A group of high-powered, middle-aged white men go to this place to take refuge from the stresses of their daily lives and spend time relaxing and regressing as “adult babies.” It’s set in a beautiful, secret location but this is not their only function. As adult babies, they are there to refuel the world’s economy by sinister and unusual means.
The clash of psychopaths begins when Elva discovers that her own friend, Talia, has taken Viola away. From a ‘pet cat’ to a forced ‘baby,’ Viola now watches as two twisted obsessions fight over her. Traumatized and terrified, she dares not escape, even when the chance arises, for one wrong move could return her to a far crueler torment.
Miya's story continues into an even darker terror. After being kidnapped, she is forced to live with a woman obsessed with becoming a mother, treating her as if she were a real baby. Any refusal only leads to violence, driving Miya into fearful submission. Her first night marks the beginning of psychological and physical torment that binds her to a life of control.
After successfully getting rid of Elva, Talia finally gains full control over Viola. In her own gentle yet possessive way, Talia begins to set rules that Viola must follow, slowly making her entirely dependent, like a baby who can’t live without her mother. But when Talia discovers that Elva is still alive, she quickly takes Viola to a new place, fearing that Elva might return and destroy the fragile control she has created.
Viola lives in constant terror after being kidnapped by Talia, a woman who forces her to live as a “baby” and forbids her from speaking. Every tiny mistake, even the way she cries, results in harsh punishment. Isolated and overwhelmed by fear, Viola finally gathers the courage to break the silence. She pleads with Talia to stop hitting her, insisting that if Talia truly wants her to be her “baby,” then she must treat her like a real one, without violence, without pain.
After forcing Viola to cry like a baby before feeding her, Talia interprets those tears as a trigger for her twisted sense of motherhood. Even after feeding and “caring” for Viola, she punishes the girl for not following her obsessive rules about how a baby should behave. Viola endures days filled with pressure, absolute control, and a strict system that forces her to think and act like a real infant, while recognizing Talia as the “mother” she must obey completely. Every rule broken brings harsh punishment, followed by Talia’s disturbingly gentle affection. In her obsessive embrace, Talia breastfeeds Viola, lulling the frightened girl into sleep like a baby surrendering to false warmth and comfort. To Talia, this isn’t cruelty, it is a routine of love, domination, and obsession that she believes is her own version of “motherhood.
The loss of her husband and baby drives a woman into terrifying loneliness. She kidnaps a fragile young girl to replace her lost child, forcing her to behave like a real baby and call her 'Mama.' Every act of resistance only leads to torment, as her grip over the girl's life tightens further.
Viola’s torment continues in a far crueler form. After a month in hiding, she is now under the control of Talia, Elva’s friend who treats her even worse than before. From being a ‘pet cat’ to a ‘baby’ forced into harsh care, Viola is trapped in a new cycle of suffering, veiled under the guise of affection.
Two "milice" officers Janez and Franci are back after 20 years. This time they have to deal with Czech mafia and their leader Franta.
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A British comedy film directed by Leslie S. Hiscott
A man becomes bored with married life and pretends to have lost his memory so he can pursue other women.
Chinese comedy "Chen Xiang half past six words" tells the story of science and technology entrepreneurial company CEO Li Wanchuan tongue-like, relying on their own eloquent made a lot of the original did not engage in the first business, but also witty Discourage the guests who want to find trouble. But also rely on their own eloquence, Li Daguang humiliated want to pursue their former girlfriend by the small East. In the rise of life when the green onions suddenly received an eccentric bell, the clock when he was talking to go backwards.
The world is populated only by people with Down syndrome. One day, a boy is born who is different. He is not ‘normal’, because he looks a little bit different and behaves a little bit unusual.
Traditional Sunday dinners at Mama Joe's (Irma P. Hall) turn sour when sisters Teri (Vanessa L. Williams), Bird (Nia Long) and Maxine (Vivica A. Fox) start bringing their problems to the dinner table in this ensemble comedy. When tragedy strikes, it's up to grandson Ahmad (Brandon Hammond) to pull the family together and put the soul back into the family's weekly gatherings.
Russell Walker is a young, successful manager of rap performers, handling acts for the Krush Groove label, including Run-DMC and The Fat Boys. When Run-D.M.C. has a hit record and Russell needs more money to press more copies, he borrows it from a street hustler and soon regrets his decision.
Two blue-collar buddies search the underworld for a winning lottery ticket lost in a nightclub holdup.