Every 9 Hours

A young man receives an emergency phone call on his cell phone from an older woman. She claims to have been kidnapped – and the kidnappers have targeted her husband and child next.

Humbert Humbert is a middle-aged British novelist who is both appalled by and attracted to the vulgarity of American culture. When he comes to stay at the boarding house run by Charlotte Haze, he soon becomes obsessed with Lolita, the woman's teenaged daughter.

After he loses his job, his father, and his girlfriend, Jan's life is a shambles. Then suddenly he meets freakish street musician Vera, and a bittersweet romance unfolds...

In the troubled city of Edison, a young journalist, his jaded editor, and an honest investigator from the district attorney's office join forces to gather evidence against corrupt members of an elite police unit.

A cat burglar is forced to take a bickering, dysfunctional family hostage on Christmas Eve.

Tired of being a banal architectural ornamental, a sculpture runs from the Louvre to confront real life on the streets of Paris.

After answering an ad on a dating website for Eastern European women, Olla leaves Ukraine and heads to French suburbia to move in with Pierre, who lives with his elderly mother. However, the suburbia cannot temper her desires, and nothing goes as expected.

On a street corner a mysterious conversation among three young men at street stalls. Meanwhile a traffic accident on a motorbike. The night brings together a sketch, a multicolor frame of reality.

Mob assassin Jeffrey is no ordinary hired gun; the best in his business, he views his chosen profession as a calling rather than simply a job. So, when beautiful nightclub chanteuse Jennie is blinded in the crossfire of his most recent hit, Jeffrey chooses to retire after one last job to pay for his unintended victim's sight-restoring operation. But when Jeffrey is double-crossed, he reluctantly joins forces with a rogue policeman to make things right.

Set in the future: Two men learn that a mysterious winged girl has been taken prisoner, and then decide that they must free her at any cost.

Ordinary people find extraordinary courage in the face of madness. On 13–14 November 1990 that madness came to Aramoana, a small New Zealand seaside town, in the form of a lone gunman with a high-powered semi-automatic rifle. As he stalked his victims the terrified and confused residents were trapped for 24 hours while a handful of under-resourced and under-armed local policemen risked their lives trying to find him and save the survivors. Based on true events.

Angoroj (1964; Esperanto for "Agonies") was the first feature film to be produced entirely in Esperanto. (Jacques-Louis Mahé, a friend of Raymond Schwartz and under the pseudonym of 'Lorjak', had however already produced a silent Esperanto publicity film before World War II, titled Antaŭen! (Onwards!). At the start of the 1960s Mahé, a professional photographic and cinematic expert, invested in the production of the first fictional film in Esperanto. Using a scenario by Mahé himself, the actors of the Internacia Arta Teatro (International Arts Theatre) presented a crime story, set in the Parisian periphery of petty thieves and cheats. Other notable people who played parts in the film included Schwartz (the commissioner), Gaston Waringhien (the voice-over) and many from the environs of the contemporary Paris, including a very young Michel Duc-Goninaz.

a short film documenting a day in the life of cl0ud

A retired army officer with exceptional marksmanship becomes an assassin for a crime lord, but things go awry when an old comrade is targeted.

A princess and a hunter. An iconographic journey immersed in Lusitanian fantasy.

Berlin, 1934. Many men are forced to live their hidden homosexuality. Erich, a photographer, has an appointment in his photo studio with Wolfgang, a Nazi soldier, with whom he shares a loving, tumultuous, and passionate relationship. For both of them, this should not be a problem, but appearances deceive.

As every summer, Louise is entrusted to her grand-parents for a few days of vacation in the country. The green grass of the garden, the swimming in the lake, the fishing with Grandpa, everything seems as sweet as Grandma's strawberry pies. Yet this year, the snow will fall in summer and a monster will die.

A young expecting couple comes to terms with their relationship and their loss.

Faraz’s quiet life working at an isolated petrol station is turned upside down when his ageing father Malik begins to speak in a long-forgotten language and insists on returning back home.

A grown-up son goes on a countryside trip with his ageing parents in the hopes of reigniting the relationship, but there is nothing left to reignite. This story of familial dysfunction is set against the picturesque backdrop of a dacha community (instantly recognisable to every post-Soviet native), rendered by Vytautas Katkas with irony and a rare sympathy for his hapless subjects.