Thy Kingdom Come

Ep.01 My wife's healing Yumi and Hyun-tae are on a journey of reconciliation overnight to overcome bourgeoisie. Eating dinner together I'm going to join the couple who stayed in the next room. Jae-yong informs Lee Hyun-tae that he can overcome boredom ... Ep.02 Soap Scent Eun-su, who was tired of her boyfriend, told a Chinese housekeeper I am at a glance, and both of them cross over the lines I should not cross ... EP.03 Singularity Family The family of Sehun, who is reconciled with other family members, enjoys each other's private life in the evening. Sehun went to the bathroom in the middle of the night and witnessed a scene he could not imagine Sehun himself confesses his family to the absurd fact ...

Queer Boys and Girls on the Shinkansen brings together ten filmmakers and artists who consistently affirm what it means to be gay or lesbian in their work. Habakari chose ten filmmakers to make a five-minute work each, developed around a gay or lesbian theme, and compiled the resulting shorts in random order to create this omnibus film. The result is a queer film, by queer filmmakers, for a queer audience. Each short is its own short story, and the styles range from drama and experimental film and animation. (2024 complete version includes all eleven films, 65 mins.)

A two-part feature directed separately by Shimizu and his colleague Keisuke Toyoshima. Unrelated to each other, both have a common goal: to bring ghosts and aliens together in pure, referential and absurdistic delirium, including neo-Nazi specters, zombie yakuzas and nasty aliens.

This Punjabi Movie, Dukh Bhanjan Tera Naam is a Punjabi movie about Sikhism. It was a great success. It portrays the people's belief in the almighty god who is one and how life teaches a lesson to those who does not believe so.

What is “Slovakia”? How to explain the notion of “Slovakia” of the past 20 years to an unknown stranger, a visitor from another planet? What is the genetic makeup or the software for “Slovakia”? How to use it? How does it change? Slovakia 2.0 is a film about twenty years of independent Slovakia as seen from the perspective of ten film directors. It is composed of ten 10-minute films of different genres ranging from drama, through animation and documentaries, to experimental film. The ten recognised film directors who offer an answer to what is Slovakia include a wide range of generations, views and genres, namely Juraj Herz, Martin Šulík, Peter Kerekes, Zuzana Liová, Mišo Suchý, Ondrej Rudavský, Iveta Grófová, Peter Krištúfek, Viera Čákanyová, and Miro Jelok.

In three separate segments, set respectively in 1966, 1911, and 2005, three love stories unfold between three sets of characters, under three different periods of Taiwanese history and governance.

Gurmeet Kaur is a kind-hearted, compassionate and devout Sikh woman who lives with her widowed father, and teaches children in a make-shift outdoor school. Her life changes drastically when two men abduct her and take her to the hideout of the region's most feared bandit, Sardar Bakhel Singh. Her freedom curtailed, forced to live in a dark cave, watched day and night by male bandits, some of who would like to get more than physically intimate with her, she will soon find out the real reason behind her abduction.

Shamsher Singh (Kulbhushan Kharbanda) is a pure-hearted, selfless and God-fearing man. The only sad part in his life is that he is childless. One day, while returning from a pilgrimage, he and his wife, Bansa (Tanuja), find an abandoned child. They decide to bring up the child and name him Gurdit. Later, the couple has a child of their own. Both siblings grow to manhood, loyal to each other until a woman drives a wedge between them.

A nine story anthology featuring various dregs, druggies, the innocent and the doomed inhabiting a dingy motel room somewhere along Route 66.

This film begins with the invocation of 'almighty god' at a river where several people are gathered. The child god Krishna rises out of the water astride the demon snake Kaliya. Then we see Yashoda as she rocks the sleeping Krishna's crib and imagines the god as Gopala. The next scene shows Kamsa fantasizing about Krishna threateningly duplicated many times around him. Kamsa then imagines himself dead as his severed head rises up and descends again. People of all castes pay obeisance to the deity with the title-card: 'may this humble offering be accepted by the Lord'.

A sumptuous and sensual tale of intrigue, romance and betrayal set against the backdrop of a defining moment in European history: two beautiful sisters, Anne and Mary Boleyn, driven by their family's blind ambition, compete for the love of the handsome and passionate King Henry VIII.

Four young women are somewhat desperate in their relationships, since their male partners are not the most successful types. But does that mean you have to break up with them? In his fast-paced comedy, Santa YAMAGISHI takes a closer look at romantic clichés and the truths that lie behind them.

Homicide detective John Hobbes witnesses the execution of serial killer Edgar Reese. Soon after the execution the killings start again, and they are very similar to Reese's style.

An anthology film created under one theme by 3 directors who are creating their own colors in contemporary Mongolian cinema.

For centuries, a secret Order of priests has existed within the Church. A renegade priest, Father Alex Bernier, is sent to Rome to investigate the mysterious death of one of the Order's most revered members. Following a series of strangely similar killings, Bernier launches an investigation that forces him to confront unimaginable evil.

A religious man diagnosed with cancer is stalked by the presence of a spirit of German culture, called The Erlkönig.

Three tales of love, ambition, and neurosis unfold in the city that never sleeps. In "Life Lessons" (Martin Scorsese), a tormented painter channels heartbreak into his art. In "Life Without Zoë" (Francis Ford Coppola), a precocious 12-year-old navigates privilege and loneliness in a Manhattan hotel. And in "Oedipus Wrecks" (Woody Allen), a man’s domineering mother literally becomes a looming presence over New York.

In a world governed by commerce, Ricky and Kate, dedicated employees, find their lives forever changed when they encounter the enigmatic stranger G. As they navigate the realm of commerce, their paths intertwine in a surreal dance of love, loss, and redemption. G's presence, amplified through the pervasive influence of globalized television, casts a spell that reverberates beyond Ricky and Kate, impacting the lives of those who bear witness to their intertwined destinies.

A daughter struggles to speak with her father about her grandmother, revealing the quiet distances — and shared inheritances — that shape three generations of family.

Commissioned by South Korea's National Human Rights Commission, If You Were Me is an innovative omnibus film project to promote tolerance and human rights and shed light on the hardships disadvantaged people face in Korea. This third installment continues the If You Were Me tradition. Directors Jeong Yun Cheol (Marathon), Kim Hyeon Pil (Wonderful Day), Lee Mi Yeon (L'Abri), Noh Dong Seok (Boys of Tomorrow), Hong Gi Seon (The Road Taken), and Kim Gok and Kim Sun (Capitalist Manifesto: Working Men of All Countries) participated in If You Were Me 3, creating shorts on human rights issues of their choosing, ranging from labor conditions to gay rights to discrimination.