A Kapampangan youth who doesn't know how to speak in Kapampangan--and doesn't want to--until he runs into a compelling but weird character known as the king of Kapampangan poets.
The ill-fated clash between the Philippine National Police-Special Action Force (PNP-SAF) police commandos and Moro rebels.
In the traffic-laden streets of Metro Manila, two brothers use the chaos of the city roads as a smokescreen for their shady occupation tandem robbers on motorbike. But when a robbery goes sour, the brothers are forced to graduate from low level thieves to high profile hit men in an act that tests both their resolve and their relationship.
When a young Filipino room service attendant's schemes to attain a U.S. visa put the lives of his loved ones in danger, he is forced to question the extremity of his actions and re-evaluate the cost of fulfilling his dreams.
An inspiring and beautiful drama film which tackles issues about illiteracy.
An ugly ducking attempts to become desirable.
LV and her family make their living by operating an illegal off track betting outlet. But things haven't been going well for them lately, and the future is uncertain with Sta. Ana Park closing down.
On a particularly nondescript weekend afternoon, Edison must deal with his exasperated mother, who is bearing down on him like a force of nature; the looming deadline of a paper on the philosophical writings of Immanuel Kant; and a persistent, insidious force that aims to destroy the tranquility of his existence.
Three stories of love starring Sharon Cuneta. The first, "I Love You, Moo-Moo" (directed by Leroy Salvador), is about a young bride who died on her honeymoon; the second, "Ang Silid" (directed by Lino Brocka) is about an interior decorator who investigates a forbidden room owned by a mysterious woman whose sister was murdered; and the third, "Katumbas ng Kahapon" (directed by Emmanuel Borlaza) follows a young woman torn between her abusive husband and her former lover who returned from the US.
The film splits itself between two timelines. In 2006, Ada is basing her thesis on a massacre that occurred twenty years prior in a village called Acacia. Her mother Cecilia was part of a fact-finding mission into a massacre, and Ada’s inquiries bring up her history as a member of the NPA. The other timeline traces the relationship of Ka Felix and Ka Jimmy, two rebels who fall in love, despite the movement’s laws against such a pairing.
Teresa (Rustica Carpio) has worked for the Bautista family since she was seventeen. She was the nanny of siblings Stella, Vince and Andre (Jackie Lou Blanco, Bobby Andrews and Ryan Agoncillo), and their mother. The three have all moved abroad in their adulthood, but all reunite back at home with the passing of their mother. With no one left to stay in the country, it is decided that all of their properties will be sold, including the house they grew up in. But they are faced with the problem of what to do with the elderly Teresa, who has no money saved, and little contact with her relatives.
Mabuti accidentally finds a stash of money that could bring an end to her family’s financial problems: is the solution that simple or is it loaded with complications?
In a quiet, rural Filipino village, sibling rivalry continues through adulthood for two sisters and finally tears their family apart.
A 12-year old Anita falls in love with the new woman in town; years later, a girlhood crush blossoms during the Fiesta of Santa Clara in Obando, Bulacan.
Gerry and Rochelle are childhood sweethearts. Although Rochelle wants to settle down, Gerry wants his ambitions fulfilled first. The couple's relationship is threatened by the arrival of their childhood friend Tonette. Tonette seduces Gerry away from Rochelle by giving him a job, an apartment and herself. She agrees to share him with Rochelle at the same time hiring Rochelle as a maid. Things soon come to a head when Rochelle decides to leave Tonette's household after repeated attempts by Tonette's father, Don Teofilo, to defile her.
It picks up where the series left off in its final episode as the relationship of Joee and Joey moves on to the next level. Joee is about to give birth while Joey remains in love with her and tries to become a responsible foster father.
Orphan Carding befriends Army Captain Samuel Corazon, who’s stationed in his town to root out the remaining Huk guerrillas. At the dance hall, Corazon woos dancer Lauriana, and they soon move in together. The two become sort of surrogate parents for the orphan Carding, with Corazon teaching him the ways of men. But the soldier has a dark side, and Carding becomes witness to the violence occurring in their home, and a heinous act committed by the soldier on his common-law wife.
A neglected and unloved orphan raised by poor relatives in the slums of Manila is wrongfully convicted of murder that resulted from a heist he was compelled to join. Unable to prove his innocence and his minor age, he is thrown into the cruel, perilous and horrifying world of death row where he is introduced to other inmates all awaiting their execution by lethal injection. One of them is a 70-year-old man who detests the jungle of jail and is feared by all the convicts. He would serve as the boy’s protector and savior and in the process touch and shape enormously the violated youth’s life in prison and beyond.
The death of Mariel was met with such hurt by her three closest friends. But it was her best friend, Carla that she leaves a most special gift, a box full of her diaries through the years. Carla has been Mariel’s friend since their high school years; they have practically shared everything in their lives together. Their two other girl friends, Sandra and Olive formed the quartet who would get together ever so often and served as a mutual support system. Despite warnings from Sandra and Olive not to read the diaries left behind by Mariel, Carla could not help herself to find out what was written on those volumes of handwritten materials. True enough, what she discovered completely shattered all her perceptions and beliefs of the friendship shared by the four women through the years.
It is the time of El Niño, a season ruled by superstition and fear. The rain is long in coming, the ground has cracked up dry. The ricestalks are thin and sickly. Villagers go hungry. And a boy dies from a snakebite. The adults splinter. Some pray. Others join a cult to appease earth spirits and wait for the ada, the ricefield spirit goddess of bountiful harvest who dances naked on moonlit nights and signals the need for a virgin’s sacrifice. There are fence sitters, equally pro-church and pro-cult. A landlord’s steward enforces his master’s usury on hapless farmers. A self-righteous priest says rain must first be deserved. Two young women fight for the right to do with their bodies as they please. A bastard boy and a blind girl come of age. Yesterday, they were children.