This special 10th anniversary edition of the Found Footage Festival finds curators Joe Pickett and Nick Prueher in a nostalgic mood, delving deeper--perhaps too deep--into some of their favorite VHS finds from over years. But Volume 7 is also jam packed with newly unearthed treasures, featuring singing rabbis, petulant news anchors, coughing snake handlers, bodybuilding clowns, and two body parts never before seen in the festival! It's a celebration of a decade of Found. Record over and you'll die! Taped live at The Grey Eagle in Asheville, North Carolina.
A documentary about aliens and UFOs with re-enactments of alien interviews and video of a supposedly real video of an alien being interviewed by government officials.
State of Bacon tells the kinda real but mostly fake tale of an oddball group of characters leading up to the annual Blue Ribbon Bacon Festival. Bacon-enthusiasts, Governor Branstad, a bacon queen, Hacksaw Jim Duggan, members of PETA, and an envoy of Icelanders are not excluded from this bacon party and during the course of the film become intertwined with the organizers of the festival to show that bacon diplomacy is not dead.
Capturar (Las 1001 novias)
A story of two men doing a documentary of a nearby woods called Rosemary Lane. And after they start to camp there to see whats going on. The demon Mary has other plans to make there stay as uncomfortable as possible
In 2045, a filmmaker lands on Mars and tries to make a film. “Home… Far away from home”, he recalls faces of people, thus a collection of moving images emerge.
An alien narrates the story of his dying planet, his and his people's visitations to Earth and Earth's self-made demise, while human astronauts in space are attempting to find an alternate planet for surviving humans to live on.
A French documentary or, one might say more accurately, a mockumentary, by director William Karel which originally aired on Arte in 2002 with the title Opération Lune. The basic premise for the film is the theory that the television footage from the Apollo 11 Moon landing was faked and actually recorded in a studio by the CIA with help from director Stanley Kubrick.
30 years in the making, the film Jan Terri: No Rules tells the story of an irrepressible, and often delightfully perplexing personality. As a child, Jan would dance and sing for anyone who would listen. As a teenager, she began writing and performing her own songs. After earning her BA in Arts and Entertainment Management, she continued making music while working full-time as a limo driver. The income from that job allowed her to hire a studio as well as a videographer to help her make her unorthodox DIY music videos and distributing them on VHS tape. Without her knowledge, her videos made their way to the nascent YouTube. The fact that her most popular YouTube video was given the title “Worst Music Video Ever” didn’t dampen her spirit. Her fanbase grew to include such luminaries as Marilyn Manson and Cynthia Plaster Caster. Over the years, Jan’s independent spirit attracted many collaborators who’ve helped bring her vision to life.
The collective life of the generation born as Jurij Gagarin became the first man in space. Vitaly Mansky has woven together a fictional biography – taken from over 5.000 hours of film material, and 20.000 still pictures made for home use. A moving document of the fictional, but nonetheless true life of the generation who grew up in this time of huge change and upheaval.
The Devil's Tuning
Por Diabos
This short film explores the resolution of a plumbing problem through a narrative lens compiled from found footage sourced from pornographic websites.
La zuppa del demonio
Recognized as one of the most influential and most watched content creators in the world, Dude Perfect is a group of 5 best friends who have given a whole new meaning to the term sports entertainment. Now, for the first time ever, they are telling never before told stories behind 10 of their favorite trick shots. This behind-the-scenes look includes special, exclusive commentary from Dude Perfect as well as an all-new, never-before-seen trick shot.
Thanks to his myriad film roles, Lon Chaney is known as “the man of a thousand faces,” and you could say that the early horror era never beheld a figure more intriguing. Yet because of his numerous transformations, his face never became as iconic as that of, say, Boris Karloff. Accompanied by a soundtrack from Bernhard Lang, this “re-imagination of shots” taken from Chaney´s forty-six surviving films offers a beguiling excursion into the history of film. The director reveals surprising associations, while highlighting the enduring magic of works which are now more or less forgotten.
In 2023, Writer/director Aaron Irons went deep into the Appalachian wilderness area known as Jeffrey's Hell to expand on the legends and stories from his 2022 found footage film, CHEST. He was never seen again. This documentary explores what really happened to Aaron and what secrets are being kept below the surface.
Using found footage, still photographs, animations, and occasional original footage, “The Mist in the Palm Trees” purports to tell the story of Santiago Bergson, writer, physicist, and sometime pornographer who sold arms to the Resistance in France, flirted with the Nazis, collaborated on Orson Welles’ “War of the Worlds” broadcast and helped build the A-Bomb.
In this spoof of "March of the Penguins," nature footage of penguins near the South Pole gets a soundtrack of human voices. Carl and Jimmy, best friends, walk 70 miles to the mating grounds where the female penguins wait. The huddled masses of females - especially Melissa and Vicki - talk about males, mating, and what might happen this year. Carl, Jimmy, and the other males make the long trek talking about food, fornication and flatulence. Until this year, Carl's sex life has been dismal, but he falls hard for Melissa. She seems to like him. A crisis develops when Jimmy comes upon something soft in the dark. Can friends forgive? Does parenthood await Carl and Melissa?
"CIVIL WAR SURVEILLANCE POEMS (Part 1)" is the first installment in a five-part project of experimental and hybrid-form short films contemplating a second American civil war via lyrical nonfiction, mixing call-in radio, twenty years of verité footage from the filmmaker's archive, and robots. Conceptually speculating from sixteen years in the future (and a protracted civil war), the project is partly nostalgic political travelogue, partly a quest to mine the archive for what went wrong, and part prewar surveillance records, the project deconstructs and builds to a clashing ideology, culminating in an installation of sound sculpture, four-walled video and artifacts.