A new film by Sheik Althaf Hussain. The plot is unknown at this moment; currently in private screenings and festival submissions.
A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).
yaya/ayat explores identities, being lost in translation and distance. But at its core it's about the filmmaker longing for a relationship with her geographically distant grandma and her journey to Greece to find her. This is an experimental documentary about how being a part of any diaspora shapes a person's identity.
Landscapes revealed themselves through text, paper through movement, while the sun gave them relief. This is a journey across found words, enunciating a discovery, their textures constructing the sea and the waves, in a travelogue from the first exploration, the first step over the sand towards the shore. “Amor” writes this joy to underline it in its time, captured on paper. This film has been composed through a scanner, and it’s the first chapter of the “Reír al Sol” series.
Martina and Sonja, cross-dress in vampire capes and werewolf claws, re-enacting familiar horror tropes. A corresponding soundtrack of stock screams and "scary" music suggests that the girls' toying with gender roles and power dynamics may have dire consequences.
The Taste of Palm Wine
An experimental sampled film which shows the pleasurable art of movies about movies through scenes inside of theaters.
An immersion into the surreal and dreamlike world of painter, photographer and filmmaker Man Ray (1890-1976), one of the most prolific American visual artists, through four of his short films, brought to life by the atmospheric music of SQÜRL.
The lights and characters of Fortaleza's nightlife blend into a sensory experience through images stored in the memory of the devices.
A surrealist, semi-found-footage short about everything and nothing at the same time.
Filmed during summer 2019, Jesus Is King brings Kanye West’s famed Sunday Service to life in the Roden Crater, visionary artist James Turrell’s never-before-seen installation in Arizona’s Painted Desert. This one-of-a-kind experience features songs arranged by West in the gospel tradition along with new music from his forthcoming album.
Cláudia is a Portuguese immigrant who deals with a terrorizing boss, her rejecting daughter and the strong mountain wind, as she cleans sophisticated Airbnb’s in the Swiss Alps.
The kings of the card game, tired of serving for the amusement of men, decide to participate in the lives of humans and behave like them.
An experimental re-edit of Jack Frost, starring Michael Keaton.
Twenty images of a camera running next to a chemical platform and capturing abstract light throught improvised gestures and asymmetrical motion
A train moves through winter as a superimposed image of the same route in spring gradually emerges. Both moments coexist within a single frame, revealing two seasons happening at once.
You're waiting,aren't you?
Beneath the blinding lights of an amphitheater that exist just slightly out of time and space. Moira, a girl clad in white danced like a puppet on a string to the tunes of looming horrors but also to the romanticism and tragedy that comes with humanity’s strong attachments to their kind and in some cases, to their own fate.
In Preparação I (Preparation I) Letícia Parente prepares herself to go out. In front of a bathroom mirror, she places bandages over her mouth and eyes, draws eyes and a mouth over the bandages, fixes her hair, takes her bag and leaves the room. This masquerade becomes a political commentary about the female gaze, voice, modes of interaction, sociality and corporeality in Brazilian society during the 1970s.
Experimental mash-up of circus and sideshow footage.