The Car Thief

Two friends try to survive an encounter with a couple of backwood cannibals.

An anxiety-ridden art dealer faces his worst nightmare.

A young girl, her dog and a stranger find themselves trying to hold onto their humanity when stranded together in a post apocalyptic world.

etéreo

A man is supine on a mountain side. Images rush past of nature and a stained glass saint. An infant is born. We see a lactating nipple. Images include a mountain peak, farm buildings, a tree stump, a fire, a crawling baby, and the sun. The man falls and rolls. Then, later, he swings his ax.

Rein Raamat’s Hell adapts the engravings of Estonian graphic artist Eduard Wiiralt into a surreal, grotesque, and heavily sexual animated short. Wiiralt’s three source works, “The Preacher,” “Cabaret,” and “Hell,” date back to the early 1930s and portray a cacophony of bacchanalia, hysteria, and violence in the final years of Estonian independence amid the unrest of the Great Depression and European instability.

Sexual intimacy. Three kinds of images race past, superimposed on each other sometimes: two bodies, a man and a woman's, close up, nude - patches of skin, wisps of hair, glimpses of a face and genitalia; strips of celluloid with lines and squiggles scratched on them; and, close-up shots of what appear to be the insides of living bodies - a heart beating, muscle and sinew and tissue wet with fluids. The exterior and interior of desire.

In an old Brazilian legend, if someone happens to fall asleep in the woods, under a tree, the spirit of a boy appears and torments them until something truly bad happens.

During the heat wave, swimmers flock to a municipal pool. Rain or shine, as the days pass the place takes on a life of its own, and the lifeguards, while immature at times, shoulder considerable responsibilities.

Pink: Charm, politeness, sensitivity, childhood, the feminine and the romantic.

Vincent, who lacks control over his pupils, his a maths teacher in a high school. One day, he and his wife Hélène, who is five months pregnant, are the target of a hidden paintball shooter. Although not injured, they are traumatized. While Hélène decides to forget the attack, Vincent becomes convinced that the shooter is one of his young students.

Fatiya agrees to replace her cousin at a babysitting gig. When she meets the mother of the young boy she is supposed to look after, prejudice and racism cause the afternoon to take a turn.

Growing up, Paul was carefree and full of life. He would spend countless hours playing in the oak tree in his backyard. He spent so much time out with that tree that his mother would tease him saying they were bonded for life, and for a long time, he believed it. Time passed, Paul grew up, moved away and settled into monotonous adulthood filled with responsibilities and routine. A job he hates, a wife that hates him and no end in sight...

The boy, who is the idol of his widowed mother, returns from college with a collegiate record she is justly proud of. To mark the occasion his boyhood sweetheart and her mother come to spend a few days. The too-indulgent mother, however, is blind to the fact that the boy is spending most of his evenings in full dress, which should have told her that Bohemian society was engaging his attention. A showgirl, who learns that he will soon come into great wealth, determines to win him. Unsophisticated as he is, he is an easy prey. A friend of the family warns the mother of her boy's danger,

With a similar dreamy mood like its predecessor "Take the 5:10 to Dreamland" (1976) this clip starts with a boy getting into his bed. The camera zooms in into the boy's mind and a slow, sad waltz (i.e."Valse Triste") accompanies images of a locomotive, a miner, the globe, the sky, a sheep heard, etc. Disparate elements, but if one concentrates only at the movement of the figures, one can perceive a commotion, slowly livening up: The starting wheels of the heavy locomotive, the tired miner pushing the heavy cart of coal bricks, the globe smoothly turning around and around, the clouds imperceptibly floating in the sky, the sheep idly moving in the herd, etc. We reach the first climax when a mannequin opens her coat like a flower. The second big crescendo spurts out from a "water hose", after watching schoolgirls doing gymnastics for quite a while. A sad, but nostalgic aftertaste lingers in the end when funeral cars drive away through a flooded area…

Uncle Beans and the kids are off to visit haunted ship 'The Phantom' trapped in the ice, hoping to find pirate treasure. They encounter all manner of ghosts and goblins, but eventually find what they've been looking for. When Beans tries to warm up by throwing some chairs in a stove and lighting it, he thaws out a pair of pirates that chase the trio around. The treasure-seekers are eventually forced back into their plane and they fly away.

Max and Red live illegally in an abandoned communal apartment. On New Year's Eve, a third neighbor, Lera, comes to visit them.

Worm-like parasites infest the dead in Belize, returning them to gruesome half-life as rotting, bloodthirsty zombies. Freed from their shallow jungle graves by a secret research expedition, the creatures soon find their way to modern civilization where they begin their deadly mission to transform the human race into an unstoppable army of the undead. Will they succeed in their gory quest? Will the human race be completely wiped out? Can anyone survive the blood-soaked onslaught of the FLESH FREAKS?

An uptight getaway driver waiting outside a bank robbery has three nerve shredding minutes to get through before his crew returns. All he has to do is focus.

Edith Marbury is cashier of the Greenville Junction's only bank. A stranger comes to town, and Edith promptly falls in love with him. Her father forbids her to see him, but determined she leaves town in the night and going to a deserted cabin in the country, finds her lover in company with a band of crooks.