This documentary discusses how LGBTIQA+ people experience the streets and nightlife of Istanbul in terms of a safe space through the unique, yet common experiences of queers from different backgrounds, and focuses especially on nightlife and the issue of safe space there, which is a very critical area for queers to exist as they are.
Tilburg artist Tommy van der Loo searches for the influence of superiority thinking, racism and colour in his life. Van der Loo is an emerging artist and his work has been purchased by Boijmans van Beuningen in Rotterdam. He also had an exhibition at the Kunsthal. He also made the memorial for the abolition of slavery in Eindhoven. He has had multiple experiences with discrimination and incorporates that into his sculptures. Identity and image formation are important to him: How do you look at others, how do others look at you. The search is the inspiration for his new sculpture.
You've seen him interview Mikhail Gorbachev, Angelina Jolie, Robbie Williams, Mariah Carey, Brad Pitt, Jane Fonda, Robert De Niro... You know him, but you don't really know him. Everyone has talked about Ardisson without ever getting close to the truth about him. My ambition: to reveal the man behind the costume of "The Man in Black." I thought to myself: if anyone can figure him out, it's me, a journalist and portraitist who has lived with him for 15 years. Who is the private Thierry behind the spectacular Ardisson? What we discover is how much Ardisson's personal history reflects the eras he has lived through, their contradictions, their utopias, their excesses, their violence. Like so many facets of a man and of society at the turn of the century.
"The theme of the film HIDDEN CITIES is personal urban perceptions, which we call 'the city'. The city, as a living organism, reflecting social processes and interactions, economic relations, political conditions and private matters. In the city, human memories, desires and tragedies find expression in the form of designations and marks engraved in house walls and paving slabs. But what the city really is under this thick layer of signs, what it contains or conceals, is what we are researching in the HIDDEN CITIES project. The source material for the film are 9 sequential photo works created by Gusztáv Hámos between 1975 and 2010. Each of these 'city perceptions' depicts essential situations of urban experiences containing human and inhuman acts in a compact form. The cities in which the photo sequences have been made are Berlin, Budapest and New York – places with a traumatised past: Wars, dictatorships, terrorist catastrophes."
This tribute program takes you back into the world of Thierry Ardisson, a particularly creative, provocative, and erudite host and producer. From "Tout le monde en parle" to "Salut les Terriens !", via "Lunettes noires pour nuits blanches", the program retraces his more than 40-year career and his extraordinary journey, featuring cult interviews, testimonials, and archive footage. Numerous guests will pay tribute to him and share their memories and anecdotes on set. Thierry Ardisson, "the man in black," shook up the French audiovisual landscape and left his mark on his era. The program is broadcast on all TV5 Monde channels and on TV5 Québec/Canada.
When filmmaker Mari Soppela took her children and husband to live for a year on a sacred mountain in her native Finland, she was fulfilling a lifelong dream to share the arctic wilderness of her childhood with her family. But when years later her children turn the camera onto her, she is forced to confront her motivation for filming their lives in this searching and searingly honest cinematic exploration of identity, belonging and motherhood. Filmed over the course of 27 years, Mother Land challenges us all to examine the landscapes we carry within us and the narratives we create to make sense of our lives.
A study of the alienated people who frequent the Ballhaus Barmbek dance hall, including an obese El groupie, an old man reciting poetry, two young women and a regular dance employee.
A Texan begins a cross-country journey in hope of finding the empty loft she keeps seeing in visions.
The city from the unique perspective of the many wild animals and plants that inhabit it. Seen through the eyes of the adventurous urban cat, Abatutu.
2005, at the corner of St. George and Robinson Streets; the gray observatory at the corner of temptation, my new apartment, where I am about to live an intense and poetic urban experience in the district of the red light fish & chip. Between the horizontal blades of my venetian blinds, the freaky-deaky city comes alive for me, image by image.
A manufactured memory.
A Cincinnati public school fights to break the cycle of poverty in its Urban Appalachian neighborhood, where senior Raven Gribbins aims to become the first in her troubled family to graduate and go to college. When Principal Craig Hockenberry's job is threatened, it becomes clear it's a make-or-break year for both of them.
Features gourmets chowing down on bats, voodoo practitioners, a chap who has a fetish for being covered in bees and a gal who has the Eiffel Tower tattooed on her behind so she can sell the skin at a later date. These choice cuts are interspersed with the usual parade of prostitutes, transvestites and strippers.
Artfully erotic nudity with plush, glamorous décor and sensual, atmospheric lighting: The Crazy Horse, in the French capital’s well-heeled eighth district, has been delighting audiences for 70 years with its special brand of classy Parisian cabaret.
We mark a new milestone in the chapter of human flight. Join Jetman Yves Rossy and his protege, Jetman Vince Reffet as they explore the limits in the city of dreams. "The real dream is to be completely free"
Currently, purchasing cannabis is done through 'the back door'. What is sold legally is purchased illegally. The end of 2019 marked the start of a four-year experiment in which cannabis grown under state supervision is legally traded. This should lead to less crime and better quality weed with fewer harmful substances. After a strict selection procedure, ten growers are selected who can supply this government weed. Bromet follows seasoned grower John - who wanted to run his nursery as legally and transparently as possible, but still lost everything after a lawsuit - and the businessmen of plan C who want to grow cannabis for the first time. Bromet also interviews coffee shop owners, politicians involved and both supporters and opponents. A follow-up documentary was made in 2024.
Bikes vs Cars depicts a global crisis that we all deep down know we need to talk about: Climate, earth's resources, cities where the entire surface is consumed by the car. An ever-growing, dirty, noisy traffic chaos. The bike is a great tool for change, but the powerful interests who gain from the private car invest billions each year on lobbying and advertising to protect their business. In the film we meet activists and thinkers who are fighting for better cities, who refuse to stop riding despite the increasing number killed in traffic.
Rotterdam 2040 is a film about the city’s future, departing from the principle of Gyz La Rivière that you can’t look ahead without considering your past (something that hasn’t always been Rotterdam’s strongest feature). At high speed, La Rivière reconstructs the history of Rotterdam from the time before the bombings until now, and expands the developments to the year 2040 (100 years after the bombing and the 700th anniversary of the city). La Rivière made a specific choice to expose his personal vision, which is sometimes radical or a little absurd. So no experts and no talking heads, but an assault of old and new imagery, held together by La Rivière as the narrator of the film. Although Rotterdam 2040 deals with architecture and urban renewal, it is actually a film about people. The subjective experience of the city by its (future) occupants mainly determines the parade of architectural blunders and suggestions for the future. All tongue-in-cheek of course.
Maryana came to the conclusion that she no longer wanted to live because the bullying became unbearable. Based on stories from her family, teachers, friends and classmates, we get an idea of who Maryana was and what kept her busy. All relatives have the same message: let's learn from this and ensure that this does not happen again in the future.
The underworld (imaginary and real) of Paris, depicted through several sketches. Kaleidoscope of the immoral and nauseating aspects of the capital.