A veteran theatre artist who lives for his art 'enters' the world of films. Can the film industry hold on to his inimitable artistry?
Gopan, a tourist guide's life takes a change as an unintentional statement by him lands his rival, Kuraichan, into the police station and ruins the later's family life.
Makis comes from the modern world, while Maria lives in a forgotten one. What is "progress" for him is a threat to her. A car accident brings them closer, and the orgasmic taste of Nuggets brings them even closer. But it takes much more to be together.
Ruth Travers, the young niece and ward of Howard Mason, elopes with Chadwick Blake to escape the advances of Gilbert Hilton, whom her uncle wants to force upon her to cover his embezzlement of Ruth's small fortune. She discovers too late that Blake already has a wife but makes the best of the situation until Mason's death, just after he has made a lucky gambling coup, leaves her a little money. Determined to escape, she goes to a small town where minister Daniel Clarkson becomes interested in her. Because James Lawton had sought marriage between Clarkson and his daughter, when Blake turns up, and Lawton learns the story, he denounces Ruth to the minister. When Clarkson learns the truth, he forgives Ruth and, knowing that he will lose his position, he enlists, promising to return and marry her when the war is over.
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A couple of young lads sit on their favourite park bench, and discuss the use of the word 'Chav' in modern British society. A short film that looks at fear and ignorance and how they fuel each other. Watch here: vimeo.com/142113189
Neglected by her workaholic husband Jack, Eileen Spencer begins an affair with novelist Carter Ballantyne. Their planned elopement is halted when Eileen learns that Jack has lost both his money and his eyesight, and she feels compelled to return to care for him. With her friend Dolly Page, Eileen cheats at cards amassing a fortune to send Jack to France for treatment. Carter reappears, threatening to expose her unless she submits to him. Intending merely to reason with Carter, Eileen gives him a key to her apartment, but Jack returns home unexpectedly and finds him there. At her birthday dinner, Eileen, in anticipation of Carter's plan to expose her publicly, confesses her guilt, whereas her husband and her friends forgive her.
In his third Netflix special, Nate Bargatze tackles pizza-ordering strategies for guys' night, wanting a second dog and relying on his responsible wife.
Jason, a 30-something gay firefighter who dreams of becoming a professional ballroom dancer. Set in the vibrant heart of the British seaside town of Blackpool, Jason battles the rigid traditions of the ballroom world under the close watch of his ultra-traditional instructor Reynolds. While embarking on a journey of self-discovery, he is learning to listen to his heart before he can truly dance to its rhythm.
Barbara Rand is blinded when she leaps through a window to escape an assailant. Her sister, Natalie, reluctantly abandons her fiancé, Ned Gardiner, and marries Oliver Landis, who can provide the money needed for Barbara's operation. Unaware that Oliver was Barbara's attacker, Natalie blames his business partner, Howard Pollard, who was with Barbara on the night she was injured. Natalie holds Howard at gunpoint, but when her husband arrives, he promises to deal with the villain making sure Howard falls to his death. Upon Barbara’s release from the hospital, Oliver tries to blind her once. Natalie threatens him with a pistol, but Oliver wrests it away from her. He then realizes that he can no longer hide his guilt from Natalie or the police and shoots himself. Barbara has been avenged, and Natalie is free to marry Ned.
The story of the Salvation Army, told through the tale of two men and two women who serve in the First World War.
One Hundred Thousand
The comedy-thriller revolves around a DSP, two inspectors, one aspiring actor and the daughter of a smuggling king.
The Career of Katherine Bush
The God Boy is a portrait of a troubled teen Jimmy (Jamie Higgins) growing up in post-war small town New Zealand and wrestling with a repressive education and home front turmoil. Adapted from the Ian Cross novel by Ian Mune and directed by Murray Reece, the landmark film was the first NZ telefeature, gaining Feltex awards and front page reviews. With menace and Catholic guilt ever-present, it’s credited as a pioneer of what Sam Neill dubbed NZ’s “cinema of unease”. (NZ On Screen)