This is not a film about gun control. It is a film about the fearful heart and soul of the United States, and the 280 million Americans lucky enough to have the right to a constitutionally protected Uzi. From a look at the Columbine High School security camera tapes to the home of Oscar-winning NRA President Charlton Heston, from a young man who makes homemade napalm with The Anarchist's Cookbook to the murder of a six-year-old girl by another six-year-old. Bowling for Columbine is a journey through the US, through our past, hoping to discover why our pursuit of happiness is so riddled with violence.
Jason Van Vleet's documentary explores how a plan to overthrow the government conceived in 1983 by home-grown extremists lead to the tragic 1995 bombing of the Alfred P. Murrah Building in Oklahoma City. Van Vleet's film includes interviews with officials who investigated the terrorist attack and a taped confession by one of the perpetrators of the bombing, and looks at domestic terror groups that are still operative years after the attack.
This gripping documentary revisits the shocking 1995 bombing of an Oklahoma City federal building, the deadliest act of domestic terrorism in US history.
This documentary looks at the surge in political violence through the story of the 1995 Oklahoma City bombing, showing the roots of anti-government sentiment and its reverberations today, along with the emotionally charged warnings of those who suffered tragic losses in the deadliest homegrown attack in U.S. history.
From the oil boom of the 1970s to the failure of Penn Square Bank in 1982 to the bombing of the Murrah Federal Building in 1995, this inspiring, feature-length documentary sheds light on the darkest years of Oklahoma City… and the people who refused to give up. Produced, written and directed by Mick Cornett, Oklahoma City: The Boom, the Bust and the Bomb is a story like no other. It’s a tale of resilience, exploring how Oklahoma City’s turbulent past helped shape its bright, flourishing future.
A Noble Lie is the culmination of years of research and documentation conducted by independent journalists, scholars, and ordinary citizens. Often risking their personal safety and sanity, they have gathered evidence which threatens to expose the startling reality of what exactly occurred at 9:02 am on April 19, 1995 in Oklahoma City.
Rachel Maddow takes a special look at the Oklahoma City bombing by offering a first look at a taped confession by Timothy McVeigh that was made shortly before his execution.
The bombing of the Alfred P. Murrah Federal Building in Oklahoma City in April 1995 is the worst act of domestic terrorism in American history. This documentary explores how a series of deadly encounters between American citizens and federal law enforcement—including the standoffs at Ruby Ridge and Waco—led to it.
Nate Foster, a young, idealistic FBI agent, goes undercover to take down a radical white supremacy terrorist group. The bright up-and-coming analyst must confront the challenge of sticking to a new identity while maintaining his real principles as he navigates the dangerous underworld of white supremacy. Inspired by real events.
Years after losing their loved ones in the Oklahoma bombing, two broken souls form a connection.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.
Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.
In 1967, Dr. Thomas Starzl stunned the world with the first successful liver transplantation. His breakthrough provoked controversy. Critics accused him of recklessness, even murder. Others declared it the beginning of a medical revolution. "Burden of Genius" is the story of an innovator as complex and elusive as the biological secrets he unlocked. It is also a reflection on the price of scientific progress by the man many consider the greatest surgeon of the 20th century and the father of transplantation.
A portrait of Ivo Van Hove, internationally the most highly regarded stage director of the Low Countries. And of his partner in love and work, scenographer Jan Versweyveld.
La Palma: el último volcán
Documentary on famous writer Marguerite Duras and her paradoxical relation to the seventh art by her former film editor.
In September 2022, Beatrice Dalle arrives in Italy. At the origin of this journey is the desire to walk in the footsteps of Pier Paolo Pasolini.
Join the likes of Tatiana Maslany, Mark Ruffalo, Tim Roth, and Benedict Wong as they reveal how Marvel Studios’ She-Hulk: Attorney at Law was conceived and shaped. Discover what it took for She-Hulk’s creators to pull off the show’s tricky tone and deliver Marvel Studios’ first truly comedic series – one that boldly breaks the fourth wall to acknowledge its own audience, no less!
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.