Hijas de la luna... y la familia cambió

A Grande Aposta

Para toda la vida

In this new era, Catalina, now head of the DEA in Colombia, has a new challenge: to track down a criminal organization that is trafficking a new synthetic drug. What she ignores is that her daughter is part of the Cartel that traffics them and that Yésica, her worst enemy, is infiltrated in the DEA.

After a family tragedy, the sweet Dulce Maria is cared for by kind nuns at a boarding school. But things change when Dad comes back into her life.

It follows the lives of four housewives and the everyday problems and mysteries that surround their husbands, friends, and neighbors, which are sometimes more sinister than they appear.

El amor no tiene precio is an American telenovela. It aired in 2005 until the series finale in 2006.

Um Homem Muito Especial

El peñón del amaranto

Romeo and Juliet are kids that belong to different worlds, rival groups, and enemy families, but they like each other and can’t help the feeling. To stay together, they have to solve mysteries from the past and face those who they love the most to bring back harmony.

Guddi is a young girl who lives a happy life with her parents. Unbeknownst to them, she can see premonitions. However, her ability soon turns into a nightmare when she foresees her parents' death, and it tragically comes true. After losing them, Guddi finds shelter with her uncle and aunt, but they oppress her. In her toughest moments, she prays for help and receives it most unexpectedly-from a doll, the last gift her parents gave her. As the doll assists Guddi through her toughest times, others begin to learn of its power.

Buckle up for an exhilarating rollercoaster ride through the world of authentic teenage drama, family conflicts, love, aspirations and fierce rivalries. An adaption based on Louise van Niekerk's gripping coming-of-age book series.

Carrie Jung lost her husband and child. She now lives only take revenge on those responsible for their deaths. Carrie Jung raises Han Yoo Jin as a tool in her revenge plan. Han Yoo Jin is a smart and beautiful woman, but she falls in love with a man who she should not love.

Lo Que Es el Amor

Hae-Jin is 36-years-old. She is married to Jin-Sang, who is 6 years younger than her, and they have a daughter Yoo-Ri. Hae-Jin runs a restaurant that she took over from her father-in-law. She supported her husband Jin-Sang while he studied to enter a university. Because of Hae-Jin, Jin-Sang is now attending a prestigious university, but he has an affair with Joo-Ri. She is the young daughter of a rich family. Hae-Jin becomes aware of her husband's affair, but she doesn't want a divorce. Meanwhile, Dae-Gu appears in front Hae-Jin. Dae-Gu is a drama series writer. He was once in demand for his screenwriting, but his popularity has waned. His marriage life is not doing well either.

Yo no creo en los hombres (I don't trust men anymore) is a Mexican telenovela produced by Giselle González for Televisa. It is based on Yo no creo en los hombres (1991), produced in México.

Fernanda Linares (Livia Brito) is a woman thirsty for revenge after the murder of her husband on their wedding night, where in addition, Fernanda was a victim of rape after the event occurred. However, Fernanda's life will change when she meets Rafael Toscano (José Ron), a handsome young man who recently just received his university degree with whom she will empathize and return to Fernanda the opportunity to love again.

Na Paz dos Anjos

La vecina, is a comedy-telenovela produced by Lucero Suárez for Televisa. It is the remake of the telenovela La costeña y el cachaco produced in 2003 by RCN TV.

In Ambitious Women, all levels of ambition are revealed in a plot full of greed, revenge and struggle for power, through the conflicts of three strong women with very different personalities.

A teenager who dreams with a career as a top model becomes part of a prostitution scheme and meets a powerful and obsessive businessman. As a last resort, he marries the girl's mother just to be near her. This series explores the limits of obsession, wealth and pleasure, using the fashion world as backdrop.