Thursday

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

Rohan is killed in an accident soon after his first marriage anniversary, leaving his young pregnant wife Nisha devastated. As Nisha tries to cope with the tragedy, the film reconstructs a series of events in backwards to uncover the truth. The ensuing reverse Domino effect narrates a complex story of love, loss, doubt and revenge and investigates criminal perspective of human psyche to unveil a shocking truth.

A record in moving images of a timeless dimension, the tragedy takes place in a dark void where the voiceless ones enact their drama in a theatre of infatuation, power and vengeance. The force of the roar reverberates as insanity erupts from total stillness, free of dialogue. An atmosphere of total darkness envelops every single particle and atom, external and internal, in dreams and in the heart. This film is adapted from the Thai folk tale of Gagee, a maiden so enchanting and fragrant as a flower, so irresistible that all who gaze upon her fall under her spell. They vie with each other to possess her, leading to war. This ancient legend has been reimagined and retold by new characters as a silent, surreal movie.

A group of boys playing near the seashore in Tokyo find a goat, kill it in a tug of war for ownership, bury it with ceremony, and, except for one boy, run off in heedless laughter ready for more games.

A father says goodbye to his young daughter. In time the daughter grows old, but within her there is always a deep longing for her father.

A short film about a woman's unhappiness after a failed love affair.

A young student decides to have no more interaction with the world than is needed to minimally sustain life. His increasingly automaton-like behavior is coupled with a strange clarity of insight about the world around him.

A man stays alone with his children in a half demolished house in the middle of a desolate field. His wife has just been killed by a grenade in a military battle. He is expecting a new attack. Instead a wandering caravan called Circus Fantasticus stops by the house. They bring along the dying director of the circus. Is it possible for anything beautiful to happen in a landscape of war and death? Can life go on? Is it possible to realize that death does not exist?

Imagine you had ten seconds more in your day. What would you change about your life?

"In this film you will see a woman's handkerchief tied around a man's wrist, a well-shaven pig's head, some adolescents who are more inventive than their elders in struggling against oppression... You will not, however, hear any dialog. Words do not prepare, do not accompany, do not comment upon the action. This is not a silent film, but a film in which the only moment of life retained for the cinematographic spectacle are those where people do not speak. The spectator will find, perhaps, a greater freedom of interpretation in it and, we hope, a particular pleasure in this." (Alain Cavalier)

Mysterious and eerie details regarding a young woman's murder start to unravel as a seemingly mundane day is not what it appears to be.

A woman returning home after having a sour day decides to sleep.

An average working man who is alone in a world of deception finds himself in a marriage of convenience.

A stop-motion short film about a seahorse that is swept away from its coral reef and must survive the journey home.

Set in a London gentleman's outfitters in 1976, and taking inspiration from the emotions aroused by a fetishist love of corduroy, leather and tight trousers, two men enter Sir John's Trouser Bar but little do they know the sexual adventures that await them inside.

A non-verbal visual journey to the polar regions of our planet portrayed through a triptych montage of photography and video. Landscapes at the World's Ends is a multi-dimensional canvas of imagery recorded above the Arctic Circle and below the Antarctic Convergence, viewed through the lens of whom is realistically an alien in this environment, the polar tourist. Filmed during several artist residencies on-board three expedition vessels, New Zealand nature photographer and filmmaker Richard Sidey documents light and time in an effort to share his experiences and the beauty that exists over the frozen seas. Set to an ambient score by Norwegian Arctic based musician, Boreal Taiga, this experimental documentary transports us to the islands of South Georgia, the Antarctic Peninsula, Greenland and Svalbard. Landscapes at the World's Ends is the first film in Sidey's Speechless trilogy, and is followed by Speechless: The Polar Realm (2015) and Elementa (2020).

When Shaun decides to take the day off and have some fun, he gets a little more action than he bargained for. A mix up with the Farmer, a caravan and a very steep hill lead them all to the Big City and it's up to Shaun and the flock to return everyone safely to the green grass of home.

Meet 5000 space aliens in 5000 seconds in this bonkers animated film.

Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.

Epoch II takes us on a second cosmic voyage to explore the realms that exist outside the current day theories of space travel and reality.