Vis dubium

Magus Baba'nın Mavi Maymunu

A short Estonian animation about a rabbit who creates a mechanical being that struggles to navigate a frantic, pop-art world.

A fantastic story of Martha, a little girl, who finds true love three years after her mother died.

Every day is a Black Friday for the man, everything goes wrong. No wonder that even the heroic decision to end his life fails.

A duo of street performers learns how sound and picture work together to create amazing cinema experiences.

MUTE is an animated short about a world populated by people born without mouths.

A compact, full-color cut-out animation as ephemeral as the colors swimming on the surface of a soap bubble. The eternal round shape, the orb (sun, moon, symbol of the whole self) balloons its inimitable and joyous course through scene after scene of celestial delight, fixing at last as the mystical globe encasing the lovers whose course it has paralleled throughout the film.

We are first presented a cobweb castle, filled with the haunting doubts of the young protagonist. Spirits appear on the screen and are heard on the soundtrack. Gradually a female guide emerges and escorts the young man into an antechamber to another (and possibly higher) world.

For the first time I am animating hand-painted engraved cut-outs on a full-color background. The film is mood-filled: A duel scene in a snowy forest, obviously the morning after a masquerade ball. Harlequin lies dying, while Red Indian walks away with the wings of victory. The woman between them appears, cat-masked. The mask dissolves away. Her spirit passes into the face of the sun upon the sun upon the sun flower. But Harlequin cannot escape death. The blue world engulfs him.

Lawrence Jordan used forty-six engraved Gustave Doré illustrations from "Idylls of the King" as settings for his extravagantly romantic saga. As Enid, the protagonist, is seen in a vast array of scenes from deep forests to castle keeps. Her champion is sometimes with her, sometimes away fighting archetypal foes. Backed by Mahler, Jordan explores themes of love, death and resurrection.

A prodigious animated short film created using sketches scribbled on sheets of paper scattered around a room, which the author folds and unfolds as the story unfolds.

Phineas and Ferb team up with the Avengers to save the world from Dr. Doofenshmirtz and a group of dangerous supervillains.

Ollie, a passionate young skater, practices alone in an abandoned shopping mall, where she faces her own failures and self doubts. She begins to hone her tricks, transforming her universe into a unique visual and spiritual experience.

Paulette plays in the back yard, in the shade of a tall tree, with her doll, somewhere out in the countryside. Secretly watching other children have fun without her makes her sad. Then suddenly the wooden chair she is sitting on begins to move, and throws her off. She bravely gets on the chair again, which starts to buck like a wild horse, making her very happy. Racing through the countryside, the chair then throws her off, right into the middle of the group of playing children, helping her overcome her shyness.

This animated short revolves around the events causing an electrical systems failure on the west coast of the US. According to Blade Runner 2049’s official timeline, this failure leads to cities shutting down, financial and trade markets being thrown into chaos, and food supplies dwindling. There’s no proof as to what caused the blackouts, but Replicants — the bio-engineered robots featured in the original Blade Runner, are blamed.

Prometheus

Reverend Faulkner relates the role of folk tales and church spirituals as "underground" and subtle protest within the slave community. He recounts Simon Brown's remembrances of his bondage and Reconstruction.

A story of a relationship between an overprotective mother and her son. It is a playful game of constant changes of social and family roles, age and sizes. The film tries to answer the question who is truly an adult and what does it mean.

Sisyphus carries another Sisyphus, they represents a man who is carrying the greatest burden, himself and his own thoughts. In that struggle he will continue to carry the other Sisyphus, until he reaches the highest peak of his journey – his own end.

Father, son, the lighthouse as the center of their lives. Both grow up, the son leaving every day to pursue his studies, then returning to an increasingly elderly father who welcomes him with the same warmth, taking him, as he has always done over the years, to the piano to play together.