Shanakht

Four Spanish-language shorts about the importance and complexity of people's perception from award winning directors. Stories of identity, misconceptions, regrets, dreams and love are told in this diverse collection. Includes: Tenants [Inquilinos] (2018); My Brother [Mi hermano] (2015); Guillermo on the Roof [Guillermo en el tejado] (2018); You Are Not a Woman [Usted no es mujer] (2018).

A pimp must investigate the sudden disappearance of his network’s most demanded prostitute.

Based on the real life story of Parinya Charoenphol, a Muaythai boxer who underwent a sex change operation to become a woman.

Seven transgender and gender nonconforming individuals share their unique experiences with Silas Howard.

Raised a boy in East Berlin, Hedwig undergoes a personal transformation in order to emigrate to the U.S., where she reinvents herself as an 'internationally ignored' but divinely talented rock diva, inhabiting a 'beautiful gender of one'.

Esi is a 25 year old, queer, biracial woman. Growing up in a conservative town in Missouri with immigrant parents, her sexuality and desire to be a photographer have become laced with shame and guilt. Six months after moving to LA, we find Esi isolated and disconnected from world around her. After another day of feeling invisible as a PA, Esi stumbles upon a vivid house party of QTPOC (queer and trans people of color). For the first time in her life, Esi is welcomed into a community where she can let down her walls, let go of societal and family pressures and begin to embrace her true self.

Two drag performers and a transgender woman travel across the desert to perform their unique style of cabaret.

A transgender woman takes an unexpected journey when she learns that she had a son, now a teenage runaway hustling on the streets of New York.

A young transgender man explores his gender identity and searches for love in rural Nebraska.

After coming to terms with their identity, it's time for Bailey to come out at school. However, this proves harder than they anticipate and Bailey is faced with a choice between social ridicule or the closet.

Ah Fat, a lonely man arrives in a strange country, escaping from his past and seeking salvation. Living in a constant state of psychological turmoil, redemption was never quite in reach. Making friends with Miumiu, a coworker who is a gogo girl and a male gigolo Pumpkin turns Ah Fat's life around; he finds a strange, unique sort of happiness in friendship that had evaded him for a long time. Then comes a turn of events that changes everything; Ah Fat will have to choose between saving his friends by killing the evil shop owner, and standing idly by. This is the final straw; Ah Fat is pushed to the brink, all hell breaks loose...

Not long after moving into her own place, Maggie finds herself with two unsolicited roommates: her recently divorced mother, Lila, and her young brother. The timing is especially bad, considering Maggie has fallen hard for an attractive woman, Kim, only hours before they move in. What could be a nonissue becomes increasingly complicated -- since Maggie's family is unaware of her sexual orientation, and Maggie is not open to sharing that information.

When Imani goes to her friend's housewarming party, she meets a boy who piques her interest. She invites him over to hang out, only to realise that they have more in common than she thought.

Esteban has left home for Spain, to study. He returns to see his parents in Paris for holidays. Between walks and Sunday lunches, Anne and Pascal do their best to adapt to their son’s new situation.

A psychiatrist tells two stories: one of a trans woman, the other of a pseudohermaphrodite.

Ludovic is waiting for a miracle. With six-year-old certainty, she believes she was meant to be a little girl -- and that the mistake will soon be corrected. But where she expects the miraculous, Ludo finds only rejection, isolation, and guilt -- as the intense reactions of family, friends, and neighbors strip away every innocent lace and bauble.

A truly major work, I Don’t Know observes the relationship between a lesbian and a transgender person who prefers to be identified somewhere in between male and female, in an expression of personal ambiguity suggested by the film’s title. This nonfiction film – an unusual, partly staged work of semi-verité – is the first of Spheeris’s films to fully embrace what would become her characteristic documentary style: probing, intimate, uncompromising. Preserved by the Academy Film Archive in 2014.

On his first foray out onto London's thriving gay scene, newly single Adam meets Rocky, a handsome and mysterious drifter, with whom he shares an instant and undeniable chemistry. From the outset, Rocky is eager to reveal more of himself than Adam is ready for, and so the two maintain an uncomfortable pact of silence. As the pair grow closer, something has to give, and the truth about Rocky is explosively revealed. As the dust settles, the men are left to decide whether they can find acceptance in each other, by facing the truth about themselves.

A transgender teenager faces an unwanted pregnancy and risks losing everything he loves in order to live courageously.

Transgender Blake and cisgender Cane hang out, play video games and grapple with their insecurities. This is their love story.