Little Waves

After years of bitter separation, Quinn learns that his brother Ray is gone for good. Seeking closure, he attends the funeral where he meets Daphne and discovers the shocking truth about Ray’s final hours.

A quiet stroll through the imaginary world of Iblard, originally depicted in the paintings by Naohisa Inoue, influenced by Impressionism and Surrealism.

Having just moved to Amsterdam, Lou prepares her new apartment that she will share with her partner, Joel. For now though, Joel is on a trip with an intimate other. Confronted with the complexities of her non-monogamous relationship, Lou shifts her gaze to the rhythms of her new city.

Cracks are starting to burst in Marina's frozen life, leading towards finding refuge in dangerous places.

On the London Underground, a young man relives past traumas as he endures the sensory overload of rush hour, only to look up and see a young woman at the end of the carriage going through the same PTSD symptoms. Their recognition of each other's condition allows them a moment of peace before the train jolts them back into reality and she disappears at the next platform.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

At the end of the eighth day the Creator has taken refuge in a dark dungeon . Obsessed with transcending he manipulates life to the extreme and tries to engender the perfect being that will immortalize him

When a young woman is shoved out of a cafe moments before a grenade is detonated by the very man who commits the attack, she struggles with the guilt of survival as she attempts to uncover the reason why her life was spared when so many others were taken.

A demon stuck with spirit board duty falls for a girl on the other side.

A dinner party with old friends takes a shocking turn as wounds are exposed, revelations are made, and the past resurfaces. Over one tense evening, Cynthia learns that some things can never be unsaid.

After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.

When casual hook-ups become too debilitating, a man suffering from Obsessive-Compulsive Disorder seeks out different ways to purge himself of the consequences of the night before.

Step back into the imaginative and frankly terrifying world of Becky & Joe with Don’t Hug Me I’m Scared. In this episode: Some things change over Time.

A young girl who lives in a remote wrecking yard takes on the local bullies when they travel out to torment her father.

Rebecca Sugar's thesis film from New York’s School of Visual Arts.

It's 1986, tormented teenager Henry is struggling with his sexuality and abusive home life. Henry sits in his closet contemplating suicide. In a flash of light he is transported to 2016 where he meets teenager Ben — now occupying his room 30 years later.

The cinematic kiss is probably one of the most archetypical images to be found in film history. It is usually a reassuring and sometimes climactic element in a movie's storyline. Not in Nicolas Provost's 'Gravity' though: with stroboscopic effects, more than a dozen kissing scenes, most from stereotypical 1950s romantic dramas, are edited together and superimposed. Narrative is subverted as the kissing is isolated from its context entirely; the action slows down and flickers back and forth. Every now and then, shots from different films overlap and match; protagonists merge and diverge again a few seconds later. The sugary and dramatic soundtrack of romantic film music contrasts with the deconstructed images; together, they form a dazzling 6-minute vertigo where love becomes a passionate battle.

Anika Price's LCAD Experimental Animation Senior thesis film.

Set in the 1960s, a young photographer becomes obsessed photographing a grieving man - the man that holds the truth to her brother's murder. She pushes the man into a spiral, and when her obsession comes to a sour end, realizes the tragic mistake she has made.

A son struggles with his father’s violent tendencies while his late mother attempts to help him.