figures: Mustafa Kemal (1881-1934), known as Atatürk, the Father of the Turks, founder of the modern state, and the current president Recep Tayyıp Erdoğan, who apparently wants Turkey to regain the political and military pre-eminence it had as an empire under the Ottoman dynasty.

After the impressive Gulistan, Land of Roses (VdR 2016), the Kurdish filmmaker Zaynê Akyol returns with these conversations with imprisoned members of the Islamic State, alternating their words with aerial views of the countryside. An unexpected look at a far-reaching current political issue and a film whose subject matter and rhythm create an impressive cinematic object.

An exploration into the motives and histories of individuals, including herself, who have exited the world of violent extremism.

A unique interview with Tooba Gondal, the woman who groomed and lured scores of Western women to join ISIS. Using social media, she became a deadly matchmaker, recruiting a number of high-profile “jihadi brides” for ISIS militants in Syria: she allegedly helped organise the transporting of three British schoolgirls, including Shamima Begum, to Syria.

O Refúgio

Just outside of the Malian city of Timbuktu, now occupied by militant Islamic rebels who impose the Sharia on civilians and inconvenience their daily life, a cattleman kills a fisherman.

HELD FOR RANSOM tells the true story of Danish photojournalist Daniel Rye who was held hostage for 398 days in Syria by the terror organization ISIS along with several other foreign nationals including the American journalist, James Foley. The film follows Daniel’s struggle to survive in captivity, his friendship with James, and the nightmare of the Rye family back home in Denmark as they try to do everything in their power to save their son. At the center of this crisis, we find hostage negotiator, Arthur, who plays a pivotal role in securing Daniel’s release.

At the turn of 1990 in Algeria, in an end-of-era atmosphere marked by the victory of the Islamists in the municipal elections, then in the interrupted legislative elections of 1991, a prelude to a decade of particularly barbaric violence, the Algerians will experience the radical Islamism, its desire to rule public and private life and a daily life of attacks, assassinations, then collective massacres, which left 200,000 dead. Literature and cinema have strived to question and bear witness to the enormous trauma of this period called the “black decade”.

In Taliban-controlled Afghanistan, a woman walks into a chadari store in Kabul to buy her first full-body veil and face an uncertain future.

A look back on the life of Nobel Peace Prize winner, Shimon Peres, who served as prime minister of Israel twice and negotiated the 1994 Israel-Jordan peace treaty.

ذكريات طفل

فصيلة سعدان "رمز المراة الثورية"

الصور المضللة الدعاية الإستعمارية ضد جيش التحرير

سجن بورباعطاش أضواء على التعذيب

سد بني بحدل تحت الماء مركز التعذيب

The Battle of the Falklands, between a Royal Navy task force and five German cruisers, was one of the most dramatic and bloodiest sea conflicts of World War I. When the smoke cleared, four of the German ships had sunk, including the flagship and pride of the German fleet, the SMS Scharnhorst. For decades, none of the downed vessels were ever found. Now, more than 100 years later, maritime archaeologist Mensun Bound and his team are searching for the ships and the secrets they hold. It's a race against time and the raging South Atlantic Ocean.

On Canada's Pacific coast this film finds a young Haida artist, Robert Davidson, shaping miniature totems from argillite, a jet-like stone. The film follows the artist to the island where he finds the stone, and then shows how he carves it in the manner of his grandfather, who taught him the craft.

This pseudo diary film is made of found materials from an unfinished 16mm film. Potenciais à Deriva is a film started by a Brazilian artist under a pseudonym while living in exile in Los Angeles, California. Isolated shots and previously assembled scenes reveal an intention to create a mysterious film comprised of disembodied interviews, empty rooms, radio recordings, soccer games, and sudden apparitions of the filmmaker that slowly ruminates on Brazil's colonial past, North American Imperialism and the military dictatorship of the time in a paranoid and anxious manner. Be aware that the film's final version never came to exist. This version presented is my mere attempt to produce a film with these otherwise lost images.

HBO First Look's episode on The Phantom